Sunshine Sketches of a Little Town by Stephen Leacock (the false prince TXT) 📕

of your soul to tell him, it would serve no purpose now except to break his heart, and there would rise up to rebuke you the pictured vision of an untended grave somewhere in the great silences of South Africa.

Did I say above, or seem to imply, that the judge sometimes spoke harshly to his wife? Or did you gather for a minute that her lot was one to lament over or feel sorry for? If so, it just shows that you know nothing about such things, and that marriage, at least as it exists in Mariposa, is a sealed book to you. You are as ignorant as Miss Spiffkins, the biology teacher at the high school, who always says how sorry she is for Mrs. Pepperleigh. You get that impression simply because the judge howled like an Algonquin Indian when he saw the sprinkler running on the lawn. But are you sure you know the other side of it? Are you quite sure when you talk like Miss Spiffkins does about the rights of it, that you are taking all things into account? You might have thought differently perhaps of the Pepperleighs, anyway, if you had been there that evening when the judge came home to his wife with one hand pressed to his temple and in the other the cablegram that said that Neil had been killed in action in South Africa. That night they sat together with her hand in his, just as they had sat together thirty years ago when he was a law student in the city.

Go and tell Miss Spiffkins that! Hydrangeas⁠—canaries⁠—temper⁠—blazes! What does Miss Spiffkins know about it all?

But in any case, if you tried to tell Judge Pepperleigh about Neil now he wouldn’t believe it. He’d laugh it to scorn. That is Neil’s picture, in uniform, hanging in the dining room beside the Fathers of Confederation. That military-looking man in the picture beside him is General Kitchener, whom you may perhaps have heard of, for he was very highly spoken of in Neil’s letters. All round the room, in fact, and still more in the judge’s library upstairs, you will see pictures of South Africa and the departure of the Canadians (there are none of the return), and of Mounted Infantry and of Unmounted Cavalry and a lot of things that only soldiers and the fathers of soldiers know about.

So you can realize that for a fellow who isn’t military, and who wears nothing nearer to a uniform than a daffodil tennis blazer, the judge’s house is a devil of a house to come to.

I think you remember young Mr. Pupkin, do you not? I have referred to him several times already as the junior teller in the Exchange Bank. But if you know Mariposa at all you have often seen him. You have noticed him, I am sure, going for the bank mail in the morning in an office suit effect of clinging grey with a gold necktie pin shaped like a riding whip. You have seen him often enough going down to the lake front after supper, in tennis things, smoking a cigarette and with a paddle and a crimson canoe cushion under his arm. You have seen him entering Dean Drone’s church in a top hat and a long frock coat nearly to his feet. You have seen him, perhaps, playing poker in Peter Glover’s room over the hardware store and trying to look as if he didn’t hold three aces⁠—in fact, giving absolutely no sign of it beyond the wild flush in his face and the fact that his hair stands on end.

That kind of reticence is a thing you simply have to learn in banking. I mean, if you’ve got to be in a position where you know for a fact that the Mariposa Packing Company’s account is overdrawn by sixty-four dollars, and yet daren’t say anything about it, not even to the girls that you play tennis with⁠—I don’t say, not a casual hint as a reference, but not really tell them, not, for instance, bring down the bank ledger to the tennis court and show them⁠—you learn a sort of reticence and self-control that people outside of banking circles never can attain.

Why, I’ve known Pupkin at the Fireman’s Ball lean against the wall in his dress suit and talk away to Jim Eliot, the druggist, without giving the faintest hint or indication that Eliot’s note for twenty-seven dollars had been protested that very morning. Not a hint of it. I don’t say he didn’t mention it, in a sort of way, in the supper room, just to one or two, but I mean there was nothing in the way he leant up against the wall to suggest it.

But, however, I don’t mention that as either for or against Mr. Pupkin. That sort of thing is merely the A.B.C. of banking, as he himself told me when explaining why it was that he hesitated to divulge the exact standing of the Mariposa Carriage Company. Of course, once you get past the A.B.C. you can learn a lot that is mighty interesting.

So I think that if you know Mariposa and understand even the rudiments of banking, you are perfectly acquainted with Mr. Pupkin. What? You remember him as being in love with Miss Lawson, the high school teacher? In love with her? What a ridiculous idea. You mean merely because on the night when the Mariposa Belle sank with every soul on board, Pupkin put off from the town in a skiff to rescue Miss Lawson. Oh, but you’re quite wrong. That wasn’t love. I’ve heard Pupkin explain it himself a dozen times. That sort of thing⁠—paddling out to a sinking steamer at night in a crazy skiff⁠—may indicate a sort of attraction, but not real love, not what Pupkin came to feel afterwards. Indeed, when he began to think of it, it wasn’t even attraction, it was merely respect⁠—that’s all it was. And anyway, that was long