The King of Elfland’s Daughter by Lord Dunsany (e ink manga reader TXT) 📕
Description
The people of the obscure village Erl demand to be ruled by a magic lord, so their ruler sends his son Alveric to Elfland to wed the elfin princess Lirazel. He brings her back to Erl and the couple have a son, but Lirazel has trouble integrating with human society. When a scheme by her father spirits her away and Elfland vanishes, Alveric begins a mad quest to find where Elfland went.
The King of Elfland’s Daughter is written in the pseudo-archaic prose style for which Dunsany is known. Some contemporaries thought the style did not suit a novel-length work, but contemporary Irish writer George Russell called the book “the most purely beautiful thing Lord Dunsany has written.” The book touches on a range of themes, including the longing for fantastical things lost, the perception of time, sanity and madness, the fear of the unknown, and being careful what you wish for. Large passages are also devoted to hunting; the original edition even featured an illustration of a unicorn hunt opposite the title page. Neil Gaiman wrote an introduction to the 1999 edition, and Christopher Lee was a featured vocalist on a 1977 progressive rock album based on the book.
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- Author: Lord Dunsany
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And in that calm that settled down upon Elfland there passed ten years over the fields we know.
XVI Orion Hunts the StagThere passed ten years over the fields we know; and Orion grew and learned the art of Oth, and had the cunning of Threl, and knew the woods and the slopes and vales of the downs, as many another boy knows how to multiply figures by other figures or to draw the thoughts from a language not his own and to set them down again in words of his own tongue. And little he knew of the things that ink may do, how it can mark a dead man’s thought for the wonder of later years, and tell of happenings that are gone clean away, and be a voice for us out of the dark of time, and save many a fragile thing from the pounding of heavy ages; or carry to us, over the rolling centuries, even a song from lips long dead on forgotten hills. Little knew he of ink; but the touch of a roe deer’s feet on dry ground, gone three hours, was a clear path to him, and nothing went through the woods but Orion read its story. And all the sounds of the wood were as full of clear meaning to him as are to the mathematician the signs and figures he makes when he divides his millions by tens and elevens and twelves. He knew by sun and moon and wind what birds would enter the wood, he knew of the coming seasons whether they would be mild or severe, only a little later than the beasts of the wood themselves, which have not human reason or soul and that know so much more than we.
And so he grew to know the very mood of the woods, and could enter their shadowy shelter like one of the woodland beasts. And this he could do when he was barely fourteen years; and many a man lives all his years and can never enter a wood without changing the whole mood of its shadowy ways. For men enter a wood perhaps with the wind behind them, they brush against branches, step on twigs; speak, smoke, or tread heavily; and jays cry out against them, pigeons leave the trees, rabbits pad off to safety, and far more beasts than they know slip on soft feet away from their coming. But Orion moved like Threl, in shoes of deerskin with the tread of a hunter. And none of the beasts of the wood knew when he was come.
And he came to have a pile of skins like Oth, that he won with his bow in the wood; and he hung great horns of stags in the hall of the castle, high up among old horns where the spider had lived for ages. And this was one of the signs whereby the people of Erl came to know him now for their lord, for no news came of Alveric, and all the old lords of Erl had been hunters of deer. And another sign was the departing of the witch Ziroonderel when she went back to her hill; and Orion lived in the castle now by himself, and she dwelt in her cottage again where her cabbages grew on the high land near to the thunder.
And all that winter Orion hunted the stags in the wood, but when spring came he put his bow away. Yet all through the season of song and flowers his thoughts were still with the chase; and he went from house to house wherever a man had one of the long thin dogs that hunt. And sometimes he bought the dog, and sometimes the man would promise to lend it on days of hunting. Thus Orion formed a pack of brown long-haired hounds and yearned for the spring and summer to go by. And one spring evening when Orion was tending his hounds, when villagers were mostly at their doors to notice the length of the evening, there came a man up the street whom nobody knew. He came from the uplands, wrapped in the most aged of clothes, which clung to him as though they had clung forever, and were somehow a part of him and yet part of the Earth, for they were mellowed by the clay of the high fields to its own deep brown. And folk noticed the easy stride of a mighty walker, and a weariness in his eyes: and none knew who he was.
And then a woman said “It is Vand that was only a lad.” And they all crowded about him then, for it was indeed Vand who had left the sheep more than ten years ago to ride with Alveric no one in Erl knew whither. “How fares our master?” they said. And a look of weariness came in the eyes of Vand.
“He follows the quest,” he said.
“Whither?” they asked.
“To the north,” he said. “He seeks for Elfland still.”
“Why have you left him?” they asked.
“I lost the hope,” he said.
They questioned him no more then, for all men knew that to seek for Elfland one needed a strong hope, and without it one saw no gleam of the Elfin Mountains, serene with unchanging blue. And then the mother of Niv came running up. “Is it indeed Vand?” she said. And they all said “Yes, it is Vand.”
And while they murmured together about Vand, and of how years and wandering had changed him, she said to him, “Tell me of my son.” And Vand replied “He leads the quest. There is none whom my
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