The Three Musketeers by Alexandre Dumas (to read list txt) 📕
Description
The Three Musketeers is the first of three adventure novels written by Alexandre Dumas featuring the character of d’Artagnan.
The young d’Artagnan leaves home in Gascony for Paris to join the King’s Musketeers. On his way to Paris, the letter which will introduce him to the commander of the Musketeers is stolen by a mysterious man in the town of Meung. This “Man of Meung” turns out to be a confidant of the infamous Cardinal Richelieu, the chief minister of the government of France.
When he arrives in Paris and seeks an audience with the commander of the Musketeers, d’Artagnan sees this man again and rushes to confront him. As he pushes his way out he provokes three inseparable musketeers—Athos, Porthos and Aramis—and ends up setting up duels with all three of them that afternoon. At the first of the duels he discovers, to his surprise, that each of the three is a second to the other. As they start to fight, they are ambushed by the Cardinal’s men and join forces. So begins one of the most enduring partnerships in literature.
When d’Artagnan’s landlord tells him that his wife has been kidnapped, d’Artagnan investigates, falls in love and becomes embroiled in a plot to destabilize France.
The Three Musketeers was first published in 1844 and has been adapted for stage, film, television, and animation many times; such is the endurance of its appeal. At its heart is a fast-paced tale of love and adventure.
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- Author: Alexandre Dumas
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The repast was carried into effect that very day, and the lackey waited at table. The repast had been ordered by Athos, and the lackey furnished by Porthos. He was a Picard, whom the glorious musketeer had picked up on the Bridge Tournelle, making rings and plashing in the water.
Porthos pretended that this occupation was proof of a reflective and contemplative organization, and he had brought him away without any other recommendation. The noble carriage of this gentleman, for whom he believed himself to be engaged, had won Planchet—that was the name of the Picard. He felt a slight disappointment, however, when he saw that this place was already taken by a compeer named Mousqueton, and when Porthos signified to him that the state of his household, though great, would not support two servants, and that he must enter into the service of d’Artagnan. Nevertheless, when he waited at the dinner given by his master, and saw him take out a handful of gold to pay for it, he believed his fortune made, and returned thanks to heaven for having thrown him into the service of such a Croesus. He preserved this opinion even after the feast, with the remnants of which he repaired his own long abstinence; but when in the evening he made his master’s bed, the chimeras of Planchet faded away. The bed was the only one in the apartment, which consisted of an antechamber and a bedroom. Planchet slept in the antechamber upon a coverlet taken from the bed of d’Artagnan, and which d’Artagnan from that time made shift to do without.
Athos, on his part, had a valet whom he had trained in his service in a thoroughly peculiar fashion, and who was named Grimaud. He was very taciturn, this worthy signor. Be it understood we are speaking of Athos. During the five or six years that he had lived in the strictest intimacy with his companions, Porthos and Aramis, they could remember having often seen him smile, but had never heard him laugh. His words were brief and expressive, conveying all that was meant, and no more; no embellishments, no embroidery, no arabesques. His conversation was a matter of fact, without a single romance.
Although Athos was scarcely thirty years old, and was of great personal beauty and intelligence of mind, no one knew whether he had ever had a mistress. He never spoke of women. He certainly did not prevent others from speaking of them before him, although it was easy to perceive that this kind of conversation, in which he only mingled by bitter words and misanthropic remarks, was very disagreeable to him. His reserve, his roughness, and his silence made almost an old man of him. He had, then, in order not to disturb his habits, accustomed Grimaud to obey him upon a simple gesture or upon a simple movement of his lips. He never spoke to him, except under the most extraordinary occasions.
Sometimes, Grimaud, who feared his master as he did fire, while entertaining a strong attachment to his person and a great veneration for his talents, believed he perfectly understood what he wanted, flew to execute the order received, and did precisely the contrary. Athos then shrugged his shoulders, and, without putting himself in a passion, thrashed Grimaud. On these days he spoke a little.
Porthos, as we have seen, had a character exactly opposite to that of Athos. He not only talked much, but he talked loudly, little caring, we must render him that justice, whether anybody listened to him or not. He talked for the pleasure of talking and for the pleasure of hearing himself talk. He spoke upon all subjects except the sciences, alleging in this respect the inveterate hatred he had borne to scholars from his childhood. He had not so noble an air as Athos, and the commencement of their intimacy often rendered him unjust toward that gentleman, whom he endeavored to eclipse by his splendid dress. But with his simple musketeer’s uniform and nothing but the manner in which he threw back his head and advanced his foot, Athos instantly took the place which was his due and consigned the ostentatious Porthos to the second rank. Porthos consoled himself by filling the antechamber of M. de Tréville and the guardroom of the Louvre with the accounts of his love scrapes, after having passed from professional ladies to military ladies, from the lawyer’s dame to the baroness, there was question of nothing less with Porthos than a foreign princess, who was enormously fond of him.
An old proverb says, “Like master, like man.” Let us pass, then, from the valet of Athos to the valet of Porthos, from Grimaud to Mousqueton.
Mousqueton was a Norman, whose pacific name of Boniface his master had changed into the infinitely more sonorous name of Mousqueton. He had entered the service of Porthos upon condition that he should only be clothed and lodged, though in a handsome manner; but he claimed two hours a day to himself, consecrated to an employment which would provide for his other wants. Porthos agreed to the bargain; the thing suited him wonderfully well. He had doublets cut out of his old clothes and cast-off cloaks for Mousqueton, and thanks to a very intelligent tailor, who made his clothes look as good as new by turning them, and whose wife was suspected of wishing to make Porthos descend from his aristocratic habits, Mousqueton made a very good figure when attending on his master.
As for Aramis, of whom we believe we have sufficiently explained the character—a character which, like that of his companions, we shall be able to follow in its development—his lackey was called Bazin. Thanks to the hopes which his master entertained of someday entering into orders, he was always clothed in black, as became the servant of a churchman. He was a Berrichon, thirty-five or
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