Madame Bovary by Gustave Flaubert (great reads txt) 📕
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Madame Bovary, often ranked among the greatest novels of all time, is Flaubert’s first novel, and considered to be both his masterpiece and one of the most influential works in literary history, with authors from Henry James to Proust to Nabokov heaping it with praise.
The novel tells the story of Emma Bovary, a commoner wife of a country doctor, and her attempts to escape the drudgery of day-to-day mediocrity by engaging in adulterous affairs and overspending on luxuries. She remains unsatisfied even though her husband adores her and they want for little, and her shallowness eventually leads to their ruin.
The story was first serialized in Revue de Paris, where prosecutors tried to have it censored for obscenity, arguing that not only is the story immoral, but that realism as a literary style is an offence against art and decency. The trial only served to increase the story’s fame, and when it was published as a single novel it quickly became a bestseller.
The novel is groundbreaking in its emphasis on the psychological and emotional lives of its characters. Literature up to then had mostly focusing on the external events that make characters react, instead of focusing on the internal thought processes of those characters. Madame Bovary changed that forever. It was also revolutionary in its criticism of the middle class, which at the time was a still-new social class vying for elbow room between the working poor and hereditary aristocracy. Flaubert critiqued the middle class as being ambitious, shallow, greedy, materialistic, and totally without culture; Emma’s burning desire to reach even higher social strata, contrasted against that satisfaction being fundamentally denied to her by her middle-class nature, is an early echo of Marx’s theory of alienation in industrial societies.
Today Madame Bovary, with its careful but charming description of the banality of everyday life, is considered the first great example of literary realism in fiction novels. Eleanor Marx-Aveling’s translation, though over a hundred years old, is remarkably fresh and smooth, and is a pleasure even for modern readers.
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- Author: Gustave Flaubert
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He talked aroma, osmazome, juices, and gelatine in a bewildering manner. Moreover, Homais, with his head fuller of recipes than his shop of jars, excelled in making all kinds of preserves, vinegars, and sweet liqueurs; he knew also all the latest inventions in economic stoves, together with the art of preserving cheese and of curing sick wines.
At eight o’clock Justin came to fetch him to shut up the shop.
Then Monsieur Homais gave him a sly look, especially if Félicité was there, for he half noticed that his apprentice was fond of the doctor’s house.
“The young dog,” he said, “is beginning to have ideas, and the devil take me if I don’t believe he’s in love with your servant!”
But a more serious fault with which he reproached Justin was his constantly listening to conversation. On Sunday, for example, one could not get him out of the drawing-room, whither Madame Homais had called him to fetch the children, who were falling asleep in the armchairs, and dragging down with their backs calico chair-covers that were too large.
Not many people came to these soirées at the chemist’s, his scandal-mongering and political opinions having successfully alienated various respectable persons from him. The clerk never failed to be there. As soon as he heard the bell he ran to meet Madame Bovary, took her shawl, and put away under the shop-counter the thick list shoes that she wore over her boots when there was snow.
First they played some hands at trente-et-un; next Monsieur Homais played écarté with Emma; Léon behind her gave her advice.
Standing up with his hands on the back of her chair he saw the teeth of her comb that bit into her chignon. With every movement that she made to throw her cards the right side of her dress was drawn up. From her turned-up hair a dark colour fell over her back, and growing gradually paler, lost itself little by little in the shade. Then her dress fell on both sides of her chair, puffing out full of folds, and reached the ground. When Léon occasionally felt the sole of his boot resting on it, he drew back as if he had trodden upon someone.
When the game of cards was over, the druggist and the Doctor played dominoes, and Emma, changing her place, leant her elbow on the table, turning over the leaves of L’Illustration. She had brought her ladies’ journal with her. Léon sat down near her; they looked at the engravings together, and waited for one another at the bottom of the pages. She often begged him to read her the verses; Léon declaimed them in a languid voice, to which he carefully gave a dying fall in the love passages. But the noise of the dominoes annoyed him. Monsieur Homais was strong at the game; he could beat Charles and give him a double-six. Then the three hundred finished, they both stretched themselves out in front of the fire, and were soon asleep. The fire was dying out in the cinders; the teapot was empty, Léon was still reading.
Emma listened to him, mechanically turning around the lampshade, on the gauze of which were painted clowns in carriages, and tightrope dances with their balancing-poles. Léon stopped, pointing with a gesture to his sleeping audience; then they talked in low tones, and their conversation seemed the more sweet to them because it was unheard.
Thus a kind of bond was established between them, a constant commerce of books and of romances. Monsieur Bovary, little given to jealousy, did not trouble himself about it.
On his birthday he received a beautiful phrenological head, all marked with figures to the thorax and painted blue. This was an attention of the clerk’s. He showed him many others, even to doing errands for him at Rouen; and the book of a novelist having made the mania for cactuses fashionable, Léon bought some for Madame Bovary, bringing them back on his knees in the Hirondelle, pricking his fingers on their hard hairs.
She had a board with a balustrade fixed against her window to hold the pots. The clerk, too, had his small hanging garden; they saw each other tending their flowers at their windows.
Of the windows of the village there was one yet more often occupied; for on Sundays from morning to night, and every morning when the weather was bright, one could see at the dormer-window of the garret the profile of Monsieur Binet bending over his lathe, whose monotonous humming could be heard at the Lion d’Or.
One evening on coming home Léon found in his room a rug in velvet and wool with leaves on a pale ground. He called Madame Homais, Monsieur Homais, Justin, the children, the cook; he spoke of it to his chief; everyone wanted to see this rug. Why did the doctor’s wife give the clerk presents? It looked queer. They decided that she must be his lover.
He made this seem likely, so ceaselessly did he talk of her charms and of her wit; so much so, that Binet once roughly answered him—
“What does it matter to me since I’m not in her set?”
He tortured himself to find out how he could make his declaration to her, and always halting between the fear of displeasing her and the shame of being such a coward, he wept with discouragement and desire. Then he took energetic resolutions, wrote letters that he tore up, put it off to times that he again deferred.
Often he set out with the determination to dare all; but this resolution soon deserted him in Emma’s presence, and when Charles, dropping in, invited him to jump into his chaise to go with him to see some patient in the neighbourhood, he at once accepted, bowed to madame, and went out. Her husband, was he not something belonging to her? As to Emma, she did not ask herself whether she loved. Love, she thought, must come suddenly, with great outbursts and lightnings—a hurricane of the skies, which
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