The Worm Ouroboros by E. R. Eddison (nonfiction book recommendations TXT) 📕
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The Worm Ouroboros is considered to be one of the foundational texts of the high fantasy genre, influencing later authors like J. R. R. Tolkien, C. S. Lewis, Ursula K. Leguin, and James Branch Cabell. It is most frequently compared to The Lord of the Rings in its epic scope set against a medieval, magic-laced backdrop—a world called “Middle Earth” by Eddison, thirty-two years before Tolkien’s—and in its almost mythical portrayal of larger-than-life heroes and villains.
The plot begins simply enough: The Lords of Demonland, a group of heroic warriors enjoying a strained peace, are called upon by an emissary of the warlock king of Witchland, Gorice XI. The emissary demands that Demonland submit to the King of Witchland—but the proud Demons refuse, setting off an epic war that spans their entire world. The heroic struggles of the Demons and their allies against the Witches reflect the circular nature of human history: the snake eating its own tail of the title.
The novel is written in a purposefully archaic, almost Jacobean style. The rich, surprising vocabulary and unusual spelling are testaments to Eddison’s expertise at reading and translating medieval-era texts. To this day, it remains perhaps unique in fantasy literature in the accuracy and precision of its highly affected prose style, perhaps matched only by the out-of-time strangeness of the prose in Hodgson’s The Night Land. But where critics often find The Night Land’s prose obtuse and difficult, they have nothing but praise for Eddison’s beautiful, quotable style.
Eddison had already imagined the story and its heroes as a child, and drawings he made as a youth of events in the book are preserved in the Bodleian library. While the novel is without a doubt the work of a mature and skilled writer, and while some of the events and characters are portrayed differently in the novel than they were in his youthful sketches, the names of many of the characters and places remain unchanged. Some of his contemporaries, like Tolkien, wondered about the strange naming style; others criticized it as taking away from the more serious subject matter.
The Worm Ouroboros remains one of the most influential works in the high fantasy genre to this day, and traces of the foundation it laid can be still be found in genre books a century after its publication.
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- Author: E. R. Eddison
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“True it is,” said Corund, “that they were safer slain.” He rose from his seat. “ ’Twere not amiss,” he said, “that I had word with the King.”
“Wherefore so?” asked Prezmyra.
“He that sleepeth late,” said Corund, eyeing her humorously, “sometimes hath news for her that riseth betimes to sit on the western terrace. And this was I come to tell thee, that I but now beheld eastward from our chamber window, riding toward Carcë out of Pixyland down the Way of Kings—”
“La Fireez?” she said.
“Mine eyes be strong enow and clear enow,” said Corund, “but thou’dst scarce require me swear to mine own brother at three miles’ distance. And as for thine, I leave thee the swearing.”
“Who should ride down the Way of Kings from Pixyland,” cried Prezmyra, “but La Fireez?”
“That, madam, let Echo answer thee,” said Corund. “And it sticketh in my mind, that the Prince my brother-in-law is one that tieth to his heartstrings the remembrance of past benefits. This too, that none did him ever a greater benefit than Juss, that saved his life six winters back in Impland the More. Wherefore, if La Fireez be to share our revels this night, needful it is that the King command these gabblers to keep silence touching our entertainment of these lords in the old banquet hall, and in general touching the share of Demonland in this fighting.”
Prezmyra said, “Come, I’ll go with thee.”
They found the King on the topmost battlements above the water-gate with his lords about him, gazing eastaway toward the long low hills beyond which lay Pixyland. But when Corund began to open his mind to the King, the King said, “Thou growest old, O Corund, and like a good-for-nothing chapman bringest not thy wares to market ere the market be done. I have already ta’en order for this, and straitly charged my people that nought befell last night save a faring of the Goblins against Carcë, and their overthrow, and my chasing of them with a great slaughter into the sea. Whoso by speech or sign shall reveal to La Fireez that the Demons were in it, or that these enemies of mine are thus entertained by me to their discomfort in the old banquet hall, he shall lose nothing but his life.”
Corund said, “It is well, O King.”
The King said, “Captain general, what is our strength?”
Corinius answered, “Seventy and three were slain, and the others for the most part hurt: I among them, that am thus one-handed for the while. I will not engage to find you, O King, fifty sound men in Carcë.”
“My Lord Corund,” said the King, “thine eyes pierced ever a league beyond the best among us, young or old. How many makest thou yon company?”
Corund leaned on the parapet and shaded his eyes with his hand that was broad as a smoked haddock and covered on the back with yellow hairs growing somewhat sparsely, as the hairs on the skin of a young elephant. “He rideth with three score horse, O King. One or two more I give you for good luck, but if a have a horseman fewer than sixty, never love me more.”
The King muttered an imprecation. “It is the curse of chance bringeth him thus pat when I have my powers abroad and am left with too little strength to awe him if he prove irksome. One of thy sons, O Corund, shall take horse and ride south to Zorn and Permio and muster a few score fighting men from the herdsmen and farmers with what speed he may. It is commanded.”
Now was the afternoon wearing to evening when the Prince La Fireez was come in with all his company, and greetings done, and the tribute safe bestowed, and sleeping room appointed for him and his. And now were all gathered together in the great banquet hall that was built by Gorice XI, when he was first made King, in the southeast corner of the palace; and it far exceeded in greatness and magnificence the old hall where Lord Juss and Lord Brandoch Daha were held in duress. Seven equal walls it had, of dark green jasper, specked with bloody spots. In the midst of one wall was the lofty doorway, and in the walls right and left of this and in those that enclosed the angle opposite the door were great windows placed high, giving light to the banquet hall. In each of the seven angles of the wall a caryatide, cut in the likeness of a three-headed giant from ponderous blocks of black serpentine, bowed beneath the mass of a monstrous crab hewn out of the same stone. The mighty claws of those seven crabs spreading upwards bare up the dome of the roof, that was smooth and covered all over with paintings of battles and hunting scenes and wrastling bouts in dark and smoky colours answerable to the gloomy grandeur of that chamber. On the walls beneath the windows gleamed weapons of war and of the chase, and on the two blind walls were nailed up all orderly the skulls and dead bones of those champions which had wrastled aforetime with King Gorice XI or ever he appointed in an evil hour to wrastle with Goldry Bluszco. Across the innermost angle facing the door was a long table and a carven bench behind it, and from the two ends of that table, set square with it, two other tables yet longer and benches by them on the sides next the wall stretched to within a short space of the door. Midmost of the table to the right of the door was a high seat of old cypress wood, great and fair, with cushions of black velvet broidered with gold, and facing it at the opposite table another high seat, smaller, and the cushions of it sewn with silver. In the space betwixt the tables five iron braziers, massive and footed with claws like an eagle’s, stood
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