The Night Land by William Hope Hodgson (best new books to read .txt) 📕
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The Night Land is science fiction ahead of its time. Published in 1912, the book introduces a 17th-century gentleman who loses his wife. He soon discovers himself somehow reanimated in Earth’s far future, millions of years from now, when the sun has died and the Earth has become a hellish waste. What remains of humanity lives in titanic mile-high pyramids surrounded by energy shields to protect them from the abhuman monsters lurking in the darkness.
The human survivors soon receive a distress signal sent by a long-forgotten lesser pyramid, and the narrator embarks on a bloody quest to rescue the maiden of the pyramid—which he knows to be his lost love, somehow transcending time and space. On his journey the narrator is beset by countless horrifying monsters, many of them mutated former-humans. These depictions are so singular that H. P. Lovecraft called The Night Land “one of the most potent pieces of macabre imagination ever written.”
The novel is unique in its farsighted depiction of technology. The narrator has telepathic powers and is able to communicate with others over long distances. These powers are enabled by his “brain elements,” which are possibly surgically-implanted. Telepathic communications may be spied upon by the monsters of the waste, but a “master word” sent by the caller may verify the integrity of the signal—a description of a kind of early public-key cryptography.
The narrator survives on food pellets and “powdered water,” predicting a kind of astronaut food. His weapon of choice is a Diskos, a kind of whirling razor-sharp blade that shoots fire and energy. The machines and force fields of the human pyramid monument are powered by “Earth current,” which the narrator worries is slowly becoming dimmer over the years. The pyramid itself is a jewel of imagination: described as miles wide and miles high, each layer is its own city, and it continues deep underground where artificial grow chambers provide food for millions of humans.
Though the novel maintains a sort of legendary status for its grim and imaginative depiction of a monstrous future world, critics acknowledge the work as a flawed masterpiece. The narrative is written in a highly affected style, perhaps meant to emulate 17th century speech, or perhaps meant to be a stylized form of speech used by far-future humans. In any case, it resembles no real style of English, past or present. While some critics praise this style as uniquely atmospheric, others point to it, along with the lack of dialog or proper names, as some of the book’s more difficult aspects. Critics also frequently cite the book’s highly repetitious nature, simplistic characterization, and inordinate length—nearly 200,000 words—as major flaws. But despite whatever flaws the novel may have, the awesome vision of The Night Land remains a marvel to behold.
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- Author: William Hope Hodgson
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And one evening, that I ever remember, as we wandered in the park-lands, she began to say—half unthinking—that it was truly an elves-night. And she stopped herself immediately; as though she thought I should have no understanding; but, indeed, I was upon mine own familiar ground of inward delight; and I replied in a quiet and usual voice, that the Towers of Sleep would grow that night, and I felt in my bones that it was a night to find the Giant’s Tomb, or the Tree with the Great Painted Head, or—And surely I stopped very sudden; for she gripped me in that moment, and her hand shook as she held me; but when I would ask her what ailed, she bid me, very breathless, to say on, to say on. And, with a half understanding, I told her that I had but meant to speak of the Moon Garden, that was an olden and happy fancy of mine.
And, in verity, when I said that, the Lady Mirdath cried out something in a strange low voice, and brought me to a halt, that she might face me. And she questioned me very earnest; and I answered just so earnest as she; for I was grown suddenly to an excitement, in that I perceived she knew also. And, in verity, she told me that she had knowledge; but had thought that she was alone in the world with her knowledge of that strange land of her dreams; and now to find that I also had travelled in those dear, strange dream lands. And truly the marvel of it—the marvel of it! As she to say time and oft. And again, as we walked, she gave out word that there was little wonder she had been urged to call to me that night, as she saw me pause upon the road; though, indeed, she had learned of our cousin-ship before, having seen me go by on my horse pretty oft, and inquired concerning me; and mayhap daintily irked that I had so little heed of Lady Mirdath the Beautiful. But, indeed, I had thought of other matters; yet had been human enough, had I but met her proper before I see her.
Now you must not think that I was not utter stirred by the wonder of this thing, that we had both a dreamful knowledge of the same matters, of which each had thought none other knew. Yet, when I questioned more, there was much that had been in my fancies that was foreign to her, and likewise much that had been familiar to her, that was of no meaning to me. But though there was this, that brought a little regret to us, there would be, time and again, some new thing that one told, that the other knew and could finish the telling of, to the gladness and amazement of both.
And so shall you picture us wandering and having constant speech, so that, hour by hour, we grew gladly aged in dear knowledge and sweet friendship of the other.
And truly, how the time passed, I know not; but there came presently a hullabaloo, and the shouts of men’s voices and the baying of dogs, and the gleam of lanterns, so that I knew not what to think; until, very sudden, and with a sweet and strange little laughter, the Lady Mirdath to perceive that we had missed the hours utter in our converse; so that her Guardian (made uneasy because of the three foot-pads) had ordered a search. And we all that time a-wander together in happy forgetfulness.
And we turned homeward, then, and came towards the lights; but indeed, the dogs found us before we were come there; and they had grown to know me now, and leaped about me, barking very friendly; and so in a minute the men had discovered us, and were gone back to tell Sir Jarles that all was well.
And this was the way of our meeting and the growing of our acquaintance, and the beginning of my great love for Mirdath the Beautiful.
Now, from that time onward, evening by evening would I go a-wander along the quiet and country road that led from my estate to the estate of Sir Jarles. And always I went inward by the hedge-gap; and oft I should find the Lady Mirdath walking in that part of the woods; but always with her great boar-hounds about her; for I had begged that she do this thing for her sweet safety; and she to seem wishful to pleasure me; but truly to be just so oft utter perverse in diverse matters; and to strive to plague me, as though she would discover how much I would endure and how far she might go to anger me.
And, truly, well I remember how that one night, coming to the hedge-gap, I saw two country-maids come thence out from the woods of Sir Jarles’; but they were naught to me, and I would have gone upward through the gap, as ever; only that, as they passed me, they curtseyed somewhat over-graceful for rough wenches. And I had a sudden thought, and came up to them to see them more anigh; and truly I thought the taller was surely the Lady Mirdath. But, indeed, I could not be sure; for when I asked who she did be, she only to simper and to curtsey again; and so was I very natural all in doubt; but yet sufficient in wonder (having some knowledge of the Lady Mirdath) to follow the wenches, the which I did.
And they then, very speedy and sedate, as though I were some rack-rape that they did well to be feared of alone at night; and so came at last to the village green, where a great dance was a-foot, with torches, and a wandering fiddler to set
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