Vanity Fair by William Makepeace Thackeray (best thriller novels to read TXT) 📕

Frankness and kindness like Amelia’s were likely to touch even such a hardened little reprobate as Becky. She returned Emmy’s caresses and kind speeches with something very like gratitude, and an emotion which, if it was not lasting, for a moment was almost genuine. That was a lucky stroke of hers about the child “torn from her arms shrieking.” It was by that harrowing misfortune that Becky had won her friend back, and it was one of the very first points, we may be certain, upon which our poor simple little Emmy began to talk to her newfound acquaintance.

“And so they took your darling child from you?” our simpleton cried out. “Oh, Rebecca, my poor dear suffering friend, I know what it is to lose a boy, and to feel for those who have lost one. But please Heaven yours will be restored to you, as a merciful merciful Providence has brought me back mine.”

“The child, my child? Oh, yes, my agonies were frightful,” Becky owned, not perhaps without a twinge of conscience. It jarred upon her to be obliged to commence instantly to tell lies in reply to so much confidence and simplicity. But that is the misfortune of beginning with this kind of forgery. When one fib becomes due as it were, you must forge another to take up the old acceptance; and so the stock of your lies in circulation inevitably multiplies, and the danger of detection increases every day.

“My agonies,” Becky continued, “were terrible (I hope she won’t sit down on the bottle) when they took him away from me; I thought I should die; but I fortunately had a brain fever, during which my doctor gave me up, and⁠—and I recovered, and⁠—and here I am, poor and friendless.”

“How old is he?” Emmy asked.

“Eleven,” said Becky.

“Eleven!” cried the other. “Why, he was born the same year with Georgy, who is⁠—”

“I know, I know,” Becky cried out, who had in fact quite forgotten all about little Rawdon’s age. “Grief has made me forget so many things, dearest Amelia. I am very much changed: half-wild sometimes. He was eleven when they took him away from me. Bless his sweet face; I have never seen it again.”

“Was he fair or dark?” went on that absurd little Emmy. “Show me his hair.”

Becky almost laughed at her simplicity. “Not today, love⁠—some other time, when my trunks arrive from Leipzig, whence I came to this place⁠—and a little drawing of him, which I made in happy days.”

“Poor Becky, poor Becky!” said Emmy. “How thankful, how thankful I ought to be”; (though I doubt whether that practice of piety inculcated upon us by our womankind in early youth, namely, to be thankful because we are better off than somebody else, be a very rational religious exercise) and then she began to think, as usual, how her son was the handsomest, the best, and the cleverest boy in the whole world.

“You will see my Georgy,” was the best thing Emmy could think of to console Becky. If anything could make her comfortable that would.

And so the two women continued talking for an hour or more, during which Becky had the opportunity of giving her new friend a full and complete version of her private history. She showed how her marriage with Rawdon Crawley had always been viewed by the family with feelings of the utmost hostility; how her sister-in-law (an artful woman) had poisoned her husband’s mind against her; how he had formed odious connections, which had estranged his affections from her: how she had borne everything⁠—poverty, neglect, coldness from the being whom she most loved⁠—and all for the sake of her child; how, finally, and by the most flagrant outrage, she had been driven into demanding a separation from her husband, when the wretch did not scruple to ask that she should sacrifice her own fair fame so that he might procure advancement through the means of a very great and powerful but unprincipled man⁠—the Marquis of Steyne, indeed. The atrocious monster!

This part of her eventful history Becky gave with the utmost feminine delicacy and the most indignant virtue. Forced to fly her husband’s roof by this insult, the coward had pursued his revenge by taking her child from her. And thus Becky said she was a wanderer, poor, unprotected, friendless, and wretched.

Emmy received this story, which was told at some length, as those persons who are acquainted with her character may imagine that she would. She quivered with indignation at the account of the conduct of the miserable Rawdon and the unprincipled Steyne. Her eyes made notes of admiration for every one of the sentences in which Becky described the persecutions of her aristocratic relatives and the falling away of her husband. (Becky did not abuse him. She spoke rather in sorrow than in anger. She had loved him only too fondly: and was he not the father of her boy?) And as for the separation scene from the child, while Becky was reciting it, Emmy retired altogether behind her pocket-handkerchief, so that the consummate little tragedian must have been charmed to see the effect which her performance produced on her audience.

Whilst the ladies were carrying on their conversation, Amelia’s constant escort, the Major (who, of course, did not wish to interrupt their conference, and found himself rather tired of creaking about the narrow stair passage of which the roof brushed the nap from his hat) descended to the ground-floor of the house and into the great room common to all the frequenters of the Elephant, out of which the stair led. This apartment is always in a fume of smoke and liberally sprinkled with beer. On a dirty table stand scores of corresponding brass candlesticks with tallow candles for the lodgers, whose keys hang up in rows over the candles. Emmy had passed blushing through the room anon, where all sorts of people were collected; Tyrolese glove-sellers and Danubian linen-merchants, with their packs;