Nightmare Abbey by Thomas Love Peacock (top 10 best books of all time txt) 📕
Description
Published in 1818, Peacock’s novella Nightmare Abbey is a gentle satire of the then-popular gothic movement in literature. He pokes fun at the genre’s obsessions and most of the book’s characters are caricatures of well-known personages of the time.
Young Scythrop is the only son of Mr. Glowry, living in the semi-ruined Nightmare Abbey on his estate in Lincolnshire. Mr. Glowry, the survivor of a miserable marriage, is addicted to the depressing and the morbid, surrounding himself with servants whose names, such as Raven, Graves and Skellet, reflect his obsessions. His friends, also, are chosen from those who best reflect his misanthropic views.
Scythrop himself imagines himself a philosopher with a unique view of the world, and to this end has written a treatise titled “Philosophical Gas; or, a Project for a General Illumination of the Human Mind.” Only seven copies of this treatise have ever been sold, and Scythrop dreams of being united with one of the buyers. His passions, though, become more earthy when he falls in love both with his cousin Marionetta and then also with a mysterious woman who appears in his apartment and begs him for asylum, thus creating a situation of romantic farce as he tries to decide between the two.
These events are interleaved between entertaining discussions among the varied guests at Nightmare Abbey, richly filled with humor, allusions and quotation.
Nightmare Abbey is probably Peacock’s most successful work of fiction, and helped establish his position as an important satirist of his times. His satire, though, is light-hearted rather than savage and is directed more at foolish opinions than attacking particular persons.
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- Author: Thomas Love Peacock
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Marionetta could not reply; she had not so strong a stomach as Rosalia, and turned sick at the proposition. She disengaged herself suddenly from Scythrop, sprang through the door of the tower, and fled with precipitation along the corridors. Scythrop pursued her, crying, “Stop, stop, Marionetta—my life, my love!” and was gaining rapidly on her flight, when, at an ill-omened corner, where two corridors ended in an angle, at the head of a staircase, he came into sudden and violent contact with Mr. Toobad, and they both plunged together to the foot of the stairs, like two billiard-balls into one pocket. This gave the young lady time to escape, and enclose herself in her chamber; while Mr. Toobad, rising slowly, and rubbing his knees and shoulders, said, “You see, my dear Scythrop, in this little incident, one of the innumerable proofs of the temporary supremacy of the devil; for what but a systematic design and concurrent contrivance of evil could have made the angles of time and place coincide in our unfortunate persons at the head of this accursed staircase?”
“Nothing else, certainly,” said Scythrop: “you are perfectly in the right, Mr. Toobad. Evil, and mischief, and misery, and confusion, and vanity, and vexation of spirit, and death, and disease, and assassination, and war, and poverty, and pestilence, and famine, and avarice, and selfishness, and rancour, and jealousy, and spleen, and malevolence, and the disappointments of philanthropy, and the faithlessness of friendship, and the crosses of love—all prove the accuracy of your views, and the truth of your system; and it is not impossible that the infernal interruption of this fall downstairs may throw a colour of evil on the whole of my future existence.”
“My dear boy,” said Mr. Toobad, “you have a fine eye for consequences.”
So saying, he embraced Scythrop, who retired, with a disconsolate step, to dress for dinner; while Mr. Toobad stalked across the hall, repeating, “Woe to the inhabiters of the earth, and of the sea, for the devil is come among you, having great wrath.”
IVThe flight of Marionetta, and the pursuit of Scythrop, had been witnessed by Mr. Glowry, who, in consequence, narrowly observed his son and his niece in the evening; and, concluding from their manner, that there was a better understanding between them than he wished to see, he determined on obtaining the next morning from Scythrop a full and satisfactory explanation. He, therefore, shortly after breakfast, entered Scythrop’s tower, with a very grave face, and said, without ceremony or preface, “So, sir, you are in love with your cousin.”
Scythrop, with as little hesitation, answered, “Yes, sir.”
“That is candid, at least; and she is in love with you.”
“I wish she were, sir.”
“You know she is, sir.”
“Indeed, sir, I do not.”
“But you hope she is.”
“I do, from my soul.”
“Now that is very provoking, Scythrop, and very disappointing: I could not have supposed that you, Scythrop Glowry, of Nightmare Abbey, would have been infatuated with such a dancing, laughing, singing, thoughtless, careless, merry-hearted thing, as Marionetta—in all respects the reverse of you and me. It is very disappointing, Scythrop. And do you know, sir, that Marionetta has no fortune?”
“It is the more reason, sir, that her husband should have one.”
“The more reason for her; but not for you. My wife had no fortune, and I had no consolation in my calamity. And do you reflect, sir, what an enormous slice this lawsuit has cut out of our family estate? we who used to be the greatest landed proprietors in Lincolnshire.”
“To be sure, sir, we had more acres of fen than any man on this coast: but what are fens to love? What are dykes and windmills to Marionetta?”
“And what, sir, is love to a windmill? Not grist, I am certain: besides, sir, I have made a choice for you. I have made a choice for you, Scythrop. Beauty, genius, accomplishments, and a great fortune into the bargain. Such a lovely, serious creature, in a fine state of high dissatisfaction with the world, and everything in it. Such a delightful surprise I had prepared for you. Sir, I have pledged my honour to the contract—the honour of the Glowries of Nightmare Abbey: and now, sir, what is to be done?”
“Indeed, sir, I cannot say. I claim, on this occasion, that liberty of action which is the co-natal prerogative of every rational being.”
“Liberty of action, sir? there is no such thing as liberty of action. We are all slaves and puppets of a blind and unpathetic necessity.”
“Very true, sir; but liberty of action, between individuals, consists in their being differently influenced, or modified, by the same universal necessity; so that the results are unconsentaneous, and their respective necessitated volitions clash and fly off in a tangent.”
“Your logic is good, sir: but you are aware, too, that one individual may be a medium of adhibiting to another a mode or form of necessity, which may have more or less influence in the production of consentaneity; and, therefore, sir, if you do not comply with my wishes in this instance (you have had your own way in everything else), I shall be under the necessity of disinheriting you, though I shall do it with tears in my eyes.” Having said these words, he vanished suddenly, in the dread of Scythrop’s logic.
Mr. Glowry immediately sought Mrs. Hilary, and communicated to her his views of the case in point. Mrs. Hilary, as the phrase is, was as fond of Marionetta as if she had been her own child: but—there is always a but on these occasions—she could do nothing for her in the way of fortune, as she had two hopeful sons, who were finishing their education at Brazen-nose, and who would not like to encounter any diminution of their prospects, when
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