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queen, Madonna mia; like the great and wise Queen of Sheba.โ€

โ€œWhat an unkind speech!โ€ she retorted, laughing; โ€œwhen you know how hard Iโ€™ve been trying to mould myself into the image of the typical society lady! Who wants a conspirator to look like the Queen of Sheba? Thatโ€™s not the way to keep clear of spies.โ€

โ€œYouโ€™ll never be able to personate the stupid society woman if you try forever. But it doesnโ€™t matter, after all; youโ€™re too fair to look upon for spies to guess your opinions, even though you canโ€™t simper and hide behind your fan like Signora Grassini.โ€

โ€œNow Cesare, let that poor woman alone! There, take some more barley-sugar to sweeten your temper. Are you ready? Then we had better start.โ€

Martini had been quite right in saying that the conversazione would be both crowded and dull. The literary men talked polite small-talk and looked hopelessly bored, while the โ€œnondescript crowd of tourists and Russian princesโ€ fluttered up and down the rooms, asking each other who were the various celebrities and trying to carry on intellectual conversation. Grassini was receiving his guests with a manner as carefully polished as his boots; but his cold face lighted up at the sight of Gemma. He did not really like her and indeed was secretly a little afraid of her; but he realized that without her his drawing room would lack a great attraction. He had risen high in his profession, and now that he was rich and well known his chief ambition was to make of his house a centre of liberal and intellectual society. He was painfully conscious that the insignificant, overdressed little woman whom in his youth he had made the mistake of marrying was not fit, with her vapid talk and faded prettiness, to be the mistress of a great literary salon. When he could prevail upon Gemma to come he always felt that the evening would be a success. Her quiet graciousness of manner set the guests at their ease, and her very presence seemed to lay the spectre of vulgarity which always, in his imagination, haunted the house.

Signora Grassini greeted Gemma affectionately, exclaiming in a loud whisper: โ€œHow charming you look tonight!โ€ and examining the white cashmere with viciously critical eyes. She hated her visitor rancourously, for the very things for which Martini loved her; for her quiet strength of character; for her grave, sincere directness; for the steady balance of her mind; for the very expression of her face. And when Signora Grassini hated a woman, she showed it by effusive tenderness. Gemma took the compliments and endearments for what they were worth, and troubled her head no more about them. What is called โ€œgoing into societyโ€ was in her eyes one of the wearisome and rather unpleasant tasks which a conspirator who wishes not to attract the notice of spies must conscientiously fulfil. She classed it together with the laborious work of writing in cipher; and, knowing how valuable a practical safeguard against suspicion is the reputation of being a well-dressed woman, studied the fashion-plates as carefully as she did the keys of her ciphers.

The bored and melancholy literary lions brightened up a little at the sound of Gemmaโ€™s name; she was very popular among them; and the radical journalists, especially, gravitated at once to her end of the long room. But she was far too practised a conspirator to let them monopolize her. Radicals could be had any day; and now, when they came crowding round her, she gently sent them about their business, reminding them with a smile that they need not waste their time on converting her when there were so many tourists in need of instruction. For her part, she devoted herself to an English M.P. whose sympathies the republican party was anxious to gain; and, knowing him to be a specialist on finance, she first won his attention by asking his opinion on a technical point concerning the Austrian currency, and then deftly turned the conversation to the condition of the Lombardo-Venetian revenue. The Englishman, who had expected to be bored with small-talk, looked askance at her, evidently fearing that he had fallen into the clutches of a bluestocking; but finding that she was both pleasant to look at and interesting to talk to, surrendered completely and plunged into as grave a discussion of Italian finance as if she had been Metternich. When Grassini brought up a Frenchman โ€œwho wishes to ask Signora Bolla something about the history of Young Italy,โ€ the M.P. rose with a bewildered sense that perhaps there was more ground for Italian discontent than he had supposed.

Later in the evening Gemma slipped out on to the terrace under the drawing-room windows to sit alone for a few moments among the great camellias and oleanders. The close air and continually shifting crowd in the rooms were beginning to give her a headache. At the further end of the terrace stood a row of palms and tree-ferns, planted in large tubs which were hidden by a bank of lilies and other flowering plants. The whole formed a complete screen, behind which was a little nook commanding a beautiful view out across the valley. The branches of a pomegranate tree, clustered with late blossoms, hung beside the narrow opening between the plants.

In this nook Gemma took refuge, hoping that no one would guess her whereabouts until she had secured herself against the threatening headache by a little rest and silence. The night was warm and beautifully still; but coming out from the hot, close rooms she felt it cool, and drew her lace scarf about her head.

Presently the sounds of voices and footsteps approaching along the terrace roused her from the dreamy state into which she had fallen. She drew back into the shadow, hoping to escape notice and get a few more precious minutes of silence before again having to rack her tired brain for conversation. To her great annoyance the footsteps paused near to

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