War and Peace by Leo Tolstoy (ebook reader for pc TXT) 📕

containing Pierre (who had been sent for) and Anna Mikháylovna (who found it necessary to accompany him) was driving into the court of Count Bezúkhov’s house. As the wheels rolled softly over the straw beneath the windows, Anna Mikháylovna, having turned with words of comfort to her companion, realized that he was asleep in his corner and woke him up. Rousing himself, Pierre followed Anna Mikháylovna out of the carriage, and only then began to think of the interview with his dying father which awaited him. He noticed that they had not come to the front entrance but to the back door. While he was getting down from the carriage steps two men, who looked like tradespeople, ran hurriedly from the entrance and hid in the shadow of the wall. Pausing for a moment, Pierre noticed several other men of the same kind hiding in the shadow of the house on both sides. But neither Anna Mikháylovna nor the footman nor the coachman, who could not help seeing these people, took any notice of them. “It seems to be all right,” Pierre concluded, and followed Anna Mikháylovna. She hurriedly ascended the narrow dimly lit stone staircase, calling to Pierre, who was lagging behind, to follow. Though he did not see why it was necessary for him to go to the count at all, still less why he had to go by the back stairs, yet judging by Anna Mikháylovna’s air of assurance and haste, Pierre concluded that it was all absolutely necessary. Halfway up the stairs they were almost knocked over by some men who, carrying pails, came running downstairs, their boots clattering. These men pressed close to the wall to let Pierre and Anna Mikháylovna pass and did not evince the least surprise at seeing them there.

“Is this the way to the princesses’ apartments?” asked Anna Mikháylovna of one of them.

“Yes,” replied a footman in a bold loud voice, as if anything were now permissible; “the door to the left, ma’am.”

“Perhaps the count did not ask for me,” said Pierre when he reached the landing. “I’d better go to my own room.”

Anna Mikháylovna paused and waited for him to come up.

“Ah, my friend!” she said, touching his arm as she had done her son’s when speaking to him that afternoon, “believe me I suffer no less than you do, but be a man!”

“But really, hadn’t I better go away?” he asked, looking kindly at her over his spectacles.

“Ah, my dear friend! Forget the wrongs that may have been done you. Think that he is your father⁠ ⁠… perhaps in the agony of death.” She sighed. “I have loved you like a son from the first. Trust yourself to me, Pierre. I shall not forget your interests.”

Pierre did not understand a word, but the conviction that all this had to be grew stronger, and he meekly followed Anna Mikháylovna who was already opening a door.

This door led into a back anteroom. An old man, a servant of the princesses, sat in a corner knitting a stocking. Pierre had never been in this part of the house and did not even know of the existence of these rooms. Anna Mikháylovna, addressing a maid who was hurrying past with a decanter on a tray as “my dear” and “my sweet,” asked about the princess’ health and then led Pierre along a stone passage. The first door on the left led into the princesses’ apartments. The maid with the decanter in her haste had not closed the door (everything in the house was done in haste at that time), and Pierre and Anna Mikháylovna in passing instinctively glanced into the room, where Prince Vasíli and the eldest princess were sitting close together talking. Seeing them pass, Prince Vasíli drew back with obvious impatience, while the princess jumped up and with a gesture of desperation slammed the door with all her might.

This action was so unlike her usual composure and the fear depicted on Prince Vasíli’s face so out of keeping with his dignity that Pierre stopped and glanced inquiringly over his spectacles at his guide. Anna Mikháylovna evinced no surprise, she only smiled faintly and sighed, as if to say that this was no more than she had expected.

“Be a man, my friend. I will look after your interests,” said she in reply to his look, and went still faster along the passage.

Pierre could not make out what it was all about, and still less what “watching over his interests” meant, but he decided that all these things had to be. From the passage they went into a large, dimly lit room adjoining the count’s reception room. It was one of those sumptuous but cold apartments known to Pierre only from the front approach, but even in this room there now stood an empty bath, and water had been spilled on the carpet. They were met by a deacon with a censer and by a servant who passed out on tiptoe without heeding them. They went into the reception room familiar to Pierre, with two Italian windows opening into the conservatory, with its large bust and full length portrait of Catherine the Great. The same people were still sitting here in almost the same positions as before, whispering to one another. All became silent and turned to look at the pale tear-worn Anna Mikháylovna as she entered, and at the big stout figure of Pierre who, hanging his head, meekly followed her.

Anna Mikháylovna’s face expressed a consciousness that the decisive moment had arrived. With the air of a practical Petersburg lady she now, keeping Pierre close beside her, entered the room even more boldly than that afternoon. She felt that as she brought with her the person the dying man wished to see, her own admission was assured. Casting a rapid glance at all those in the room and noticing the count’s confessor there, she glided up to him with a sort of amble, not exactly bowing yet seeming to grow suddenly smaller, and