Table-Talk by William Hazlitt (best pdf reader for ebooks txt) π
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William Hazlitt was a well-regarded critic and essayist in his day, and Table-Talk, a collection of some of his more popular short essays, is perhaps his best-remembered work.
The essays themselves range in subject from philosophy, to art, to literature, culture, society, and politics, with titles like βOn the Pleasures of Paintingβ and βOn Corporate Bodies.β Hazlittβs intimate style and deep familiarity with many different aspects of art culture (not only was he a literary success, but he studied under Joshua Reynolds to be a portrait painter) make his essays fascinating multi-disciplinary reads.
Table-Talk was originally published in two separate volumes, and, largely due to Hazlittβs political activism, was received poorly by his contemporaries. Today itβs considered one of his masterpieces.
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- Author: William Hazlitt
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Greatness is great power, producing great effects. It is not enough that a man has great power in himself; he must show it to all the world in a way that cannot be hid or gainsaid. He must fill up a certain idea in the public mind. I have no other notion of greatness than this twofold definition, great results springing from great inherent energy. The great in visible objects has relation to that which extends over space; the great in mental ones has to do with space and time. No man is truly great who is great only in his lifetime. The test of greatness is the page of history. Nothing can be said to be great that has a distinct limit, or that borders on something evidently greater than itself. Besides, what is short-lived and pampered into mere notoriety is of a gross and vulgar quality in itself. A Lord Mayor is hardly a great man. A city orator or patriot of the day only show, by reaching the height of their wishes, the distance they are at from any true ambition. Popularity is neither fame nor greatness. A king (as such) is not a great man. He has great power, but it is not his own. He merely wields the lever of the state, which a child, an idiot, or a madman can do. It is the office, not the man we gaze at. Anyone else in the same situation would be just as much an object of abject curiosity. We laugh at the country girl who having seen a king expressed her disappointment by saying, βWhy, he is only a man!β Yet, knowing this, we run to see a king as if he was something more than a man.β βTo display the greatest powers, unless they are applied to great purposes, makes nothing for the character of greatness. To throw a barleycorn through the eye of a needle, to multiply nine figures by nine in the memory, argues definite dexterity of body and capacity of mind, but nothing comes of either. There is a surprising power at work, but the effects are not proportionate, or such as take hold of the imagination. To impress the idea of power on others, they must be made in some way to feel it. It must be communicated to their understandings in the shape of an increase of knowledge, or it must subdue and overawe them by subjecting their wills. Admiration to be solid and lasting must be founded on proofs from which we have no means of escaping; it is neither a slight nor a voluntary gift. A mathematician who solves a profound problem, a poet who creates an image of beauty in the mind that was not there before, imparts knowledge and power to others, in which his greatness and his fame consists, and on which it reposes. Jedediah Buxton will be forgotten; but Napierβs bones will live. Lawgivers, philosophers, founders of religion, conquerors and heroes, inventors and great geniuses in arts and sciences, are great men, for they are great public benefactors, or formidable scourges to mankind. Among ourselves, Shakespeare, Newton, Bacon, Milton, Cromwell, were great men, for they showed great power by acts and thoughts, that have not yet been consigned to oblivion. They must needs be men of lofty stature, whose shadows lengthen out to remote posterity. A great farce-writer may be a great man; for MoliΓ¨re was but a great farce-writer. In my mind, the author of Don Quixote was a great man. So have there been many others. A great chess-player is not a great man, for he leaves the world as he found it. No act terminating in itself constitutes greatness. This will apply to all displays of power or trials of skill which are confined to the momentary, individual effort, and construct no permanent image or trophy of themselves without them. Is not an actor then a great man, because βhe dies and leaves the world no copyβ? I must make an exception for Mrs. Siddons, or else give up my definition of greatness for her sake. A man at the top of his profession is not therefore a great man. He is great in his way, but that is all, unless he shows the marks of a great moving intellect, so that we trace the mastermind, and can sympathise with the springs that urge him on. The rest is but a craft or mystery. John Hunter was a great manβ βthat anyone might see without the smallest skill in surgery. His style and manner showed the man. He would set about cutting up the carcass of a whale with the same greatness of gusto that Michaelangelo would have hewn a block of marble. Lord Nelson was a great naval commander; but for myself, I have not much opinion of a seafaring life. Sir Humphry Davy is a great chemist, but I am not sure that he is a great man. I am not a bit the wiser for any of his discoveries, nor I never met with anyone that was. But it is in the nature of greatness to propagate an idea of itself, as wave impels wave, circle without circle. It is a contradiction in terms for a coxcomb to be a great man. A really great man has always an idea of something greater than himself. I have observed that certain sectaries and polemical writers have no higher compliment to pay their most shining lights than to say that βSuch a one was a considerable man in his day.β Some new elucidation of a text sets aside the authority of the old interpretation, and a
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