Nightmare Abbey by Thomas Love Peacock (top 10 best books of all time txt) 📕
Description
Published in 1818, Peacock’s novella Nightmare Abbey is a gentle satire of the then-popular gothic movement in literature. He pokes fun at the genre’s obsessions and most of the book’s characters are caricatures of well-known personages of the time.
Young Scythrop is the only son of Mr. Glowry, living in the semi-ruined Nightmare Abbey on his estate in Lincolnshire. Mr. Glowry, the survivor of a miserable marriage, is addicted to the depressing and the morbid, surrounding himself with servants whose names, such as Raven, Graves and Skellet, reflect his obsessions. His friends, also, are chosen from those who best reflect his misanthropic views.
Scythrop himself imagines himself a philosopher with a unique view of the world, and to this end has written a treatise titled “Philosophical Gas; or, a Project for a General Illumination of the Human Mind.” Only seven copies of this treatise have ever been sold, and Scythrop dreams of being united with one of the buyers. His passions, though, become more earthy when he falls in love both with his cousin Marionetta and then also with a mysterious woman who appears in his apartment and begs him for asylum, thus creating a situation of romantic farce as he tries to decide between the two.
These events are interleaved between entertaining discussions among the varied guests at Nightmare Abbey, richly filled with humor, allusions and quotation.
Nightmare Abbey is probably Peacock’s most successful work of fiction, and helped establish his position as an important satirist of his times. His satire, though, is light-hearted rather than savage and is directed more at foolish opinions than attacking particular persons.
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- Author: Thomas Love Peacock
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The main body of the building was divided into rooms of state, spacious apartments for feasting, and numerous bedrooms for visitors, who, however, were few and far between.
Family interests compelled Mr. Glowry to receive occasional visits from Mr. and Mrs. Hilary, who paid them from the same motive; and, as the lively gentleman on these occasions found few conductors for his exuberant gaiety, he became like a double-charged electric jar, which often exploded in some burst of outrageous merriment to the signal discomposure of Mr. Glowry’s nerves.
Another occasional visitor, much more to Mr. Glowry’s taste, was Mr. Flosky,1 a very lachrymose and morbid gentleman, of some note in the literary world, but in his own estimation of much more merit than name. The part of his character which recommended him to Mr. Glowry was his very fine sense of the grim and the tearful. No one could relate a dismal story with so many minutiae of supererogatory wretchedness. No one could call up a “raw-head and bloody-bones” with so many adjuncts and circumstances of ghastliness. Mystery was his mental element. He lived in the midst of that visionary world in which nothing is but what is not. He dreamed with his eyes open, and saw ghosts dancing round him at noontide. He had been in his youth an enthusiast for liberty, and had hailed the dawn of the French Revolution as the promise of a day that was to banish war and slavery, and every form of vice and misery, from the face of the earth. Because all this was not done, he deduced that nothing was done; and from this deduction, according to his system of logic, he drew a conclusion that worse than nothing was done; that the overthrow of the feudal fortresses of tyranny and superstition was the greatest calamity that had ever befallen mankind; and that their only hope now was to rake the rubbish together, and rebuild it without any of those loopholes by which the light had originally crept in. To qualify himself for a coadjutor in this laudable task, he plunged into the central opacity of Kantian metaphysics, and lay perdu several years in transcendental darkness, till the common daylight of common sense became intolerable to his eyes. He called the sun an ignis fatuus; and exhorted all who would listen to his friendly voice, which were about as many as called “God save King Richard,” to shelter themselves from its delusive radiance in the obscure haunt of Old Philosophy. This word “old” had great charms for him. The good old times were always on his lips; meaning the days when polemic theology was in its prime, and rival prelates beat the drum ecclesiastic with Herculean vigour, till the one wound up his series of syllogisms with the very orthodox conclusion of roasting the other.
But the dearest friend of Mr. Glowry, and his most welcome guest, was Mr. Toobad, the Manichaean Millenarian. The twelfth verse of the twelfth chapter of Revelations was always in his mouth: “Woe to the inhabiters of the earth and of the sea! for the devil is come among you, having great wrath, because he knoweth that he hath but a short time.” He maintained that the supreme dominion of the world was, for wise purposes, given over for a while to the Evil Principle; and that this precise period of time, commonly called the enlightened age, was the point of his plenitude of power. He used to add that by and by he would be cast down, and a high and happy order of things succeed; but he never omitted the saving clause, “Not in our time”; which last words were always echoed in doleful response by the sympathetic Mr. Glowry.
Another and very frequent visitor, was the Reverend Mr. Larynx, the vicar of Claydyke, a village about ten miles distant;—a good-natured accommodating divine, who was always most obligingly ready to take a dinner and a bed at the house of any country gentleman in distress for a companion. Nothing came amiss to him—a game at billiards, at chess, at draughts, at backgammon, at piquet, or at all-fours in a tête-à-tête—or any game on the cards, round, square, or triangular, in a party of any number exceeding two. He would even dance among friends, rather than that a lady, even if she were on the wrong side of thirty, should sit still for want of a partner. For a ride, a walk, or a sail, in the morning—a song after dinner, a ghost story after supper—a bottle of port with the squire, or a cup of green tea with his lady—for all or any of these, or for anything else that was agreeable to anyone else, consistently with the dye of his coat, the Reverend Mr. Larynx was at all times equally ready. When at Nightmare Abbey, he would condole with Mr. Glowry—drink Madeira with Scythrop—crack jokes with Mr. Hilary—hand Mrs. Hilary to the piano, take charge of her fan and gloves, and turn over her music with surprising dexterity—quote Revelations with Mr. Toobad—and lament the good old times of feudal darkness with the transcendental Mr. Flosky.
IIShortly after the disastrous termination of Scythrop’s passion for Miss Emily Girouette, Mr. Glowry found himself, much against his will, involved in a lawsuit, which compelled him to dance attendance on the High Court of Chancery. Scythrop was left alone at Nightmare Abbey. He was a burnt child, and dreaded the fire of female eyes. He wandered about the ample pile, or along the garden-terrace, with “his cogitative faculties immersed in cogibundity of cogitation.” The terrace terminated at the southwestern tower, which, as we have said, was ruinous and full of owls. Here would Scythrop take his evening seat, on a fallen fragment of mossy stone, with his back resting against the ruined wall—a thick canopy of ivy, with an owl in it, over his head—and the Sorrows of Werther in his hand.
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