The Way of All Flesh by Samuel Butler (beautiful books to read .TXT) 📕
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The Way of All Flesh is often considered to be Samuel Butler’s masterpiece, and is frequently included in many lists of best English-language novels of the 20th century. Despite this acclaim, Butler never published it in his lifetime—perhaps because the novel, a scathing, funny, and poignant satire of Victorian life, would have hit his contemporaries too close to home.
The novel traces four generations of the Pontifex family, though the central character is Ernest Pontifex, the third-generation wayward son. The reader follows Ernest through the eyes of his watchful godfather, Mr. Overton, as he strikes out from home to find his way in life. His struggles along the way illustrate the complex relationships between a son and his family, and especially his father; all while satirizing Victorian ideas about family, church, marriage, and schooling.
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- Author: Samuel Butler
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Presently Ernest said, “May we give you back this” (showing the halfpenny) “and not give you back this and this?” (showing the pence). I assented, and they gave a sigh of relief and went on their way rejoicing. A few more presents of pence and small toys completed the conquest, and they began to take me into their confidence.
They told me a good deal which I am afraid I ought not to have listened to. They said that if grandpapa had lived longer he would most likely have been made a Lord, and that then papa would have been the Honourable and Reverend, but that grandpapa was now in heaven singing beautiful hymns with grandmamma Allaby to Jesus Christ, who was very fond of them; and that when Ernest was ill, his mamma had told him he need not be afraid of dying for he would go straight to heaven, if he would only be sorry for having done his lessons so badly and vexed his dear papa, and if he would promise never, never to vex him any more; and that when he got to heaven grandpapa and grandmamma Allaby would meet him, and he would be always with them, and they would be very good to him and teach him to sing ever such beautiful hymns, more beautiful by far than those which he was now so fond of, etc., etc.; but he did not wish to die, and was glad when he got better, for there were no kittens in heaven, and he did not think there were cowslips to make cowslip tea with.
Their mother was plainly disappointed in them. “My children are none of them geniuses, Mr. Overton,” she said to me at breakfast one morning. “They have fair abilities, and, thanks to Theobald’s tuition, they are forward for their years, but they have nothing like genius: genius is a thing apart from this, is it not?”
Of course I said it was “a thing quite apart from this,” but if my thoughts had been laid bare, they would have appeared as “Give me my coffee immediately, ma’am, and don’t talk nonsense.” I have no idea what genius is, but so far as I can form any conception about it, I should say it was a stupid word which cannot be too soon abandoned to scientific and literary claqueurs.
I do not know exactly what Christina expected, but I should imagine it was something like this: “My children ought to be all geniuses, because they are mine and Theobald’s, and it is naughty of them not to be; but, of course, they cannot be so good and clever as Theobald and I were, and if they show signs of being so it will be naughty of them. Happily, however, they are not this, and yet it is very dreadful that they are not. As for genius—hoity-toity, indeed—why, a genius should turn intellectual summersaults as soon as it is born, and none of my children have yet been able to get into the newspapers. I will not have children of mine give themselves airs—it is enough for them that Theobald and I should do so.”
She did not know, poor woman, that the true greatness wears an invisible cloak, under cover of which it goes in and out among men without being suspected; if its cloak does not conceal it from itself always, and from all others for many years, its greatness will ere long shrink to very ordinary dimensions. What, then, it may be asked, is the good of being great? The answer is that you may understand greatness better in others, whether alive or dead, and choose better company from these and enjoy and understand that company better when you have chosen it—also that you may be able to give pleasure to the best people and live in the lives of those who are yet unborn. This, one would think, was substantial gain enough for greatness without its wanting to ride roughshod over us, even when disguised as humility.
I was there on a Sunday, and observed the rigour with which the young people were taught to observe the Sabbath; they might not cut out things, nor use their paintbox on a Sunday, and this they thought rather hard, because their cousins the John Pontifexes might do these things. Their cousins might play with their toy train on Sunday, but though they had promised that they would run none but Sunday trains, all traffic had been prohibited. One treat only was allowed them—on Sunday evenings they might choose their own hymns.
In the course of the evening they came into the drawing-room, and, as an especial treat, were to sing some of their hymns to me, instead of saying them, so that I might hear how nicely they sang. Ernest was to choose the first hymn, and he chose one about some people who were to come to the sunset tree. I am no botanist, and do not know what kind of tree a sunset tree is, but the words began, “Come, come, come; come to the sunset tree for the day is past and gone.” The tune was rather pretty and had taken Ernest’s fancy, for he was unusually fond of music and had a sweet little child’s voice which he liked using.
He was, however, very late in being able to sound a hard c or k, and, instead of saying “Come,” he said “Tum tum, tum.”
“Ernest,” said Theobald, from
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