The Brothers Karamazov by Fyodor Dostoevsky (i love reading books .txt) π

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Dmitri Karamazov and his father Fyodor are at war over both Dmitriβs inheritance and the affections of the beautiful Grushenka. Into this feud arrive the middle brother Ivan, recently returned from Moscow, and the youngest sibling Alyosha, who has been released into the wider world from the local monastery by the elder monk Zossima. Through a series of accidents of fate and wilful misunderstandings the Karamazovs edge closer to tragedy, while the local townspeople watch on.
The Brothers Karamazov was Fyodor Dostoevskyβs final novel, and was originally serialised in The Russian Messenger before being published as a complete novel in 1880. This edition is the well-received 1912 English translation by Constance Garnett. As well as earning wide-spread critical acclaim, the novel has been widely influential in literary and philosophical circles; Franz Kafka and James Joyce admired the emotions that verge on madness in the Karamazovs, while Sigmund Freud and Jean-Paul Satre found inspiration in the themes of patricide and existentialism.
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- Author: Fyodor Dostoevsky
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You can easily imagine what a father such a man could be and how he would bring up his children. His behavior as a father was exactly what might be expected. He completely abandoned the child of his marriage with AdelaΓ―da Ivanovna, not from malice, nor because of his matrimonial grievances, but simply because he forgot him. While he was wearying everyone with his tears and complaints, and turning his house into a sink of debauchery, a faithful servant of the family, Grigory, took the three-year-old Mitya into his care. If he hadnβt looked after him there would have been no one even to change the babyβs little shirt.
It happened moreover that the childβs relations on his motherβs side forgot him too at first. His grandfather was no longer living, his widow, Mityaβs grandmother, had moved to Moscow, and was seriously ill, while his daughters were married, so that Mitya remained for almost a whole year in old Grigoryβs charge and lived with him in the servantβs cottage. But if his father had remembered him (he could not, indeed, have been altogether unaware of his existence) he would have sent him back to the cottage, as the child would only have been in the way of his debaucheries. But a cousin of Mityaβs mother, Pyotr Alexandrovitch MiΓΌsov, happened to return from Paris. He lived for many years afterwards abroad, but was at that time quite a young man, and distinguished among the MiΓΌsovs as a man of enlightened ideas and of European culture, who had been in the capitals and abroad. Towards the end of his life he became a Liberal of the type common in the forties and fifties. In the course of his career he had come into contact with many of the most Liberal men of his epoch, both in Russia and abroad. He had known Proudhon and Bakunin personally, and in his declining years was very fond of describing the three days of the Paris Revolution of February 1848, hinting that he himself had almost taken part in the fighting on the barricades. This was one of the most grateful recollections of his youth. He had an independent property of about a thousand souls, to reckon in the old style. His splendid estate lay on the outskirts of our little town and bordered on the lands of our famous monastery, with which Pyotr Alexandrovitch began an endless lawsuit, almost as soon as he came into the estate, concerning the rights of fishing in the river or wood-cutting in the forest, I donβt know exactly which. He regarded it as his duty as a citizen and a man of culture to open an attack upon the βclericals.β Hearing all about AdelaΓ―da Ivanovna, whom he, of course, remembered, and in whom he had at one time been interested, and learning of the existence of Mitya, he intervened, in spite of all his youthful indignation and contempt for Fyodor Pavlovitch. He made the latterβs acquaintance for the first time, and told him directly that he wished to undertake the childβs education. He used long afterwards to tell as a characteristic touch, that when he began to speak of Mitya, Fyodor Pavlovitch looked for some time as though he did not understand what child he was talking about, and even as though he was surprised to hear that he had a little son in the house. The story may have been exaggerated, yet it must have been something like the truth.
Fyodor Pavlovitch was all his life fond of acting, of suddenly playing an unexpected part, sometimes without any motive for doing so, and even to his own direct disadvantage, as, for instance, in the present case. This habit, however, is characteristic of a very great number of people, some of them very clever ones, not like Fyodor Pavlovitch. Pyotr Alexandrovitch carried the business through vigorously, and was appointed, with Fyodor Pavlovitch, joint guardian of the child, who had a small property, a house and land, left him by his mother. Mitya did, in fact, pass into this cousinβs keeping, but as the latter had no family of his own, and after securing the revenues of his estates was in haste to return at once to Paris, he left the boy in charge of one of his cousins, a lady living in Moscow. It came to pass that, settling permanently in Paris he, too, forgot the child, especially when the Revolution of February broke out, making an impression on his mind that he
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