Some Do Not … by Ford Madox Ford (story read aloud txt) 📕
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Some Do Not … opens at the cusp of World War I. Christopher Tietjens, a government statistician, and his friend Vincent Macmaster, an aspiring literary critic, are visiting the English countryside. Tietjens, preoccupied with his disastrous marriage, meets Valentine Wannop, a suffragette, during a round of golf. As their love story develops, the novel explores the horrors of the war without the narrative ever entering the battlefield.
The characters are complex and nuanced. Tietjens is an old-fashioned man even by the standards of his day; he’s concerned with honor and doing the right thing, but he lives in a society that only pays those values lip service. Yet he himself isn’t free of a thread of hypocrisy: he won’t leave his deeply unhappy marriage because that would be the wrong way to act, but the reader is left wondering if he tolerates his situation simply because he married up in class. He wants to do to the noble and right thing, but does that mean going to war?
The men and women around him each have their individual motivations, and they are often conniving and unlikable in their aspirations even as the propaganda of England at war paints the country as a moral and heroic one. The delicate interplay of each character’s subtleties paints a rich portrait of 1920s English society, as the romantic ideals of right and wrong clash with notions of ambition and practicality.
The prose is unapologetically modernist: unannounced time shifts combine with a stream-of-consciousness style that can often be dense. Yet Ford’s portrayal of shell shock, the politics of women in the 1920s, and the moral greyness of wartime is groundbreaking. The book, and its complete tetralogy—called Parade’s End—has garnered praise from critics and authors alike, with Anthony Burgess calling it “the finest novel about the First World War” and William Carlos Williams stating that the novels “constitute the English prose masterpiece of their time.”
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- Author: Ford Madox Ford
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“Oh, women have to back each other up in these days,” Valentine Wannop said. “I couldn’t let you go through this alone after breakfasting with you every Saturday since I don’t know when.”
“I do feel,” Mrs. Duchemin said, “immensely grateful to you for your moral support. I ought not, perhaps, to have risked this morning. But I’ve told Parry to keep him out till 10:15.”
“It’s, at any rate, tremendously sporting of you,” the girl said. “I think it was worth trying.”
Mrs. Duchemin, wavering round the table, slightly changed the position of the delphiniums.
“I think they make a good screen,” Mrs. Duchemin said.
“Oh, nobody will be able to see him,” the girl answered reassuringly. She added with a sudden resolution, “Look here, Edie. Stop worrying about my mind. If you think that anything I hear at your table after nine months as an ash-cat at Ealing, with three men in the house, an invalid wife and a drunken cook, can corrupt my mind, you’re simply mistaken. You can let your conscience be at rest, and let’s say no more about it.”
Mrs. Duchemin said, “Oh, Valentine! How could your mother let you?”
“She didn’t know,” the girl said. “She was out of her mind for grief. She sat for most of the whole nine months with her hands folded before her in a board and lodging house at twenty-five shillings a week, and it took the five shillings a week that I earned to make up the money.” She added, “Gilbert had to be kept at school of course. And in the holidays, too.”
“I don’t understand!” Mrs. Duchemin said. “I simply don’t understand.”
“Of course you wouldn’t,” the girl answered. “You’re like the kindly people who subscribed at the sale to buy my father’s library back and present it to my mother. That cost us five shillings a week for warehousing, and at Ealing they were always nagging at me for the state of my print dresses …”
She broke off and said:
“Let’s not talk about it any more if you don’t mind. You have me in your house, so I suppose you’ve a right to references, as the mistresses call them. But you’ve been very good to me and never asked. Still, it’s come up; do you know I told a man on the links yesterday that I’d been a slavey for nine months. I was trying to explain why I was a suffragette; and, as I was asking him a favour, I suppose I felt I needed to give him references too.”
Mrs. Duchemin, beginning to advance towards the girl impulsively, exclaimed:
“You darling!”
Miss Wannop said:
“Wait a minute. I haven’t finished. I want to say this: I never talk about that stage of my career because I’m ashamed of it. I’m ashamed of it because I think I did the wrong thing, not for any other reason. I did it on impulse and I stuck to it out of obstinacy. I mean it would probably have been more sensible to go round with the hat to benevolent people, for the keep of mother and to complete my education. But if we’ve inherited the Wannop ill-luck, we’ve inherited the Wannop pride. And I couldn’t do it. Besides I was only seventeen, and I gave out we were going into the country after the sale. I’m not educated at all, as you know, or only half, because father, being a brilliant man, had ideas. And one of them was that I was to be an athletic, not a classical don at Cambridge, or I might have been, I believe. I don’t know why he had that tic. … But I’d like you to understand two things. One I’ve said already: what I hear in this house won’t ever shock or corrupt me; that it’s said in Latin is neither here nor there. I understand Latin almost as well as English because father used to talk it to me and Gilbert as soon as we talked at all. … And, oh yes: I’m a suffragette because I’ve been a slavey. But I’d like you to understand that, though I was a slavey and am a suffragette—you’re an old-fashioned woman and queer things are thought about these two things—then I’d like you to understand that in spite of it all I’m pure! Chaste, you know. … Perfectly virtuous.”
Mrs. Duchemin said:
“Oh, Valentine! Did you wear a cap and apron? You! In a cap and apron.”
Miss Wannop replied:
“Yes! I wore a cap and apron and sniffled, ‘M’m!’ to the mistress; and slept under the stairs too. Because I would not sleep with the beast of a cook.”
Mrs. Duchemin now ran forward and catching Miss Wannop by both hands kissed her first on the left and then on the right cheek.
“Oh, Valentine,” she said, “you’re a heroine. And you only twenty-two! … Isn’t that the
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