The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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In Green Street Winifred stood to receive, just a little less composed than usual. Soames’ request for the use of her house had come on her at a deeply psychological moment. Under the influence of a remark of Prosper Profond, she had begun to exchange her Empire for Expressionistic furniture. There were the most amusing arrangements, with violet, green, and orange blobs and scriggles, to be had at Mealard’s. Another month and the change would have been complete. Just now, the very “intriguing” recruits she had enlisted, did not march too well with the old guard. It was as if her regiment were half in khaki, half in scarlet and bearskins. But her strong and comfortable character made the best of it in a drawing-room which typified, perhaps, more perfectly than she imagined, the semi-bolshevized imperialism of her country. After all, this was a day of merger, and you couldn’t have too much of it! Her eyes travelled indulgently among her guests. Soames had gripped the back of a buhl chair; young Mont was behind that “awfully amusing” screen, which no one as yet had been able to explain to her. The ninth baronet had shied violently at a round scarlet table, inlaid under glass with blue Australian butteries’ wings, and was clinging to her Louis-Quinze cabinet; Francie Forsyte had seized the new mantel-board, finely carved with little purple grotesques on an ebony ground; George, over by the old spinet, was holding a little sky-blue book as if about to enter bets; Prosper Profond was twiddling the knob of the open door, black with peacock-blue panels; and Annette’s hands, close by, were grasping her own waist; two Muskhams clung to the balcony among the plants, as if feeling ill; Lady Mont, thin and brave-looking, had taken up her long-handled glasses and was gazing at the central light shade, of ivory and orange dashed with deep magenta, as if the heavens had opened. Everybody, in fact, seemed holding on to something. Only Fleur, still in her bridal dress, was detached from all support, flinging her words and glances to left and right.
The room was full of the bubble and the squeak of conversation. Nobody could hear anything that anybody said; which seemed of little consequence, since no one waited for anything so slow as an answer. Modern conversation seemed to Winifred so different from the days of her prime, when a drawl was all the vogue. Still it was “amusing,” which, of course, was all that mattered. Even the Forsytes were talking with extreme rapidity—Fleur and Christopher, and Imogen, and young Nicholas’s youngest, Patrick. Soames, of course, was silent; but George, by the spinet, kept up a running commentary, and Francie, by her mantel-shelf. Winifred drew nearer to the ninth baronet. He seemed to promise a certain repose; his nose was fine and drooped a little, his grey moustaches too; and she said, drawling through her smile:
“It’s rather nice, isn’t it?”
His reply shot out of his smile like a snipped bread pellet:
“D’you remember, in Frazer, the tribe that buries the bride up to the waist?”
He spoke as fast as anybody! He had dark lively little eyes, too, all crinkled round like a Catholic priest’s. Winifred felt suddenly he might say things she would regret.
“They’re always so amusing—weddings,” she murmured, and moved on to Soames. He was curiously still, and Winifred saw at once what was dictating his immobility. To his right was George Forsyte, to his left Annette and Prosper Profond. He could not move without either seeing those two together, or the reflection of them in George Forsyte’s japing eyes. He was quite right not to be taking notice.
“They say Timothy’s sinking,” he said glumly.
“Where will you put him, Soames?”
“Highgate.” He counted on his fingers. “It’ll make twelve of them there, including wives. How do you think Fleur looks?”
“Remarkably well.”
Soames nodded. He had never seen her look prettier, yet he could not rid himself of the impression that this business was unnatural—remembering still that crushed figure burrowing into the corner of the sofa. From that night to this day he had received from her no confidences. He knew from his chauffeur that she had made one more attempt on Robin Hill and drawn blank—an empty house, no one at home. He knew that she had received a letter, but not what was in it, except that it had made her hide herself and cry. He had remarked that she looked at him sometimes when she thought he wasn’t noticing, as if she were wondering still what he had done—forsooth—to make those people hate him so. Well, there it was! Annette had come back, and things had worn on through the summer—very miserable, till suddenly Fleur had said she was going to marry young Mont. She had shown him a little more affection when she told him that. And he had yielded—what was the good of opposing it? God knew that he had never wished to thwart her in anything! And the young man seemed quite delirious about her. No doubt she was in a reckless mood, and she was young, absurdly young. But if he opposed her, he didn’t know what she would do; for all he could tell she might want to take up a profession, become a doctor or solicitor, some nonsense. She had no aptitude for painting, writing, music, in his view the legitimate occupations of unmarried women, if they must do something in these days. On the whole, she was safer married, for he could see too well how feverish and restless she was at home. Annette, too, had been in favour of it—Annette, from
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