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disturb you.”

He had scarcely got out of earshot before Raisa Alexandrovna, in a hypocritical, pathetic tone, burst out with, “And I have deceived this saint, this noblest of husbands. And for whom?⁠—Oh, if he knew all, if he only knew!”

Mazurka générale,” shrieked Bobetinski. “Gentlemen, resume your partners.”

The violently perspiring bodies of the dancers and the dust arising from the parquet floor made the air of the ballroom close, and the lights in the lamps and candelabra took a dull yellow tint. The dancing was now in full swing, but as the space was insufficient, each couple, who every moment squeezed and pushed against one another, was obliged to tramp on the very same spot. This figure⁠—the last in the quadrille⁠—consisted in a gentleman, who was without a partner, pursuing a couple who were dancing. If he managed to come face to face with a lady he clapped her on the hand, which meant that the lady was now his booty. The lady’s usual partner tried, of course, to prevent this, but by this arose a disorder and uproar which often resulted in some very brutal incidents.

“Actress,” whispered Romashov hoarsely, as he bent nearer to Raisa. “You’re as pitiable as you are ridiculous.”

“And you are drunk,” the worthy lady almost shrieked, giving Romashov at the same time a glance resembling that with which the heroine on the stage measures the villain of the piece from head to foot.

“It only remains for me to find out,” pursued Romashov mercilessly, “the exact reason why I was chosen by you. But this, however, is a question which I can answer myself. You gave yourself to me in order to get a hold on me. Oh, if this had been done out of love or from sentiment merely! But you were actuated by a base vanity. Are you not frightened at the mere thought of the depths into which we have both sunk, without even a spark of love that might redeem the crime? You must understand that this is even more wretched than when a woman sells herself for money. Then dire necessity is frequently the tempter. But in this case⁠—the memory of this senseless, unpardonable crime will always be to me a source of shame and loathing.”

With cold perspiration on his forehead and distraction in his weary eyes, he gazed on the couples dancing. Past him⁠—hardly lifting her feet and without looking at her partner⁠—sailed the majestic Madame Taliman, with motionless shoulders and an ironical, menacing countenance, as if she meant to protect herself against the slightest liberty or insult. Epifanov skipped round her like a little frisky goat. Then glided little Miss Lykatschev, flushed of face, with gleaming eyes, and bare, white, virginal bosom. Then came Olisár with his slender, elegant legs, straight and stiff as a sparrow’s. Romashov felt a burning headache and a strong, almost uncontrollable desire to weep; but beside him still stood Raisa, pale with suppressed rage. With an exaggerated theatrical gesture she fired at him the following sarcasm⁠—

“Did anyone ever hear such a thing before? A Russian Infantry lieutenant playing the part of the chaste Joseph? Ha, ha, ha!”

“Yes, quite so, my lady. Precisely that part,” replied Romashov, glaring with wrath. “I know too well that it is humiliating and ridiculous. Nevertheless, I am not ashamed to express my sorrow that I should have so degraded myself. With our eyes open we have both flung ourselves into a cesspool, and I know that I shall never again deserve a pure and noble woman’s love. Who is to blame for this? Well, you. Bear this well in mind⁠—you, you, you⁠—for you were the older and more experienced of us two, especially in affairs of that sort.”

Raisa Alexandrovna got up hurriedly from her chair. “That will do,” she replied in a dramatic tone. “You have got what you wanted. I hate you. I hope henceforward you will cease to visit a home where you were received as a friend and relation, where you were entertained and fed, and where, too, you were found out to be the scoundrel you are. Oh, that I had the courage to reveal everything to my husband⁠—that incomparable creature, that saint whom I venerate. Were he only convinced of what has happened he would, I think, know how to avenge the wounded honour of a helpless, insulted woman. He would kill you.”

Romashov looked through his eyeglass at her big, faded mouth, her features distorted by hate and rage. The infernal music from the open windows of the gallery continued with unimpaired strength; the intolerable bassoon howled worse than ever, and, thought Romashov, the bass drum had now come into immediate contact with his brain.

Raisa shut her fan with a snap that echoed through the ballroom. “Oh, you⁠—lowest of all blackguards on earth,” whispered she, with a theatrical gesture, and then disappeared into the ladies’ retiring-room.

All was now over and done with, but Romashov did not experience the relief he expected. This long-nourished hope to feel his soul freed from a heavy, unclean burden was not fulfilled. His strict, avenging conscience told him that he had acted in a cowardly, low, and boorish way when he cast all the blame on a weak, narrow, wretched woman who, most certainly at that moment, in the ladies’-room, was, through him, shedding bitter, hysterical tears of sorrow, shame, and impotent rage.

“I am sinking more and more deeply,” thought he, in disgust at himself. What had his life been? what had it consisted of? An odious and wanton liaison, gambling, drinking, soul-killing, monotonous regimental routine, with never a single inspiriting word, never a ray of light in this black, hopeless darkness. Salutary, useful work, music, art, science, where were they?

He returned to the dining-room. There he met Osadchi and his friend Viätkin, who with much trouble was making his way in the direction of the street door. Liech, now quite drunk, was helplessly wobbling in different directions, whilst in a fuddled voice he kept asserting that he

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