After the Divorce by Grazia Deledda (buy e reader .txt) 📕
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Giovanna and Costantino Ledda are a happily married young Sardinian couple living a contented village existence with their small child and extended family. But after Costantino is wrongly convicted of murdering his uncle and imprisoned, the now‐impoverished Giovanna reluctantly divorces him under a newly enacted divorce law and marries Brontu Dejas, a wealthy but cruel drunkard who has always coveted her. While enduring a slave’s existence within this new marriage as well as the community’s derision of her as the “wife with two husbands,” the broken Giovanna is unexpectedly reunited with an embittered Costantino after his exoneration and early release from prison, and the two resume their now‐illicit relationship.
An exploration of hypocrisy, expiation, and the human disruption of a supernatural order that remorselessly reasserts itself, After the Divorce is set in an insular society of ancient, religious roots grappling with the intrusion of modern, secular social mores and is among the earliest of the serious works on which Grazia Deledda’s literary reputation is based. Deledda—the first Italian woman to win the Nobel Prize for Literature—critiqued the social norms of her native Sardinia through verismo depictions of the struggles of the lower classes, into which she wove elements of her own personal tragedies.
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- Author: Grazia Deledda
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Two deep wrinkles furrowed the red cheeks of the lecturer, and an ugly smile shone from his dull eyes.
“Indeed!” he said. “Well, the consent of the prisoner is asked merely as a formality. It is, of course, his duty to give it, and his goodwill counts for something in his favour. But it all comes to the same thing, whether he gives it or no—Eh, there! what—why—what is the matter?” For Costantino had given a sudden lurch, and collapsed on the floor like a bundle of limp rags.
Part II IXNineteen Hundred and Ten. In the “strangers’ room” of the Porru house, Giovanna was looking over some purchases made that day in Nuoro. She was stouter than ever, and had lost something of her girlish look, but, nevertheless, she was both fresh and handsome still. She examined the pieces of linen and woollen stuff attentively, turning them over and over and feeling them with a preoccupied air, as though not altogether satisfied with the selection; then, folding them carefully, she wrapped them in newspaper and laid them away in her bag.
These things were the materials for her wedding outfit, for, having at last obtained her divorce, she was shortly to marry Dejas. She and her mother had come to Nuoro for the express purpose of making the purchases. The money had been borrowed with the utmost secrecy from Aunt Anna-Rosa Dejas, Giacobbe’s sister, who had always taken a particular interest in Giovanna because of having been for a short time her foster-mother. It was the dead of winter, but the two women had courageously defied the fatigues and discomforts of the journey in order to lay in a supply of linen, cotton, kerchiefs, and woollen stuffs. The ceremony, a purely civil one, was to be conducted in the strictest privacy, more so, even, than on the occasion of a widow’s marriage. But this made no difference to Aunt Bachissia, who was determined that her daughter should enter her new home fitted out in every respect like a youthful bride of good family.
The countryside was still wondering and gossipping over the scandalous affair, and it was rumoured that another couple contemplated applying for a divorce—by mutual consent. A great many people already looked askance at the Eras, and some said that Brontu had evil designs upon Giovanna. Giacobbe Dejas, Isidoro Pane, and a number of other friends had stopped going to the house after making final scenes that were almost violent. Giacobbe had snarled like a dog, and had used prayers and even threats in a last, vain effort to dissuade Giovanna from the step, until Aunt Bachissia had, at length, driven him out. Even Aunt Porredda at Nuoro, although it was her son who had obtained the divorce for Giovanna, had received her friends with marked coolness. The “Doctor,” as she called her son, was, on the contrary, most cordial and attentive in his manner towards their guests.
So Giovanna was folding up her possessions in a thoughtful mood, her preoccupation having, however, to do solely with those bits of stuff. The linen, it appeared, was somewhat tumbled; the fringe of the black Thibet kerchief, with its big crimson roses, was too short; one piece of ribbon had a spot on it—worrying matters, all of them.
Night was falling—like that other time—but the surroundings, and the weather, and—her heart, were all, quite, quite different. The “strangers’ room” now had a fine window, through whose panes shone the clear, cold light of a winter evening. The furniture, all entirely new, exhaled a powerful smell of varnished wood, while its surface glistened like hoarfrost. The door opened on the same covered gallery, but new granite steps now led down to the courtyard. The “Doctor’s” practice was growing, and the entire house had been done over. He now had an office in the busiest part of the town, and was much in demand both for civil and penal processes. The most desperate cases, the worst offenders, all that class of clients who have the least to hope from the law, entrusted their affairs to him.
Giovanna folded, wrapped, and packed her possessions, and then, the bag being somewhat over-full, she shook it vigorously to make the contents settle down; this accomplished, she turned with knitted brows, and slowly descended the outer stair, both hands thrust deep in the pockets always to be found just below the waist in the skirt of a Sardinian costume.
It was an evening in January, clear but extremely cold. Some silver stars, set in the cloudless blue of the sky, seemed to tremble in the frosty atmosphere. Crossing the courtyard Giovanna could see, through the window of the lighted dining-room, Grazia’s pale face and great, eager eyes as she sat turning over the leaves of a fashion paper. The child had developed into a tall and pretty girl; she was dressed in the latest fashion, with great lace wings extending from the shoulders behind the arms; they obliged their wearers to walk sideways through any narrow aperture, but made them look, by way of compensation, like so many angels before the fall.
Grazia, seeing the guest, smiled at her without getting up, and the latter entered the kitchen.
Here, too, everything was new; the white walls, the stove of glistening bricks, the petroleum lamp hanging from the ceiling. It was all so gorgeous that Aunt Bachissia could not refrain from gazing about her the whole time, her shining, little, green beads of eyes, snapping and sparkling in the sallow, hawklike face, set in the folds of a black scarf. She at least, was unchanged—the old witch! She was seated beside the servant-maid, a dirty, dishevelled young person, whose loud and frequent laugh displayed
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