Bulfinch’s Mythology by Thomas Bulfinch (best ebook reader for chromebook TXT) 📕
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Thomas Bulfinch was an American banker and Latin scholar. Bulfinch’s Mythology is a posthumous compilation of three volumes published by Bulfinch during his lifetime which were intended to introduce the general reader to the myths and legends of Western Civilization by presenting them in simple prose with occasional commentary by the author. Bulfinch also includes many quotations showing how these stories have been handled by poets and playwrights of later years.
The three original volumes are The Age of Fable (1855), dealing largely with Greek and Roman mythology but also touching on the mythology of other cultures such as the Indian, Egyptian and Norse myths; The Age of Chivalry (1858), dealing with Arthurian legend, the Holy Grail and the Mabinogeon; and Legends of Charlemagne (1863), dealing with the fantastical legends surrounding Charlemagne and his “paladins” such as Orlando, Oliver and Rogero.
The combined volume entitled Bulfinch’s Mythology quickly became very popular, and by some accounts it is one of the most popular books ever published in the United States.
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- Author: Thomas Bulfinch
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The vessel shares all these changes. It seems like a wild beast that rushes on the spears of the hunters. Rain falls in torrents, as if the skies were coming down to unite with the sea. When the lightning ceases for a moment, the night seems to add its own darkness to that of the storm; then comes the flash, rending the darkness asunder, and lighting up all with a glare. Skill fails, courage sinks, and death seems to come on every wave. The men are stupefied with terror. The thought of parents, and kindred, and pledges left at home, comes over their minds. Ceyx thinks of Halcyone. No name but hers is on his lips, and while he yearns for her, he yet rejoices in her absence. Presently the mast is shattered by a stroke of lightning, the rudder broken, and the triumphant surge curling over looks down upon the wreck, then falls, and crushes it to fragments. Some of the seamen, stunned by the stroke, sink, and rise no more; others cling to fragments of the wreck. Ceyx, with the hand that used to grasp the sceptre, holds fast to a plank, calling for help—alas, in vain—upon his father and his father-in-law. But oftenest on his lips was the name of Halcyone. To her his thoughts cling. He prays that the waves may bear his body to her sight, and that it may receive burial at her hands. At length the waters overwhelm him, and he sinks. The Daystar looked dim that night. Since it could not leave the heavens, it shrouded its face with clouds.
In the meanwhile Halcyone, ignorant of all these horrors, counted the days till her husband’s promised return. Now she gets ready the garments which he shall put on, and now what she shall wear when he arrives. To all the gods she offers frequent incense, but more than all to Juno. For her husband, who was no more, she prayed incessantly: that he might be safe; that he might come home; that he might not, in his absence, see anyone that he would love better than her. But of all these prayers, the last was the only one destined to be granted. The goddess, at length, could not bear any longer to be pleaded with for one already dead, and to have hands raised to her altars that ought rather to be offering funeral rites. So, calling Iris, she said, “Iris, my faithful messenger, go to the drowsy dwelling of Somnus, and tell him to send a vision to Halcyone in the form of Ceyx, to make known to her the event.”
Iris puts on her robe of many colors, and tingeing the sky with her bow, seeks the palace of the King of Sleep. Near the Cimmerian country, a mountain cave is the abode of the dull god Somnus. Here Phoebus dares not come, either rising, at midday, or setting. Clouds and shadows are exhaled from the ground, and the light glimmers faintly. The bird of dawning, with crested head, never there calls aloud to Aurora, nor watchful dog, nor more sagacious goose disturbs the silence. No wild beast, nor cattle, nor branch moved with the wind, nor sound of human conversation, breaks the stillness. Silence reigns there; but from the bottom of the rock the River Lethe flows, and by its murmur invites to sleep. Poppies grow abundantly before the door of the cave, and other herbs, from whose juices Night collects slumbers, which she scatters over the darkened earth. There is no gate to the mansion, to creak on its hinges, nor any watchman; but in the midst a couch of black ebony, adorned with black plumes and black curtains. There the god reclines, his limbs relaxed with sleep. Around him lie dreams, resembling all various forms, as many as the harvest bears stalks, or the forest leaves, or the seashore sand grains.
As soon as the goddess entered and brushed away the dreams that hovered around her, her brightness lit up all the cave. The god, scarce opening his eyes, and ever and anon dropping his beard upon his breast, at last shook himself free from himself, and leaning on his arm, inquired her errand—for he knew who she was. She answered, “Somnus, gentlest of the gods, tranquillizer of minds and soother of careworn hearts, Juno sends you her commands that you despatch a dream to Halcyone, in the city of Trachine, representing her lost husband and all the events of the wreck.”
Having delivered her message, Iris hasted away, for she could not longer endure the stagnant air, and as she felt drowsiness creeping over her, she made her escape, and returned by her bow the way she came. Then Somnus called one of his numerous sons—Morpheus—the most expert in counterfeiting forms, and in imitating the walk, the countenance, and mode of speaking, even the clothes and attitudes most characteristic of each. But he only imitates men, leaving it to another to personate birds, beasts, and serpents. Him they call Icelos; and Phantasos is a third, who turns himself into rocks, waters, woods, and other things without life. These wait upon kings and great personages in their sleeping hours, while others move among the
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