Little Dorrit by Charles Dickens (suggested reading .TXT) 📕
Description
Little Dorrit, like many of Charles Dickens’ novels, was originally published in serial form over a period of about 18 months, before appearing in book form in 1857.
The novel focuses on the experiences of its protagonist Arthur Clenham, who has spent some twenty years in China helping his father run the family business there. After his father dies, Arthur returns home to London. His mother gives him little in the way of welcome. She is a cold, bitter woman who has brought Arthur up under a strict religious regime concentrating on the punitive aspects of the Old Testament. Despite this upbringing, or perhaps in reaction to it, Arthur is a kind, considerate man. He is intrigued by a slight young woman he encounters working as a part-time seamstress for his mother, whom his mother calls simply “Little Dorrit.” Arthur senses some mystery about her mother’s employment of Little Dorrit, and proceeds to investigate.
There are several subplots and a whole host of characters. Compared to some of Dickens’ work, Little Dorrit features a good deal of intrigue and tension. There are also some strong strands of humor, in the form of the fictional “Circumlocution Office,” whose sole remit is “How Not To Do It,” and which stands in the way of any improvement of British life. Also very amusing are the rambling speeches of Flora, a woman with whom Arthur was enamored before he left for China, but whose shallowness he now perceives only too well.
Little Dorrit has been adapted for the screen many times, and by the BBC in 2010 in a limited television series which featured Claire Foy as Little Dorrit, Matthew Macfayden as Arthur Clenham, and Andy Serkis as the villain Rigaud.
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- Author: Charles Dickens
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“Touch me with a finger, touch me with an epithet, question my superiority as I sit here drinking my wine at my pleasure,” said Rigaud, “and I follow the letter and cancel my week’s grace. You wanted me? You have got me! How do you like me?”
“You know,” returned Clennam, with a bitter sense of his helplessness, “that when I sought you, I was not a prisoner.”
“To the Devil with you and your prison,” retorted Rigaud, leisurely, as he took from his pocket a case containing the materials for making cigarettes, and employed his facile hands in folding a few for present use; “I care for neither of you. Contrabandist! A light.”
Again Cavalletto got up, and gave him what he wanted. There had been something dreadful in the noiseless skill of his cold, white hands, with the fingers lithely twisting about and twining one over another like serpents. Clennam could not prevent himself from shuddering inwardly, as if he had been looking on at a nest of those creatures.
“Hola, Pig!” cried Rigaud, with a noisy stimulating cry, as if Cavalletto were an Italian horse or mule. “What! The infernal old jail was a respectable one to this. There was dignity in the bars and stones of that place. It was a prison for men. But this? Bah! A hospital for imbeciles!”
He smoked his cigarette out, with his ugly smile so fixed upon his face that he looked as though he were smoking with his drooping beak of a nose, rather than with his mouth; like a fancy in a weird picture. When he had lighted a second cigarette at the still burning end of the first, he said to Clennam:
“One must pass the time in the madman’s absence. One must talk. One can’t drink strong wine all day long, or I would have another bottle. She’s handsome, sir. Though not exactly to my taste, still, by the Thunder and the Lightning! handsome. I felicitate you on your admiration.”
“I neither know nor ask,” said Clennam, “of whom you speak.”
“Della bella Gowana, sir, as they say in Italy. Of the Gowan, the fair Gowan.”
“Of whose husband you were the—follower, I think?”
“Sir? Follower? You are insolent. The friend.”
“Do you sell all your friends?”
Rigaud took his cigarette from his mouth, and eyed him with a momentary revelation of surprise. But he put it between his lips again, as he answered with coolness:
“I sell anything that commands a price. How do your lawyers live, your politicians, your intriguers, your men of the Exchange? How do you live? How do you come here? Have you sold no friend? Lady of mine! I rather think, yes!”
Clennam turned away from him towards the window, and sat looking out at the wall.
“Effectively, sir,” said Rigaud, “Society sells itself and sells me: and I sell Society. I perceive you have acquaintance with another lady. Also handsome. A strong spirit. Let us see. How do they call her? Wade.”
He received no answer, but could easily discern that he had hit the mark.
“Yes,” he went on, “that handsome lady and strong spirit addresses me in the street, and I am not insensible. I respond. That handsome lady and strong spirit does me the favour to remark, in full confidence, ‘I have my curiosity, and I have my chagrins. You are not more than ordinarily honourable, perhaps?’ I announce myself, ‘Madame, a gentleman from the birth, and a gentleman to the death; but not more than ordinarily honourable. I despise such a weak fantasy.’ Thereupon she is pleased to compliment. ‘The difference between you and the rest is,’ she answers, ‘that you say so.’ For she knows Society. I accept her congratulations with gallantry and politeness. Politeness and little gallantries are inseparable from my character. She then makes a proposition, which is, in effect, that she has seen us much together; that it appears to her that I am for the passing time the cat of the house, the friend of the family; that her curiosity and her chagrins awaken the fancy to be acquainted with their movements, to know the manner of their life, how the fair Gowana is beloved, how the fair Gowana is cherished, and so on. She is not rich, but offers such and such little recompenses for the little cares and derangements of such services; and I graciously—to do everything graciously is a part of my character—consent to accept them. O yes! So goes the world. It is the mode.”
Though Clennam’s back was turned while he spoke, and thenceforth to the end of the interview, he kept those glittering eyes of his that were too near together, upon him, and evidently saw in the very carriage of the head, as he passed with his braggart recklessness from clause to clause of what he said, that he was saying nothing which Clennam did not already know.
“Whoof! The fair Gowana!” he said, lighting a third cigarette with a sound as if his lightest breath could blow her away. “Charming, but imprudent! For it was not well of the fair Gowana to make mysteries of letters from old lovers, in her bedchamber on the mountain, that her husband might not see them. No, no. That was not well. Whoof! The Gowana was mistaken there.”
“I earnestly hope,” cried Arthur aloud, “that Pancks may not be long gone, for this man’s presence pollutes the room.”
“Ah! But he’ll flourish here, and everywhere,” said Rigaud, with an exulting look and snap of his fingers. “He always has; he always will!” Stretching his body out on the only three chairs in the room besides that on which Clennam sat, he sang, smiting himself on the breast as the
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