Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âWhat do you think it was?â
âI ask againâ â
âWhether was it pride,
Which out of daily fortune ever taints
The happy man? whether defect of judgment,
To fail in the disposing of those chances
Which he was lord of? or whether nature,
Not to be other than one thing, not moving
From the casque to the cushion, but commanding peace
Even with the same austerity and garb
As he controlled the war?âââ
âWell, answer yourself, Sphinx.â
âIt was a spice of all; and you must not be proud to your workpeople; you must not neglect chances of soothing them; and you must not be of an inflexible nature, uttering a request as austerely as if it were a command.â
âThat is the moral you tack to the play. What puts such notions into your head?â
âA wish for your good, a care for your safety, dear Robert, and a fear, caused by many things which I have heard lately, that you will come to harm.â
âWho tells you these things?â
âI hear my uncle talk about you. He praises your hard spirit, your determined cast of mind, your scorn of low enemies, your resolution not âto truckle to the mob,â as he says.â
âAnd would you have me truckle to them?â
âNo, not for the world. I never wish you to lower yourself; but somehow I cannot help thinking it unjust to include all poor working-people under the general and insulting name of âthe mob,â and continually to think of them and treat them haughtily.â
âYou are a little democrat, Caroline. If your uncle knew, what would he say?â
âI rarely talk to my uncle, as you know, and never about such things. He thinks everything but sewing and cooking above womenâs comprehension, and out of their line.â
âAnd do you fancy you comprehend the subjects on which you advise me?â
âAs far as they concern you, I comprehend them. I know it would be better for you to be loved by your workpeople than to be hated by them, and I am sure that kindness is more likely to win their regard than pride. If you were proud and cold to me and Hortense, should we love you? When you are cold to me, as you are sometimes, can I venture to be affectionate in return?â
âNow, Lina, Iâve had my lesson both in languages and ethics, with a touch on politics; it is your turn. Hortense tells me you were much taken by a little piece of poetry you learned the other day, a piece by poor AndrĂ© ChĂ©nierâ âLa Jeune Captive. Do you remember it still?â
âI think so.â
âRepeat it, then. Take your time and mind your accent; especially let us have no English uâs.â
Caroline, beginning in a low, rather tremulous voice, but gaining courage as she proceeded, repeated the sweet verses of Chénier. The last three stanzas she rehearsed well.
âMon beau voyage encore est si loin de sa fin!
Je pars, et des ormeaux qui bordent le chemin
Jâai passĂ© le premiers Ă peine.
Au banquet de la vie à peine commencé,
Un instant seulement mes lÚvres ont pressé
La coupe en mes mains encore pleine.
âJe ne suis quâau printempsâ âje veux voir la moisson;
Et comme le soleil, de saison en saison,
Je veux achever mon année,
Brillante sur ma tige, et lâhonneur du jardin
Je nâai vu luire encore que les feux du matin,
Je veux achever ma journĂ©e!â
Moore listened at first with his eyes cast down, but soon he furtively raised them. Leaning back in his chair he could watch Caroline without her perceiving where his gaze was fixed. Her cheek had a colour, her eyes a light, her countenance an expression this evening which would have made even plain features striking; but there was not the grievous defect of plainness to pardon in her case. The sunshine was not shed on rough barrenness; it fell on soft bloom. Each lineament was turned with grace; the whole aspect was pleasing. At the present momentâ âanimated, interested, touchedâ âshe might be called beautiful. Such a face was calculated to awaken not only the calm sentiment of esteem, the distant one of admiration, but some feeling more tender, genial, intimateâ âfriendship, perhaps, affection, interest. When she had finished, she turned to Moore, and met his eye.
âIs that pretty well repeated?â she inquired, smiling like any happy, docile child.
âI really donât know.â
âWhy donât you know? Have you not listened?â
âYesâ âand looked. You are fond of poetry, Lina?â
âWhen I meet with real poetry, I cannot rest till I have learned it by heart, and so made it partly mine.â
Mr. Moore now sat silent for several minutes. It struck nine oâclock. Sarah entered, and said that Mr. Helstoneâs servant was come for Miss Caroline.
âThen the evening is gone already,â she observed, âand it will be long, I suppose, before I pass another here.â
Hortense had been for some time nodding over her knitting; fallen into a doze now, she made no response to the remark.
âYou would have no objection to come here oftener of an evening?â inquired Robert, as he took her folded mantle from the side-table, where it still lay, and carefully wrapped it round her.
âI like to come here; but I have no desire to be intrusive. I am not hinting to be asked; you must understand that.â
âOh! I understand thee, child. You sometimes lecture me for wishing to be rich, Lina; but if I were rich, you should live here alwaysâ âat any rate, you should live with me wherever my habitation might be.â
âThat would be pleasant; and if you were poorâ âever so poorâ âit would still be pleasant. Good night, Robert.â
âI promised to walk with you up to the rectory.â
âI know you did; but I thought you had forgotten, and I hardly knew how to remind you, though I wished to do it. But would you like to go? It is a cold night, and as Fanny is come, there is no necessityâ ââ
âHere is your muff; donât wake Hortenseâ âcome.â
The half mile to the rectory was soon traversed. They parted in the
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