Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âI know. When he is very drunk, his mind is always running on regicide. Mike is not unacquainted with history, and it is rich to hear him going over the list of tyrants of whom, as he says, âthe revenger of blood has obtained satisfaction.â The fellow exults strangely in murder done on crowned heads or on any head for political reasons. I have already heard it hinted that he seems to have a queer hankering after Moore. Is that what you allude to, Sweeting?â
âYou use the proper term, sir. Mr. Hall thinks Mike has no personal hatred of Moore. Mike says he even likes to talk to him and run after him, but he has a hankering that Moore should be made an example of. He was extolling him to Mr. Hall the other day as the mill-owner with the most brains in Yorkshire, and for that reason he affirms Moore should be chosen as a sacrifice, an oblation of a sweet savour. Is Mike Hartley in his right mind, do you think, sir?â inquired Sweeting simply.
âCanât tell, Davy. He may be crazed, or he may be only crafty, or perhaps a little of both.â
âHe talks of seeing visions, sir.â
âAy! He is a very Ezekiel or Daniel for visions. He came just when I was going to bed last Friday night to describe one that had been revealed to him in Nunnely Park that very afternoon.â
âTell it, sir. What was it?â urged Sweeting.
âDavy, thou hast an enormous organ of wonder in thy cranium. Malone, you see, has none. Neither murders nor visions interest him. See what a big vacant Saph he looks at this moment.â
âSaph! Who was Saph, sir?â
âI thought you would not know. You may find it out. It is biblical. I know nothing more of him than his name and race; but from a boy upwards I have always attached a personality to Saph. Depend on it he was honest, heavy, and luckless. He met his end at Gob by the hand of Sibbechai.â
âBut the vision, sir?â
âDavy, thou shalt hear. Donne is biting his nails, and Malone yawning, so I will tell it but to thee. Mike is out of work, like many others, unfortunately. Mr. Grame, Sir Philip Nunnelyâs steward, gave him a job about the priory. According to his account, Mike was busy hedging rather late in the afternoon, but before dark, when he heard what he thought was a band at a distanceâ âbugles, fifes, and the sound of a trumpet; it came from the forest, and he wondered that there should be music there. He looked up. All amongst the trees he saw moving objects, red, like poppies, or white, like may-blossom. The wood was full of them; they poured out and filled the park. He then perceived they were soldiersâ âthousands and tens of thousands; but they made no more noise than a swarm of midges on a summer evening. They formed in order, he affirmed, and marched, regiment after regiment, across the park. He followed them to Nunnely Common; the music still played soft and distant. On the common he watched them go through a number of evolutions. A man clothed in scarlet stood in the centre and directed them. They extended, he declared, over fifty acres. They were in sight half an hour; then they marched away quite silently. The whole time he heard neither voice nor treadâ ânothing but the faint music playing a solemn march.â
âWhere did they go, sir?â
âTowards Briarfield. Mike followed them. They seemed passing Fieldhead, when a column of smoke, such as might be vomited by a park of artillery, spread noiseless over the fields, the road, the common, and rolled, he said, blue and dim, to his very feet. As it cleared away he looked again for the soldiers, but they were vanished; he saw them no more. Mike, like a wise Daniel as he is, not only rehearsed the vision but gave the interpretation thereof. It signifies, he intimated, bloodshed and civil conflict.â
âDo you credit it, sir?â asked Sweeting.
âDo you, Davy?â âBut come, Malone; why are you not off?â
âI am rather surprised, sir, you did not stay with Moore yourself. You like this kind of thing.â
âSo I should have done, had I not unfortunately happened to engage Boultby to sup with me on his way home from the Bible Society meeting at Nunnely. I promised to send you as my substitute; for which, by the by, he did not thank me. He would much rather have had me than you, Peter. Should there be any real need of help I shall join you. The mill-bell will give warning. Meantime, goâ âunless (turning suddenly to Messrs. Sweeting and Donne)â âunless Davy Sweeting or Joseph Donne prefers going.â âWhat do you say, gentlemen? The commission is an honourable one, not without the seasoning of a little real peril; for the country is in a queer state, as you all know, and Moore and his mill and his machinery are held in sufficient odium. There are chivalric sentiments, there is high-beating courage, under those waistcoats of yours, I doubt not. Perhaps I am too partial to my favourite Peter. Little David shall be the champion, or spotless Joseph.â âMalone, you are but a great floundering Saul after all, good only to lend your armour. Out with your firearms; fetch your shillelah. It is thereâ âin the corner.â
With a significant grin Malone produced his pistols, offering one to each of his brethren. They were not readily seized on. With graceful modesty each gentleman retired a step from the presented weapon.
âI never touch them. I never did touch anything of the kind,â said Mr. Donne.
âI am almost a stranger to Mr. Moore,â murmured Sweeting.
âIf you never touched a pistol, try the feel of it now, great satrap of Egypt. As to the little minstrel, he probably prefers encountering the Philistines with no other weapon than his flute.â âGet their hats, Peter. Theyâll both of âem go.â
âNo, sir; no, Mr. Helstone. My mother wouldnât like it,â pleaded Sweeting.
âAnd I make it a
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