The Good Soldier by Ford Madox Ford (top 10 ebook reader TXT) 📕
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At the height of belle époque Europe, an American couple—the narrator John Dowell and his wife Florence–and a British couple–Leonora and the titular “good soldier” Edward Ashburnham—meet and become firm friends. Travelling and socialising together, it’s a full nine years before the cracks start to show, but when they do the whole edifice starts tumbling to reveal the secrecy and lies concealed within.
The Good Soldier is a classic example of the unreliable narrator genre. With a charitable view, everything John Dowell retells is plausible, but it doesn’t take much critical thinking to reframe the story’s events as something entirely more sinister.
The novel is now frequently ranked by critics as one of the great pieces of twentieth-century literature. Ford Madox Ford, already published many times over by this novel’s release, and along with collaborations with both Joseph Conrad and Ernest Hemingway, went on to create and edit the influential literature journals The English Review and The Transatlantic Review.
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- Author: Ford Madox Ford
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I don’t know how she managed it, but, for all the time they were at Nauheim, she contrived never to let those two be alone together, except in broad daylight, in very crowded places. If a Protestant had done that it would no doubt have awakened a self-consciousness in the girl. But Catholics, who have always reservations and queer spots of secrecy, can manage these things better. And I dare say that two things made this easier—the death of Florence and the fact that Edward was obviously sickening. He appeared, indeed, to be very ill; his shoulders began to be bowed; there were pockets under his eyes; he had extraordinary moments of inattention.
And Leonora describes herself as watching him as a fierce cat watches an unconscious pigeon in a roadway. In that silent watching, again, I think she was a Catholic—of a people that can think thoughts alien to ours and keep them to themselves. And the thoughts passed through her mind; some of them even got through to Edward with never a word spoken. At first she thought that it might be remorse, or grief, for the death of Florence that was oppressing him. But she watched and watched, and uttered apparently random sentences about Florence before the girl, and she perceived that he had no grief and no remorse. He had not any idea that Florence could have committed suicide without writing at least a tirade to him. The absence of that made him certain that it had been heart disease. For Florence had never undeceived him on that point. She thought it made her seem more romantic.
No, Edward had no remorse. He was able to say to himself that he had treated Florence with gallant attentiveness of the kind that she desired until two hours before her death. Leonora gathered that from the look in his eyes, and from the way he straightened his shoulders over her as she lay in her coffin—from that and a thousand other little things. She would speak suddenly about Florence to the girl and he would not start in the least; he would not even pay attention, but would sit with bloodshot eyes gazing at the tablecloth. He drank a good deal, at that time—a steady soaking of drink every evening till long after they had gone to bed.
For Leonora made the girl go to bed at ten, unreasonable though that seemed to Nancy. She would understand that, whilst they were in a sort of half mourning for Florence, she ought not to be seen at public places, like the Casino; but she could not see why she should not accompany her uncle upon his evening strolls though the park. I don’t know what Leonora put up as an excuse—something, I fancy, in the nature of a nightly orison that she made the girl and herself perform for the soul of Florence. And then, one evening, about a fortnight later, when the girl, growing restive at even devotional exercises, clamoured once more to be allowed to go for a walk with Edward, and when Leonora was really at her wits’ end, Edward gave himself into her hands. He was just standing up from dinner and had his face averted.
But he turned his heavy head and his bloodshot eyes upon his wife and looked full at her.
“Doctor von Hauptmann,” he said, “has ordered me to go to bed immediately after dinner. My heart’s much worse.”
He continued to look at Leonora for a long minute—with a sort of heavy contempt. And Leonora understood that, with his speech, he was giving her the excuse that she needed for separating him from the girl, and with his eyes he was reproaching her for thinking that he would try to corrupt Nancy.
He went silently up to his room and sat there for a long time—until the girl was well in bed—reading in the Anglican prayerbook. And about half-past ten she heard his footsteps pass her door, going outwards. Two and a half hours later they came back, stumbling heavily.
She remained, reflecting upon this position until the last night of their stay at Nauheim. Then she suddenly acted. For, just in the same way, suddenly after dinner, she looked at him and said:
“Teddy, don’t you think you could take a night off from your doctor’s orders and go with Nancy to the Casino. The poor child has had her visit so spoiled.”
He looked at her in turn for a long, balancing minute.
“Why, yes,” he said at last. Nancy jumped out of her chair and kissed him.
Those two words, Leonora said, gave her the greatest relief of any two syllables she had ever heard in her life. For she realized that Edward was breaking up, not under the desire for possession, but from the dogged determination to hold his hand. She could relax some of her vigilance.
Nevertheless, she sat in the darkness behind her half-closed jalousies, looking over the street and the night and the trees until, very late, she could hear
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