Little Dorrit by Charles Dickens (suggested reading .TXT) 📕
Description
Little Dorrit, like many of Charles Dickens’ novels, was originally published in serial form over a period of about 18 months, before appearing in book form in 1857.
The novel focuses on the experiences of its protagonist Arthur Clenham, who has spent some twenty years in China helping his father run the family business there. After his father dies, Arthur returns home to London. His mother gives him little in the way of welcome. She is a cold, bitter woman who has brought Arthur up under a strict religious regime concentrating on the punitive aspects of the Old Testament. Despite this upbringing, or perhaps in reaction to it, Arthur is a kind, considerate man. He is intrigued by a slight young woman he encounters working as a part-time seamstress for his mother, whom his mother calls simply “Little Dorrit.” Arthur senses some mystery about her mother’s employment of Little Dorrit, and proceeds to investigate.
There are several subplots and a whole host of characters. Compared to some of Dickens’ work, Little Dorrit features a good deal of intrigue and tension. There are also some strong strands of humor, in the form of the fictional “Circumlocution Office,” whose sole remit is “How Not To Do It,” and which stands in the way of any improvement of British life. Also very amusing are the rambling speeches of Flora, a woman with whom Arthur was enamored before he left for China, but whose shallowness he now perceives only too well.
Little Dorrit has been adapted for the screen many times, and by the BBC in 2010 in a limited television series which featured Claire Foy as Little Dorrit, Matthew Macfayden as Arthur Clenham, and Andy Serkis as the villain Rigaud.
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- Author: Charles Dickens
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At the top of the steps, resisting Mrs. Plornish’s invitations to come and sit along with father in Happy Cottage—which to his relief were not so numerous as they would have been on any other night than Saturday, when the connection who so gallantly supported the business with everything but money gave their orders freely—at the top of the steps Mr. Pancks remained until he beheld the Patriarch, who always entered the Yard at the other end, slowly advancing, beaming, and surrounded by suitors. Then Mr. Pancks descended and bore down upon him, with his utmost pressure of steam on.
The Patriarch, approaching with his usual benignity, was surprised to see Mr. Pancks, but supposed him to have been stimulated to an immediate squeeze instead of postponing that operation until Monday. The population of the Yard were astonished at the meeting, for the two powers had never been seen there together, within the memory of the oldest Bleeding Heart. But they were overcome by unutterable amazement when Mr. Pancks, going close up to the most venerable of men and halting in front of the bottle-green waistcoat, made a trigger of his right thumb and forefinger, applied the same to the brim of the broad-brimmed hat, and, with singular smartness and precision, shot it off the polished head as if it had been a large marble.
Having taken this little liberty with the Patriarchal person, Mr. Pancks further astounded and attracted the Bleeding Hearts by saying in an audible voice, “Now, you sugary swindler, I mean to have it out with you!”
Mr. Pancks and the Patriarch were instantly the centre of a press, all eyes and ears; windows were thrown open, and doorsteps were thronged.
“What do you pretend to be?” said Mr. Pancks. “What’s your moral game? What do you go in for? Benevolence, an’t it? You benevolent!” Here Mr. Pancks, apparently without the intention of hitting him, but merely to relieve his mind and expend his superfluous power in wholesome exercise, aimed a blow at the bumpy head, which the bumpy head ducked to avoid. This singular performance was repeated, to the ever-increasing admiration of the spectators, at the end of every succeeding article of Mr. Pancks’s oration.
“I have discharged myself from your service,” said Pancks, “that I may tell you what you are. You’re one of a lot of impostors that are the worst lot of all the lots to be met with. Speaking as a sufferer by both, I don’t know that I wouldn’t as soon have the Merdle lot as your lot. You’re a driver in disguise, a screwer by deputy, a wringer, and squeezer, and shaver by substitute. You’re a philanthropic sneak. You’re a shabby deceiver!”
(The repetition of the performance at this point was received with a burst of laughter.)
“Ask these good people who’s the hard man here. They’ll tell you Pancks, I believe.”
This was confirmed with cries of “Certainly,” and “Hear!”
“But I tell you, good people—Casby! This mound of meekness, this lump of love, this bottle-green smiler, this is your driver!” said Pancks. “If you want to see the man who would flay you alive—here he is! Don’t look for him in me, at thirty shillings a week, but look for him in Casby, at I don’t know how much a year!”
“Good!” cried several voices. “Hear Mr. Pancks!”
“Hear Mr. Pancks?” cried that gentleman (after repeating the popular performance). “Yes, I should think so! It’s almost time to hear Mr. Pancks. Mr. Pancks has come down into the Yard tonight on purpose that you should hear him. Pancks is only the Works; but here’s the Winder!”
The audience would have gone over to Mr. Pancks, as one man, woman, and child, but for the long, grey, silken locks, and the broad-brimmed hat.
“Here’s the Stop,” said Pancks, “that sets the tune to be ground. And there is but one tune, and its name is Grind, Grind, Grind! Here’s the Proprietor, and here’s his Grubber. Why, good people, when he comes smoothly spinning through the Yard tonight, like a slow-going benevolent Humming-Top, and when you come about him with your complaints of the Grubber, you don’t know what a cheat the Proprietor is! What do you think of his showing himself tonight, that I may have all the blame on Monday? What do you think of his having had me over the coals this very evening, because I don’t squeeze you enough? What do you think of my being, at the present moment, under special orders to squeeze you dry on Monday?”
The reply was given in a murmur of “Shame!” and “Shabby!”
“Shabby?” snorted Pancks. “Yes, I should think so! The lot that your Casby belongs to, is the shabbiest of all the lots. Setting their Grubbers on, at a wretched pittance, to do what they’re ashamed and afraid to do and pretend not to do, but what they will have done, or give a man no rest! Imposing on you to give their Grubbers nothing but blame, and to give them nothing but credit! Why, the worst-looking cheat in all this town who gets the value of eighteenpence under false pretences, an’t half such a cheat as this signpost of The Casby’s Head here!”
Cries of “That’s true!” and “No more he an’t!”
“And see what you get of these fellows, besides,” said Pancks. “See what more you get of these precious Humming-Tops, revolving among you with such smoothness that you’ve no idea of the pattern painted on ’em, or the little window in ’em. I wish to call your attention to myself for a moment. I an’t an agreeable style of chap, I know that very well.”
The auditory were divided on this point; its more uncompromising members crying, “No, you are not,” and its politer materials, “Yes, you are.”
“I am, in general,” said Mr. Pancks, “a dry, uncomfortable, dreary Plodder and Grubber. That’s your humble servant. There’s his full-length portrait, painted by himself and presented to you, warranted a likeness! But what’s a man to be, with such a man
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