Little Dorrit by Charles Dickens (suggested reading .TXT) 📕
Description
Little Dorrit, like many of Charles Dickens’ novels, was originally published in serial form over a period of about 18 months, before appearing in book form in 1857.
The novel focuses on the experiences of its protagonist Arthur Clenham, who has spent some twenty years in China helping his father run the family business there. After his father dies, Arthur returns home to London. His mother gives him little in the way of welcome. She is a cold, bitter woman who has brought Arthur up under a strict religious regime concentrating on the punitive aspects of the Old Testament. Despite this upbringing, or perhaps in reaction to it, Arthur is a kind, considerate man. He is intrigued by a slight young woman he encounters working as a part-time seamstress for his mother, whom his mother calls simply “Little Dorrit.” Arthur senses some mystery about her mother’s employment of Little Dorrit, and proceeds to investigate.
There are several subplots and a whole host of characters. Compared to some of Dickens’ work, Little Dorrit features a good deal of intrigue and tension. There are also some strong strands of humor, in the form of the fictional “Circumlocution Office,” whose sole remit is “How Not To Do It,” and which stands in the way of any improvement of British life. Also very amusing are the rambling speeches of Flora, a woman with whom Arthur was enamored before he left for China, but whose shallowness he now perceives only too well.
Little Dorrit has been adapted for the screen many times, and by the BBC in 2010 in a limited television series which featured Claire Foy as Little Dorrit, Matthew Macfayden as Arthur Clenham, and Andy Serkis as the villain Rigaud.
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- Author: Charles Dickens
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So errant had the prisoner’s attention already grown in solitude and dejection, and so accustomed had it become to commune with only one silent figure within the ever-frowning walls, that Clennam had to shake off a kind of stupor before he could look at Mr. Rugg, recall the thread of his talk, and hurriedly say, “I am unchanged, and unchangeable, in my decision. Pray, let it be; let it be!” Mr. Rugg, without concealing that he was nettled and mortified, replied:
“Oh! Beyond a doubt, sir. I have travelled out of the record, sir, I am aware, in putting the point to you. But really, when I hear it remarked in several companies, and in very good company, that however worthy of a foreigner, it is not worthy of the spirit of an Englishman to remain in the Marshalsea when the glorious liberties of his island home admit of his removal to the Bench, I thought I would depart from the narrow professional line marked out to me, and mention it. Personally,” said Mr. Rugg, “I have no opinion on the topic.”
“That’s well,” returned Arthur.
“Oh! None at all, sir!” said Mr. Rugg. “If I had, I should have been unwilling, some minutes ago, to see a client of mine visited in this place by a gentleman of a high family riding a saddle-horse. But it was not my business. If I had, I might have wished to be now empowered to mention to another gentleman, a gentleman of military exterior at present waiting in the Lodge, that my client had never intended to remain here, and was on the eve of removal to a superior abode. But my course as a professional machine is clear; I have nothing to do with it. Is it your good pleasure to see the gentleman, sir?”
“Who is waiting to see me, did you say?”
“I did take that unprofessional liberty, sir. Hearing that I was your professional adviser, he declined to interpose before my very limited function was performed. Happily,” said Mr. Rugg, with sarcasm, “I did not so far travel out of the record as to ask the gentleman for his name.”
“I suppose I have no resource but to see him,” sighed Clennam, wearily.
“Then it is your good pleasure, sir?” retorted Rugg. “Am I honoured by your instructions to mention as much to the gentleman, as I pass out? I am? Thank you, sir. I take my leave.” His leave he took accordingly, in dudgeon.
The gentleman of military exterior had so imperfectly awakened Clennam’s curiosity, in the existing state of his mind, that a half-forgetfulness of such a visitor’s having been referred to, was already creeping over it as a part of the sombre veil which almost always dimmed it now, when a heavy footstep on the stairs aroused him. It appeared to ascend them, not very promptly or spontaneously, yet with a display of stride and clatter meant to be insulting. As it paused for a moment on the landing outside his door, he could not recall his association with the peculiarity of its sound, though he thought he had one. Only a moment was given him for consideration. His door was immediately swung open by a thump, and in the doorway stood the missing Blandois, the cause of many anxieties.
“Salve, fellow jailbird!” said he. “You want me, it seems. Here I am!”
Before Arthur could speak to him in his indignant wonder, Cavalletto followed him into the room. Mr. Pancks followed Cavalletto. Neither of the two had been there since its present occupant had had possession of it. Mr. Pancks, breathing hard, sidled near the window, put his hat on the ground, stirred his hair up with both hands, and folded his arms, like a man who had come to a pause in a hard day’s work. Mr. Baptist, never taking his eyes from his dreaded chum of old, softly sat down on the floor with his back against the door and one of his ankles in each hand: resuming the attitude (except that it was now expressive of unwinking watchfulness) in which he had sat before the same man in the deeper shade of another prison, one hot morning at Marseilles.
“I have it on the witnessing of these two madmen,” said Monsieur Blandois, otherwise Lagnier, otherwise Rigaud, “that you want me, brother-bird. Here I am!”
Glancing round contemptuously at the bedstead, which was turned up by day, he leaned his back against it as a resting-place, without removing his hat from his head, and stood defiantly lounging with his hands in his pockets.
“You villain of ill-omen!” said Arthur. “You have purposely cast a dreadful suspicion upon my mother’s house. Why have you done it? What prompted you to the devilish invention?”
Monsieur Rigaud, after frowning at him for a moment, laughed. “Hear this noble gentleman! Listen, all the world, to this creature of Virtue! But take care, take care. It is possible, my friend, that your ardour is a little compromising. Holy Blue! It is possible.”
“Signore!” interposed Cavalletto, also addressing Arthur: “for to commence, hear me! I received your instructions to find him, Rigaud; is it not?”
“It is the truth.”
“I go, consequentementally,”—it would have given Mrs. Plornish great concern if she could have been persuaded that his occasional lengthening of an adverb in this way, was the chief fault of his English—“first among my countrymen. I ask them what news in Londra, of foreigners arrived. Then I go among the French. Then I go among the Germans. They all tell me. The great part of us know well the other, and they all tell me. But!—no person can tell me nothing of him, Rigaud. Fifteen times,” said Cavalletto, thrice throwing out his left hand with all its fingers spread, and doing it so rapidly that the sense of sight could hardly follow the action, “I ask of him in every place where go the foreigners; and fifteen times,” repeating the same swift
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