The Mill on the Floss by George Eliot (best beach reads of all time .txt) 📕
Description
Published in 1860, The Mill on the Floss was the second novel published by George Eliot (the pen name of Mary Ann Evans). Set in the late 1820s or early 1830s, it tells the story of two young people, Tom and Maggie Tulliver, from their childhood into early adulthood. Their father, Jeremy Tulliver, owns Dorlcote Mill on the river Floss, and the children grow to adolescence in relative comfort. However Mr. Tulliver is litigious and initiates an unwise legal suit against a local solicitor, Mr. Wakem. The suit is thrown out and the associated costs throw the Tulliver family into poverty, and they lose possession of the mill.
The main character of the novel is Maggie Tulliver, an intelligent and passionate child and young woman, whose mental, romantic, and moral struggles we follow closely. As in Eliot’s other novels, the author shows a realistic and sympathetic understanding of human behavior.
The Mill on the Floss is regarded as a classic of English literature, and has been made into both a film and a television series.
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- Author: George Eliot
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Lucy thought it was by reason of some exceptional talent in uncle Pullet that the snuffbox played such beautiful tunes, and indeed the thing was viewed in that light by the majority of his neighbours in Garum. Mr. Pullet had bought the box, to begin with, and he understood winding it up, and knew which tune it was going to play beforehand; altogether the possession of this unique “piece of music” was a proof that Mr. Pullet’s character was not of that entire nullity which might otherwise have been attributed to it. But uncle Pullet, when entreated to exhibit his accomplishment, never depreciated it by a too ready consent. “We’ll see about it,” was the answer he always gave, carefully abstaining from any sign of compliance till a suitable number of minutes had passed. Uncle Pullet had a programme for all great social occasions, and in this way fenced himself in from much painful confusion and perplexing freedom of will.
Perhaps the suspense did heighten Maggie’s enjoyment when the fairy tune began; for the first time she quite forgot that she had a load on her mind, that Tom was angry with her; and by the time “Hush, ye pretty warbling choir,” had been played, her face wore that bright look of happiness, while she sat immovable with her hands clasped, which sometimes comforted her mother with the sense that Maggie could look pretty now and then, in spite of her brown skin. But when the magic music ceased, she jumped up, and running toward Tom, put her arm round his neck and said, “Oh, Tom, isn’t it pretty?”
Lest you should think it showed a revolting insensibility in Tom that he felt any new anger toward Maggie for this uncalled-for and, to him, inexplicable caress, I must tell you that he had his glass of cowslip wine in his hand, and that she jerked him so as to make him spill half of it. He must have been an extreme milksop not to say angrily, “Look there, now!” especially when his resentment was sanctioned, as it was, by general disapprobation of Maggie’s behaviour.
“Why don’t you sit still, Maggie?” her mother said peevishly.
“Little gells mustn’t come to see me if they behave in that way,” said aunt Pullet.
“Why, you’re too rough, little miss,” said uncle Pullet.
Poor Maggie sat down again, with the music all chased out of her soul, and the seven small demons all in again.
Mrs. Tulliver, foreseeing nothing but misbehaviour while the children remained indoors, took an early opportunity of suggesting that, now they were rested after their walk, they might go and play out of doors; and aunt Pullet gave permission, only enjoining them not to go off the paved walks in the garden, and if they wanted to see the poultry fed, to view them from a distance on the horse-block; a restriction which had been imposed ever since Tom had been found guilty of running after the peacock, with an illusory idea that fright would make one of its feathers drop off.
Mrs. Tulliver’s thoughts had been temporarily diverted from the quarrel with Mrs. Glegg by millinery and maternal cares, but now the great theme of the bonnet was thrown into perspective, and the children were out of the way, yesterday’s anxieties recurred.
“It weighs on my mind so as never was,” she said, by way of opening the subject, “sister Glegg’s leaving the house in that way. I’m sure I’d no wish t’ offend a sister.”
“Ah,” said aunt Pullet, “there’s no accounting for what Jane ’ull do. I wouldn’t speak of it out o’ the family, if it wasn’t to Dr. Turnbull; but it’s my belief Jane lives too low. I’ve said so to Pullet often and often, and he knows it.”
“Why, you said so last Monday was a week, when we came away from drinking tea with ’em,” said Mr. Pullet, beginning to nurse his knee and shelter it with his pocket handkerchief, as was his way when the conversation took an interesting turn.
“Very like I did,” said Mrs. Pullet, “for you remember when I said things, better than I can remember myself. He’s got a wonderful memory, Pullet has,” she continued, looking pathetically at her sister. “I should be poorly off if he was to have a stroke, for he always remembers when I’ve got to take my doctor’s stuff; and I’m taking three sorts now.”
“There’s the ‘pills as before’ every other night, and the new drops at eleven and four, and the ’fervescing mixture ‘when agreeable,’ ” rehearsed Mr. Pullet, with a punctuation determined by a lozenge on his tongue.
“Ah, perhaps it ’ud be better for sister Glegg if she’d go to the doctor sometimes, instead o’ chewing Turkey rhubarb whenever there’s anything the matter with her,” said Mrs. Tulliver, who naturally saw the
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