A Man Could Stand Up— by Ford Madox Ford (books for 5 year olds to read themselves txt) 📕
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A Man Could Stand Up— opens on Armistice Day, with Valentine Wannop learning that her love, Christopher Tietjens, has returned to London from the front. As she prepares to meet him, the narrative suddenly shifts time and place to earlier in the year, with Tietjens commanding a group of soldiers in a trench somewhere in the war zone. Tietjens leads his company bravely as they shelter from the constant German strafes, before the narrative again jumps to conclude with an actual Armistice Day celebration.
In this simple narrative Ford creates dense, complex character studies of Valentine and Tietjens. Tietjens, often called “the last Tory” for his staunch and unwavering approach to honor, duty, and fidelity, has changed greatly from the man he was in the previous installments in the series. Ford explores the psychological horror that the Great War inflicted on its combatants through the lens of Valentine’s gentle curiosity about Tietjen’s time on the front: men returned from battle injured not just in body, but in soul, too. The constant, unrelenting shelling, the endless strafes, the clouds of poison gas, the instant death of friends and comrades for no reason at all, the muddy and grim entrenchments where men lived and died—all of these permanently changed soldiers in ways that previous wars didn’t. Now the “last Tory” wants nothing more than to retreat from society and live a quiet life with the woman he loves—who is not his wife.
As we follow Valentine and Tietjens through the last day of the war, we see how the Great War was not just the destruction of men, but of an entire era.
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- Author: Ford Madox Ford
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He considered with satisfaction that he would command a very decent lot. The Adjutant was so inconspicuous you did not even notice him. Beady-eyed, like a bird! Always preoccupied. And little Aranjuez, the signalling officer! And a fat fellow called Dunne, who had represented Intelligence since the Night Before Last! A Company Commander was fifty, thin as a pipe-stem and bald; B was a good, fair boy: of good family; C and D were subalterns, just out. But clean. … Satisfactory!
What a handful of frail grass with which to stop an aperture in the dam of—of the Empire! Damn the Empire! It was England! It was Bemerton Parsonage that mattered! What did we want with an Empire! It was only a jerry-building Jew like Disraeli that could have provided us with that jerry-built name! The Tories said they had to have someone to do their dirty work. … Well: they’d had it!
He said to Mckechnie:
“There’s a fellow called Bemer—I mean Griffiths, O-Nine Griffiths, I understand you’re interested in for the Divisional Follies. I’ll send him along to you as soon as he’s had his breakfast. He’s first-rate with the cornet.”
Mckechnie said:
“Yes, sir,” saluted rather limply and took a step.
That was Mckechnie all over. He never brought his mad fits to a crisis. That made him still more of a bore. His face would be distorted like that of a wildcat in front of its kittens’ hole in a stone wall. But he became the submissive subordinate. Suddenly! Without rhyme or reason!
Tiring people! Without manners! … They would presumably run the world now. It would be a tiresome world.
Mckechnie, however, was saluting. He held a sealed envelope, rather small and crumpled, as if from long carrying. He was talking in a controlled voice after permission asked. He desired Tietjens to observe that the seal on the envelope was unbroken. The envelope contained “The Sonnet.”
Mckechnie must, then, have gone mad! His eyes, if his voice was quiet, though with an Oxford-Cockney accent—his prune-coloured eyes were certainly mad. … Hot prunes!
Men shuffled along the trenches, carrying by rope-handles very heavy, lead-coloured wooden cases: two men to each case. Tietjens said:
“You’re D Company? … Get a move on!” …
Mckechnie, however, wasn’t mad. He was only pointing out that he could pit his Intellect and his Latinity against those of Tietjens: that he could do it when the great day came!
The envelope, in fact, contained a sonnet. A sonnet Tietjens, for distraction, had written to rhymes dictated by Mckechnie … for distraction in a moment of stress. …
Several moments of stress they had been in together. It ought to have formed a bond between them. It hadn’t. … Imagine having a bond with a Highland-Oxford-Cockney!
Or perhaps it had! There was certainly the sonnet. Tietjens had written it in two and a half minutes, he remembered, to stave off the thought of his wife who was then being a nuisance. … Two and a half minutes of forgetting Sylvia! A bit of luck! … But Mckechnie had insisted on regarding it as a challenge. A challenge to his Latinity. He had then and there undertaken to turn that sonnet into Latin hexameters in two minutes. Or perhaps four. …
But things had got in the way. A fellow called 09 Evans had got himself killed over their feet. In the hut. Then they had been busy: with the Draft!
Apparently Mckechnie had sealed up that sonnet in an envelope. In that envelope. Then and there. Apparently Mckechnie had been inspired with a blind, Celtic, snorting rage to prove that he was better as a Latinist than Tietjens as a sonnetteer. Apparently he was still so inspired. He was mad to engage in competition with Tietjens.
It was perhaps that that made him not quite mad. He kept sane in order to be fit for this competition. He was now repeating, holding out the envelope, seal upwards:
“I suppose you believe I have not read your sonnet, sir. I suppose you believe I have not read your sonnet, sir. … To prepare myself to translate it more quickly.”
Tietjens said:
“Yes! No! … I don’t care.”
He couldn’t tell the fellow that the idea of a competition was loathsome to him. Any sort of competition was loathsome to Tietjens. Even competitive games. He liked playing tennis. Real tennis. But he very rarely played because he couldn’t get fellows to play with, that beating would not be disagreeable. … And it would be loathsome to be drawn into any sort of competition with this Prizeman. … They were moving very slowly along the trench, Mckechnie retreating sideways and holding out the seal.
“It’s your seal, sir!” he was repeating. “Your own seal. You see, it isn’t broken. … You don’t perhaps imagine that I read the sonnet quickly and made a copy from memory?”
… The fellow wasn’t even a decent Latinist. Or verse-maker, though he was always boasting about it to the impossible, adenoidy, Cockney subalterns who made up the battalion’s mess. He would translate their chits into Latin verse. … But it was always into tags. Generally from the Aeneid. Like:
“Conticuere omnes, or Vino somnoque sepultum!”
That was, presumably, what Oxford of just before the War was doing.
He said:
“I’m not a beastly detective. … Yes, of course, I quite believe it.”
He thought of emerging into the society of little Aranjuez who was some sort of gentle earnest Levantine with pleasure. Think of thinking of a Levantine with pleasure! He said:
“Yes. It’s all right, Mckechnie.”
He felt himself solid. He was really in a competition with this fellow. It was deterioration. He, Tietjens, was crumpling up morally. He had accepted responsibility: he had thought of two hundred and fifty pounds with pleasure: now he was competing with a Cockney-Celtic-Prizeman. He was reduced to that level. … Well, as like as not he would be dead before the afternoon. And no one would know.
Think of thinking about whether anyone would know or no! … But it was Valentine Wannop that wasn’t to know. That he had deteriorated under the strain! … That enormously surprised him. He
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