Madame Bovary by Gustave Flaubert (great reads txt) 📕
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Madame Bovary, often ranked among the greatest novels of all time, is Flaubert’s first novel, and considered to be both his masterpiece and one of the most influential works in literary history, with authors from Henry James to Proust to Nabokov heaping it with praise.
The novel tells the story of Emma Bovary, a commoner wife of a country doctor, and her attempts to escape the drudgery of day-to-day mediocrity by engaging in adulterous affairs and overspending on luxuries. She remains unsatisfied even though her husband adores her and they want for little, and her shallowness eventually leads to their ruin.
The story was first serialized in Revue de Paris, where prosecutors tried to have it censored for obscenity, arguing that not only is the story immoral, but that realism as a literary style is an offence against art and decency. The trial only served to increase the story’s fame, and when it was published as a single novel it quickly became a bestseller.
The novel is groundbreaking in its emphasis on the psychological and emotional lives of its characters. Literature up to then had mostly focusing on the external events that make characters react, instead of focusing on the internal thought processes of those characters. Madame Bovary changed that forever. It was also revolutionary in its criticism of the middle class, which at the time was a still-new social class vying for elbow room between the working poor and hereditary aristocracy. Flaubert critiqued the middle class as being ambitious, shallow, greedy, materialistic, and totally without culture; Emma’s burning desire to reach even higher social strata, contrasted against that satisfaction being fundamentally denied to her by her middle-class nature, is an early echo of Marx’s theory of alienation in industrial societies.
Today Madame Bovary, with its careful but charming description of the banality of everyday life, is considered the first great example of literary realism in fiction novels. Eleanor Marx-Aveling’s translation, though over a hundred years old, is remarkably fresh and smooth, and is a pleasure even for modern readers.
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- Author: Gustave Flaubert
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Emma grew thinner, her cheeks paler, her face longer. With her black hair, her large eyes, her aquiline nose, her birdlike walk, and always silent now, did she not seem to be passing through life scarcely touching it, and to bear on her brow the vague impress of some divine destiny? She was so sad and so calm, at once so gentle and so reserved, that near her one felt oneself seized by an icy charm, as we shudder in churches at the perfume of the flowers mingling with the cold of the marble. The others even did not escape from this seduction. The chemist said—
“She is a woman of great parts, who wouldn’t be misplaced in a sub-prefecture.”
The housewives admired her economy, the patients her politeness, the poor her charity.
But she was eaten up with desires, with rage, with hate. That dress with the narrow folds hid a distracted fear, of whose torment those chaste lips said nothing. She was in love with Léon, and sought solitude that she might with the more ease delight in his image. The sight of his form troubled the voluptuousness of this mediation. Emma thrilled at the sound of his step; then in his presence the emotion subsided, and afterwards there remained to her only an immense astonishment that ended in sorrow.
Léon did not know that when he left her in despair she rose after he had gone to see him in the street. She concerned herself about his comings and goings; she watched his face; she invented quite a history to find an excuse for going to his room. The chemist’s wife seemed happy to her to sleep under the same roof, and her thoughts constantly centered upon this house, like the Lion d’Or pigeons, who came there to dip their red feet and white wings in its gutters. But the more Emma recognised her love, the more she crushed it down, that it might not be evident, that she might make it less. She would have liked Léon to guess it, and she imagined chances, catastrophes that should facilitate this.
What restrained her was, no doubt, idleness and fear, and a sense of shame also. She thought she had repulsed him too much, that the time was past, that all was lost. Then, pride, and joy of being able to say to herself, “I am virtuous,” and to look at herself in the glass taking resigned poses, consoled her a little for the sacrifice she believed she was making.
Then the lusts of the flesh, the longing for money, and the melancholy of passion all blended themselves into one suffering, and instead of turning her thoughts from it, she clave to it the more, urging herself to pain, and seeking everywhere occasion for it. She was irritated by an ill-served dish or by a half-open door; bewailed the velvets she had not, the happiness she had missed, her too exalted dreams, her narrow home.
What exasperated her was that Charles did not seem to notice her anguish. His conviction that he was making her happy seemed to her an imbecile insult, and his sureness on this point ingratitude. For whose sake, then was she virtuous? Was it not for him, the obstacle to all felicity, the cause of all misery, and, as it were, the sharp clasp of that complex strap that bucked her in on all sides.
On him alone, then, she concentrated all the various hatreds that resulted from her boredom, and every effort to diminish only augmented it; for this useless trouble was added to the other reasons for despair, and contributed still more to the separation between them. Her own gentleness to herself made her rebel against him. Domestic mediocrity drove her to lewd fancies, marriage tenderness to adulterous desires. She would have liked Charles to beat her, that she might have a better right to hate him, to revenge herself upon him. She was surprised sometimes at the atrocious conjectures that came into her thoughts, and she had to go on smiling, to hear repeated to her at all hours that she was happy, to pretend to be happy, to let it be believed.
Yet she had loathing of this hypocrisy. She was seized with the temptation to flee somewhere with Léon to try a new life; but at once a vague chasm full of darkness opened within her soul.
“Besides, he no longer loves me,” she thought. “What is to become of me? What help is to be hoped for, what consolation, what solace?”
She was left broken, breathless, inert, sobbing in a low voice, with flowing tears.
“Why don’t you tell master?” the servant asked her when she came in during these crises.
“It is the nerves,” said Emma. “Do not speak to him of it; it would worry him.”
“Ah! yes,” Félicité went on, “you are just like La Guérine, Père Guérin’s daughter, the fisherman at Pollet, that I used to know at Dieppe before I came to you. She was so sad, so sad, to see her standing upright on the threshold of her house, she seemed to you like a winding-sheet spread out before the door. Her illness, it appears, was a kind of fog that she had in her head, and the doctors could not do anything, nor the priest either. When she was taken too bad she went off quite alone to the seashore, so that the customs officer, going his rounds, often found her lying flat on her
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