Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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Mr. Sweeting was bantered about his statureâ âhe was a little man, a mere boy in height and breadth compared with the athletic Malone; rallied on his musical accomplishmentsâ âhe played the flute and sang hymns like a seraph, some young ladies of his parish thought; sneered at as âthe ladiesâ pet;â teased about his mamma and sisters, for whom poor Mr. Sweeting had some lingering regard, and of whom he was foolish enough now and then to speak in the presence of the priestly Paddy, from whose anatomy the bowels of natural affection had somehow been omitted.
The victims met these attacks each in his own way: Mr. Donne with a stilted self-complacency and half-sullen phlegm, the sole props of his otherwise somewhat rickety dignity; Mr. Sweeting with the indifference of a light, easy disposition, which never professed to have any dignity to maintain.
When Maloneâs raillery became rather too offensive, which it soon did, they joined, in an attempt to turn the tables on him by asking him how many boys had shouted âIrish Peter!â after him as he came along the road that day (Maloneâs name was Peter Maloneâ âthe Rev. Peter Augustus Malone); requesting to be informed whether it was the mode in Ireland for clergymen to carry loaded pistols in their pockets, and a shillelah in their hands, when they made pastoral visits; inquiring the signification of such words as vele, firrum, hellum, storrum (so Mr. Malone invariably pronounced veil, firm, helm, storm), and employing such other methods of retaliation as the innate refinement of their minds suggested.
This, of course, would not do. Malone, being neither good-natured nor phlegmatic, was presently in a towering passion. He vociferated, gesticulated; Donne and Sweeting laughed. He reviled them as Saxons and snobs at the very top pitch of his high Celtic voice; they taunted him with being the native of a conquered land. He menaced rebellion in the name of his âcounthry,â vented bitter hatred against English rule; they spoke of rags, beggary, and pestilence. The little parlour was in an uproar; you would have thought a duel must follow such virulent abuse; it seemed a wonder that Mr. and Mrs. Gale did not take alarm at the noise, and send for a constable to keep the peace. But they were accustomed to such demonstrations; they well knew that the curates never dined or took tea together without a little exercise of the sort, and were quite easy as to consequences, knowing that these clerical quarrels were as harmless as they were noisy, that they resulted in nothing, and that, on whatever terms the curates might part tonight, they would be sure to meet the best friends in the world tomorrow morning.
As the worthy pair were sitting by their kitchen fire, listening to the repeated and sonorous contact of Maloneâs fist with the mahogany plane of the parlour table, and to the consequent start and jingle of decanters and glasses following each assault, to the mocking laughter of the allied English disputants, and the stuttering declamation of the isolated Hibernianâ âas they thus sat, a foot was heard on the outer doorstep, and the knocker quivered to a sharp appeal.
Mr. Gale went and opened.
âWhom have you upstairs in the parlour?â asked a voiceâ âa rather remarkable voice, nasal in tone, abrupt in utterance.
âO Mr. Helstone, is it you, sir? I could hardly see you for the darkness; it is so soon dark now. Will you walk in, sir?â
âI want to know first whether it is worth my while walking in. Whom have you upstairs?â
âThe curates, sir.â
âWhat! all of them?â
âYes, sir.â
âBeen dining here?â
âYes, sir.â
âThat will do.â
With these words a person enteredâ âa middle-aged man, in black. He walked straight across the kitchen to an inner door, opened it, inclined his head forward, and stood listening. There was something to listen to, for the noise above was just then louder than ever.
âHey!â he ejaculated to himself; then turning to Mr. Galeâ ââHave you often this sort of work?â
Mr. Gale had been a churchwarden, and was indulgent to the clergy.
âTheyâre young, you know, sirâ âtheyâre young,â said he deprecatingly.
âYoung! They want caning. Bad boysâ âbad boys! And if you were a Dissenter, John Gale, instead of being a good Churchman, theyâd do the likeâ âtheyâd expose themselves; but Iâllâ ââ
By way of finish to this sentence, he passed through the inner door, drew it after him, and mounted the stair. Again he listened a few minutes when he arrived at the upper room. Making entrance without warning, he stood before the curates.
And they were silent; they were transfixed; and so was the invader. Heâ âa personage short of stature, but straight of port, and bearing on broad shoulders a hawkâs head, beak, and eye, the whole surmounted by a Rehoboam, or shovel hat, which he did not seem to think it necessary to lift or remove before the presence in which he then stoodâ âhe folded his arms on his chest and surveyed his young friends, if friends they were, much at his leisure.
âWhat!â he began, delivering his words in a voice no longer nasal, but deepâ âmore than deepâ âa voice made purposely hollow and cavernousâ ââwhat! has the miracle of Pentecost been renewed? Have the cloven tongues come down again? Where are they? The sound filled the whole house just now. I heard the seventeen languages in full action: Parthians, and Medes, and Elamites, Cappadocia, in Pontus and Asia, Phrygia and Pamphylia, in Egypt and in the parts of Libya about Cyrene, strangers of Rome, Jews and proselytes, Cretes and Arabians; every one of these must have had its representative in this room two minutes since.â
âI beg your pardon, Mr. Helstone,â began Mr. Donne; âtake a seat, pray, sir. Have a
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