The Moon Pool by A. Merritt (young adult books to read .TXT) 📕
Description
The Moon Pool, in novel form, is a combination and fix-up of two previously-published short stories: “The Moon Pool,” and “Conquest of the Moon Pool.” Initially serialized in All-Story Weekly, Merritt made the interesting choice of framing the novel as a sort of scientific retelling, going so far as to include footnotes from fictional scientists, to give this completely fantastic work an air of authenticity.
In it we find the adventuresome botanist William T. Goodwin embarking on a quest to help his friend Throckmortin, whose wife and friends have fallen victim to a mysterious temple ruin on a remote South Pacific island. A series of coincidences provides Goodwin with a colorful cast of accompanying adventurers, and they soon find themselves in a mysterious futuristic underworld.
The Moon Pool is an important entry in the Lost World genre, in no small part because it was a significant influence on H. P. Lovecraft—hints of The Moon Pool can be seen in his short story “The Call of Cthulhu,” and hints of Merritt’s Nan-Madol can be seen in Lovecraft’s R’lyeh.
Today, The Moon Pool is a pulp classic, featuring many of the themes, tropes, and archetypes that characterized so many of the pulp adventure works of the era.
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- Author: A. Merritt
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As we flew along I tried to discover the source of the power, but I could not—then. There was no sign of mechanism, but that the shell responded to some form of energy was certain—the driver grasping a small lever which seemed to control not only our speed, but our direction.
We turned abruptly and swept up a runway through one of the gardens, and stopped softly before a pillared pavilion. I saw now that these were much larger than I had thought. The structure to which we had been carried covered, I estimated, fully an acre. Oblong, with its slender, varicoloured columns spaced regularly, its walls were like the sliding screens of the Japanese—shoji.
The green dwarf hurried us up a flight of broad steps flanked by great carved serpents, winged and scaled. He stamped twice upon mosaicked stones between two of the pillars, and a screen rolled aside, revealing an immense hall scattered about with low divans on which lolled a dozen or more of the dwarfish men, dressed identically as he.
They sauntered up to us leisurely; the surprised interest in their faces tempered by the same inhumanly gay malice that seemed to be characteristic of all these people we had as yet seen.
“The Afyo Maie awaits them, Rador,” said one.
The green dwarf nodded, beckoned us, and led the way through the great hall and into a smaller chamber whose far side was covered with the opacity I had noted from the aerie of the cliff. I examined the—blackness—with lively interest.
It had neither substance nor texture; it was not matter—and yet it suggested solidity; an entire cessation, a complete absorption of light; an ebon veil at once immaterial and palpable. I stretched, involuntarily, my hand out toward it, and felt it quickly drawn back.
“Do you seek your end so soon?” whispered Rador. “But I forget—you do not know,” he added. “On your life touch not the blackness, ever. It—”
He stopped, for abruptly in the density a portal appeared; swinging out of the shadow like a picture thrown by a lantern upon a screen. Through it was revealed a chamber filled with a soft rosy glow. Rising from cushioned couches, a woman and a man regarded us, half leaning over a long, low table of what seemed polished jet, laden with flowers and unfamiliar fruits.
About the room—that part of it, at least, that I could see—were a few oddly shaped chairs of the same substance. On high, silvery tripods three immense globes stood, and it was from them that the rose glow emanated. At the side of the woman was a smaller globe whose roseate gleam was tempered by quivering waves of blue.
“Enter Rador with the strangers!” a clear, sweet voice called.
Rador bowed deeply and stood aside, motioning us to pass. We entered, the green dwarf behind us, and out of the corner of my eye I saw the doorway fade as abruptly as it had appeared and again the dense shadow fill its place.
“Come closer, strangers. Be not afraid!” commanded the bell-toned voice.
We approached.
The woman, sober scientist that I am, made the breath catch in my throat. Never had I seen a woman so beautiful as was Yolara of the Dweller’s city—and none of so perilous a beauty. Her hair was of the colour of the young tassels of the corn and coiled in a regal crown above her broad, white brows; her wide eyes were of grey that could change to a cornflower blue and in anger deepen to purple; grey or blue, they had little laughing devils within them, but when the storm of anger darkened them—they were not laughing, no! The silken webs that half covered, half revealed her did not hide the ivory whiteness of her flesh nor the sweet curve of shoulders and breasts. But for all her amazing beauty, she was—sinister! There was cruelty about the curving mouth, and in the music of her voice—not conscious cruelty, but the more terrifying, careless cruelty of nature itself.
The girl of the rose wall had been beautiful, yes! But her beauty was human, understandable. You could imagine her with a babe in her arms—but you could not so imagine this woman. About her loveliness hovered something unearthly. A sweet feminine echo of the Dweller was Yolara, the Dweller’s priestess—and as gloriously, terrifyingly evil!
XIV The Justice of LoraAs I looked at her the man arose and made his way round the table toward us. For the first time my eyes took in Lugur. A few inches taller than the green dwarf, he was far broader, more filled with the suggestion of appalling strength.
The tremendous shoulders were four feet wide if an inch, tapering down to mighty thewed thighs. The muscles of his chest stood out beneath his tunic of red. Around his forehead shone a chaplet of bright-blue stones, sparkling among the thick curls of his silver-ash hair.
Upon his face pride and ambition were written large—and power still larger. All the mockery, the malice, the hint of callous indifference that I had noted in the other dwarfish men were there, too—but intensified, touched with the satanic.
The woman spoke again.
“Who are you strangers, and how came you here?” She turned to Rador. “Or is it that they do not understand our tongue?”
“One understands and speaks it—but very badly, O Yolara,” answered the green dwarf.
“Speak, then, that one of you,” she commanded.
But it was Marakinoff who found his voice first, and I marvelled at the fluency, so much greater than mine, with which he spoke.
“We came for different purposes. I to seek knowledge of a kind; he”—pointing to me “of another. This man”—he looked at Olaf—“to find a wife and child.”
The grey-blue eyes had been regarding O’Keefe steadily and with plainly increasing interest.
“And why did you
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