The Sun Also Rises by Ernest Hemingway (first color ebook reader TXT) 📕
Description
The Sun Also Rises was Ernest Hemingway’s first published novel, and the novel that introduced the term “Lost Generation” to describe the generation that came to adulthood during World War I.
The novel follows Jake Barnes, an American expat living in the Parisian café society of the roaring 20s. A wound sustained during the war has left him unable to have sex, and that drives a wedge between him and the woman he loves: Brett Ashley, a twice-divorcée who has embraced the sexual freedom and independence of the age. As they drift through their lives in postwar Paris, they find themselves on a trip with some friends to Spain to witness the Festival of San Fermin, a week-long bacchanal whose highlight is bullfighting.
Hemingway explores the aimless, heavy drinking, and dramatic lives of Jake, Brett, and their friends as a means to reflect the Lost Generation as a whole. Jake is a character of troubled masculinity: his war wound has fundamentally changed him as a man, and his behavior is often tentative, unsure, and placating. On the other hand, Brett is an enigmatic New Woman: free to drink and carouse with the men, she is seductive, but aching for the reassurance and love of a real relationship, and not just sex. The satellites of friends that orbit around them are equally troubled, drinking to excess and fighting with themselves and with others.
These complex characters are now mere spectators for the bullfight, a microcosm of war and death whose masters, the matadors, are the powerful and elegant emblems of masculinity that the Lost Generation finds it impossible to compete against.
Though initially met with mixed reviews, modern critics consider it to be Hemingway’s best novel. The characters and events are largely based on real-life people in Hemingway’s social circle and his time spent in Paris and Spain. Thus, the book sold very well in its first print run, as the expatriate community was eager to read about the coded scandals of their peers. Today it is recognized as a foundational work of the modernist style, and an American classic.
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- Author: Ernest Hemingway
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“No,” I said, “I guess you don’t pedal it.”
“Let’s lay off that,” Bill said.
“All right. I was just standing up for the tricycle.”
“I think he’s a good writer, too,” Bill said. “And you’re a hell of a good guy. Anybody ever tell you you were a good guy?”
“I’m not a good guy.”
“Listen. You’re a hell of a good guy, and I’m fonder of you than anybody on earth. I couldn’t tell you that in New York. It’d mean I was a faggot. That was what the Civil War was about. Abraham Lincoln was a faggot. He was in love with General Grant. So was Jefferson Davis. Lincoln just freed the slaves on a bet. The Dred Scott case was framed by the Anti-Saloon League. Sex explains it all. The Colonel’s Lady and Judy O’Grady are lesbians under their skin.”
He stopped.
“Want to hear some more?”
“Shoot,” I said.
“I don’t know any more. Tell you some more at lunch.”
“Old Bill,” I said.
“You bum!”
We packed the lunch and two bottles of wine in the rucksack, and Bill put it on. I carried the rod-case and the landing-nets slung over my back. We started up the road and then went across a meadow and found a path that crossed the fields and went toward the woods on the slope of the first hill. We walked across the fields on the sandy path. The fields were rolling and grassy and the grass was short from the sheep grazing. The cattle were up in the hills. We heard their bells in the woods.
The path crossed a stream on a foot-log. The log was surfaced off, and there was a sapling bent across for a rail. In the flat pool beside the stream tadpoles spotted the sand. We went up a steep bank and across the rolling fields. Looking back we saw Burguete, white houses and red roofs, and the white road with a truck going along it and the dust rising.
Beyond the fields we crossed another faster-flowing stream. A sandy road led down to the ford and beyond into the woods. The path crossed the stream on another foot-log below the ford, and joined the road, and we went into the woods.
It was a beech wood and the trees were very old. Their roots bulked above the ground and the branches were twisted. We walked on the road between the thick trunks of the old beeches and the sunlight came through the leaves in light patches on the grass. The trees were big, and the foliage was thick but it was not gloomy. There was no undergrowth, only the smooth grass, very green and fresh, and the big gray trees well spaced as though it were a park.
“This is country,” Bill said.
The road went up a hill and we got into thick woods, and the road kept on climbing. Sometimes it dipped down but rose again steeply. All the time we heard the cattle in the woods. Finally, the road came out on the top of the hills. We were on the top of the height of land that was the highest part of the range of wooded hills we had seen from Burguete. There were wild strawberries growing on the sunny side of the ridge in a little clearing in the trees.
Ahead the road came out of the forest and went along the shoulder of the ridge of hills. The hills ahead were not wooded, and there were great fields of yellow gorse. Way off we saw the steep bluffs, dark with trees and jutting with gray stone, that marked the course of the Irati River.
“We have to follow this road along the ridge, cross these hills, go through the woods on the far hills, and come down to the Irati valley,” I pointed out to Bill.
“That’s a hell of a hike.”
“It’s too far to go and fish and come back the same day, comfortably.”
“Comfortably. That’s a nice word. We’ll have to go like hell to get there and back and have any fishing at all.”
It was a long walk and the country was very fine, but we were tired when we came down the steep road that led out of the wooded hills into the valley of the Rio de la Fabrica.
The road came out from the shadow of the woods into the hot sun. Ahead was a river-valley. Beyond the river was a steep hill. There was a field of buckwheat on the hill. We saw a white house under some trees on the hillside. It was very hot and we stopped under some trees beside a dam that crossed the river.
Bill put the pack against one of the trees and we jointed up the rods, put on the reels, tied on leaders, and got ready to fish.
“You’re sure this thing has trout in it?” Bill asked.
“It’s full of them.”
“I’m going to fish a fly. You got any McGintys?”
“There’s some in there.”
“You going to fish bait?”
“Yeah. I’m going to fish the dam here.”
“Well, I’ll take the fly-book, then.” He tied on a fly. “Where’d I better go? Up or down?”
“Down is the best. They’re plenty up above, too.”
Bill went down the bank.
“Take a worm can.”
“No, I don’t want one. If they won’t take a fly I’ll just flick it around.”
Bill was down below watching the stream.
“Say,” he called up against the noise of the dam. “How about putting the wine in that spring up the road?”
“All right,” I shouted. Bill waved his hand and started down the stream. I found the two wine-bottles in the pack, and carried them up the road to where the water of a spring flowed out of an iron pipe. There was a board over the spring and I lifted it and, knocking the corks firmly into the bottles, lowered them down into the water. It was so cold my hand and wrist felt numbed. I put back the slab of wood, and hoped nobody would find the wine.
I got my rod that was leaning against the
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