David Copperfield by Charles Dickens (good novels to read in english .TXT) π

Description
Like many of Dickensβ works, David Copperfield was published serially, then as a complete novel for the first time in 1850. Dickens himself thought of it as his favorite novel, writing in the preface that of all his works Copperfield was his favorite child. This isnβt surprising, considering that many of the events in the novel are semi-autobiographical accounts from Dickensβ own life.
In David Copperfield we follow the life of the titular character as he makes a life for himself in England. He finds himself in the care of a cold stepfather who sends him to boarding school, and from there embarks on a journey filled with characters and events that can only be called βDickensianβ in their colorful and just-barely-probable portrayals.
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- Author: Charles Dickens
Read book online Β«David Copperfield by Charles Dickens (good novels to read in english .TXT) πΒ». Author - Charles Dickens
Among my boys, this summer holiday time, I see an old man making giant kites, and gazing at them in the air, with a delight for which there are no words. He greets me rapturously, and whispers, with many nods and winks, βTrotwood, you will be glad to hear that I shall finish the Memorial when I have nothing else to do, and that your auntβs the most extraordinary woman in the world, sir!β
Who is this bent lady, supporting herself by a stick, and showing me a countenance in which there are some traces of old pride and beauty, feebly contending with a querulous, imbecile, fretful wandering of the mind? She is in a garden; and near her stands a sharp, dark, withered woman, with a white scar on her lip. Let me hear what they say.
βRosa, I have forgotten this gentlemanβs name.β
Rosa bends over her, and calls to her, βMr. Copperfield.β
βI am glad to see you, sir. I am sorry to observe you are in mourning. I hope time will be good to you.β
Her impatient attendant scolds her, tells her I am not in mourning, bids her look again, tries to rouse her.
βYou have seen my son, sir,β says the elder lady. βAre you reconciled?β
Looking fixedly at me, she puts her hand to her forehead, and moans. Suddenly, she cries, in a terrible voice, βRosa, come to me. He is dead!β Rosa kneeling at her feet, by turns caresses her, and quarrels with her; now fiercely telling her, βI loved him better than you ever did!ββ βnow soothing her to sleep on her breast, like a sick child. Thus I leave them; thus I always find them; thus they wear their time away, from year to year.
What ship comes sailing home from India, and what English lady is this, married to a growling old Scotch Croesus with great flaps of ears? Can this be Julia Mills?
Indeed it is Julia Mills, peevish and fine, with a black man to carry cards and letters to her on a golden salver, and a copper-coloured woman in linen, with a bright handkerchief round her head, to serve her tiffin in her dressing room. But Julia keeps no diary in these days; never sings βAffectionβs Dirgeβ; eternally quarrels with the old Scotch Croesus, who is a sort of yellow bear with a tanned hide. Julia is steeped in money to the throat, and talks and thinks of nothing else. I liked her better in the Desert of Sahara.
Or perhaps this is the Desert of Sahara! For, though Julia has a stately house, and mighty company, and sumptuous dinners every day, I see no green growth near her; nothing that can ever come to fruit or flower. What Julia calls βsociety,β I see; among it Mr. Jack Maldon, from his Patent Place, sneering at the hand that gave it him, and speaking to me of the Doctor as βso charmingly antique.β But when society is the name for such hollow gentlemen and ladies, Julia, and when its breeding is professed indifference to everything that can advance or can retard mankind, I think we must have lost ourselves in that same Desert of Sahara, and had better find the way out.
And lo, the Doctor, always our good friend, labouring at his Dictionary (somewhere about the letter D), and happy in his home and wife. Also the Old Soldier, on a considerably reduced footing, and by no means so influential as in days of yore!
Working at his chambers in the Temple, with a busy aspect, and his hair (where he is not bald) made more rebellious than ever by the constant friction of his lawyerβs-wig, I come, in a later time, upon my dear old Traddles. His table is covered with thick piles of papers; and I say, as I look around me:
βIf Sophy were your clerk, now, Traddles, she would have enough to do!β
βYou may say that, my dear Copperfield! But those were capital days, too, in Holborn Court! Were they not?β
βWhen she told you you would be a judge? But it was not the town talk then!β
βAt all events,β says Traddles, βif I ever am oneβ ββ
βWhy, you know you will be.β
βWell, my dear Copperfield, when I am one, I shall tell the story, as I said I would.β
We walk away, arm in arm. I am going to have a family dinner with Traddles. It is Sophyβs birthday; and, on our road, Traddles discourses to me of the good fortune he has enjoyed.
βI really have been able, my dear Copperfield, to do all that I had most at heart. Thereβs the Reverend Horace promoted to that living at four hundred and fifty pounds a year; there are our two boys receiving the very best education, and distinguishing themselves as steady scholars and good fellows; there are three of the girls married very comfortably; there are three more living with us; there are three more keeping house for the Reverend Horace since Mrs. Crewlerβs decease; and all of them happy.β
βExceptβ ββ I suggest.
βExcept the Beauty,β says Traddles. βYes. It was very unfortunate that she should marry such a vagabond. But there was a certain dash and glare about him that caught her. However, now we have got her safe at our house, and got rid of him, we must cheer her up again.β
Traddlesβs house is one of the very housesβ βor it easily may have beenβ βwhich he and Sophy used to parcel out, in their evening walks. It is a large house; but Traddles keeps his papers in his dressing room and his boots with his papers; and he and Sophy squeeze themselves into upper rooms, reserving the best bedrooms for the Beauty and the girls. There is no room to spare in the house; for more of βthe girlsβ are here, and always are here, by some accident or other, than I know how to count. Here, when we go in, is a crowd of them, running down to the door, and handing Traddles
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