The Black Opal by Katharine Susannah Prichard (english novels to improve english TXT) ๐
Description
Katharine Susannah Prichard was born in 1883 to Australian parents then living in Fiji, but she grew up in Tasmania, lived for a while in both Melbourne and London before finally settling in Western Australia. She was one of the co-founders of the Communist Party of Australia in 1921, and her status as a communist and a female writer led to her being frequently under surveillance and harassment by the Australian police and other government authorities.
She wrote The Black Opal in 1921, and the novel focuses on the very close-knit opal-mining community living and working on Fallen Star Ridge, a fictitious location set in New South Wales, Australia. Life is hard for the miners as their fortunes rise and fall with the amounts and quality of black opal they can uncover. Black opal is a beautiful mineral with fiery gleams of color, much valued for jewelry. Finding productive seams of such opal is a matter of both hard work and good luck.
The novel is a well-drawn study of the relationships of the people living on the Ridge, and the two main characters are portrayed with clarity: Michael Brady, an older man much respected by the other miners for this knowledge and ethical approach, and Sophie Rouminof, a beautiful teenage girl who is the darling of the camp but who abruptly runs away to America after being disappointed in love.
Despite the difficulties the individual miners face, there is a community spirit and an agreement on basic values and principles of behavior at the Ridge. But this community of shared endeavor is eventually jeopardized by the influence of outsiders, in particular an American who wishes to buy up the individual mines, operate them under a company structure, and simply pay the miners a salary. This conflict between capitalism and honest manual labour becomes one of the most important themes of the work.
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- Author: Katharine Susannah Prichard
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They went over the new rush, inspected โprospects,โ and yarned with Pony-Fence Inglewood and Bully Bryant, who had pegged out a claim there. But as Armitage and he walked back to the town discussing the outlook of the new field and the colour and potch some of the men already had to show, Michael found himself in the undertow of an uneasy imagination. He protested to himself that he was unnecessarily apprehensive, that all Armitage was trying to get from him was any information which would throw light on the disappearance of Paulโs stones. And Armitage was wondering whether Michael might not be an opal miserโ โwhether the mysterious fires of black opal might not have eaten into his brain as they had into the brains of good men before him.
If they had, and if he had found the flaw in Michaelโs armour, John Armitage realised that the way to fulfilment of his schemes for buying the mines and working them on up-to-date lines, was opened up. If Michael could be proved unfaithful to the law and ideals of Ridge, John Armitage believed the menโs faith in the fabric of their common life would fall to pieces. He envisaged the eating of moths of doubt and disappointment into the philosophy of the Ridge, the disintegration of ideas which had held the men together, and made them stand together in matters of common interest and service, as one man. He had almost assured himself that if Michael was not the thief and hoarder of the lost opals, he at least knew something of them, when a ripple of laughter and gust of singing were flung into the air not far from them.
To Armitage it was as though some blithe spirit was mocking the discovery he thought he had made, and the fruition it promised those secret hopes of his.
โItโs Sophie,โ Michael said.
They had come across the Ridge to the back of the huts. The light was failing; the sky, from the earth upwards where the sunset had been, the frail, limpid green of a shallow lagoon, deepening to blue, darker than indigo. The crescent of a moon, faintly gilded, swung in the sky above the dark shapes of the huts which stood by the track to the old Flash-in-the-pan rush. The smoke of sandalwood fires burning in the huts was in the air. A goat bell tinkled.โ โโ โฆ
Potch and Sophie were talking behind the hut somewhere; their exclamations, laughter, a phrase or two of the song Sophie was singing went through the quietness.
And it was all this he wanted to change! John Armitage caught the revelation of the moment as he stood to listen to Sophie singing. He understood as he had never done what the Ridge stood forโ โassociation of people with the earth, their attachment to the primary needs of life, the joyous flight of youthful spirits, this quiet happiness and peace at evening when the work of the day was done.
As he came from the dumps, having said good night to Michael, he saw Sophie, a slight, girlish figure, on the track ahead of him. Her dress flickered and flashed through the trees beside the track; it was a wraithlike streak in the twilight. She was taking the milk down to Newtonโs, and singing to herself as she walked. John Armitage quickened his steps to overtake her.
XIIThe visit of an opal-buyer ruffled ever so slightly the still surface of life on the Ridge. When Armitage had gone, he was talked of for a few days; the stones he had bought, the prices he had given for them, were discussed. Some of his sayings, and the stories he had told, were laughed over. Tricks of speech he had used, tried at first half in fun, were adopted and dropped into the vernacular of the mines.
โSure!โ the men said as easily as an American; and sometimes, talking with each other: โYouโve got another think coming to youโ; or, โSee, youโve got your nerve with you!โ
For a night or two Michael went over the books and papers John Armitage had brought him. At first he just glanced here and there through them, and then he began to read systematically, and light glimmered in his windows far into the night. He soaked the contents of two or three reviews and several newspapers before giving himself to a book on international finance in which old Armitage had written his name.
Michael thrilled to the stimulus of the book, the intellectual excitement of the ideas it brought forth. He lived tumultuously within the four bare walls of his room, arguing with himself, the author, the world at large. Wrong and injustice enthroned, he saw in this book describing the complexities of national and international systems of finance, the subtle weaving and interweaving of webs of the moneymakers.
This was not the effect Dawe Armitage had expected his book to have; he had expected to overawe and daze Michael
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