Kipps by H. G. Wells (distant reading txt) 📕
Description
Kipps is the story of Arthur “Artie” Kipps, an illegitimate orphan raised by his aunt and uncle on the southern coast of England in the town of New Romney. Kipps falls in love with neighbor friend Ann Pornick but soon loses touch with her as he begins an apprenticeship at a drapery establishment in the port town of Folkestone. After a drunken evening with his new friend Chitterlow, an aspiring playwright, Kipps discovers he is to inherit a house and sizable income from his grandfather. Kipps then struggles to understand what his new-found wealth means in terms of his place in society and his love life.
While today H. G. Wells is best known for his “scientific romances” such as The Time Machine and The Island of Doctor Moreau, Wells considered Kipps his favorite work. Wells worked closely with (some say pestered) his publisher Macmillan to employ creative promotional schemes, and thanks to a cheap edition sales blossomed to over 200,000 during the first two decades of publication. It was during this period that his prior futuristic works became more available and popular with American audiences.
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- Author: H. G. Wells
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“Our Sundays are our happiest days,” was one of Woodrow’s formulae with the inquiring parent, but Kipps was not called in evidence. They were to him terrible gaps of inanity—no work, no play, a drear expanse of time with the mystery of church twice and plum duff once in the middle. The afternoon was given up to furtive relaxations, among which “Torture Chamber” games with the less agreeable, weaker boys figured. It was from the difference between this day and common days that Kipps derived his first definite conceptions of the nature of God and heaven. His instinct was to evade any closer acquaintance as long as he could.
The school work varied, according to the prevailing mood of Mr. Woodrow. Sometimes that was a despondent lethargy; copybooks were distributed or sums were “set,” or the great mystery of bookkeeping was declared in being, and beneath these superficial activities lengthy conversations and interminable guessing games with marbles went on while Mr. Woodrow sat inanimate at his desk heedless of school affairs, staring in front of him at unseen things. At times his face was utterly inane, at times it had an expression of stagnant amazement, as if he saw before his eyes with pitiless clearness the dishonour and mischief of his being. …
At other times the F.S. Sc. roused himself to action, and would stand up a wavering class and teach it, goading it with bitter mockery and blows through a chapter of Ann’s “First French Course,” or “France and the French,” or a Dialogue about a traveller’s washing, or the parts of an opera-house. His own knowledge of French had been obtained years ago in another English private school, and he had refreshed it by occasional weeks of loafing and mean adventure in Dieppe. He would sometimes in their lessons hit upon some reminiscence of these brighter days, and then he would laugh inexplicably and repeat French phrases of an unfamiliar type.
Among the commoner exercises he prescribed the learning of long passages of poetry from a “Poetry Book,” which he would delegate an elder boy to “hear,” and there was reading aloud from the Holy Bible, verse by verse—it was none of your “godless” schools!—so that you counted the verses up to your turn and then gave yourself to conversation—and sometimes one read from a cheap History of this land. They did, as Kipps reported, “loads of catechism.” Also there was much learning of geographical names and lists, and sometimes Woodrow in an outbreak of energy would see these names were actually found on a map. And once, just once, there was a chemistry lesson—a lesson of indescribable excitement—glass things of the strangest shape, a smell like bad eggs, something bubbling in something, a smash and stench, and Mr. Woodrow saying quite distinctly—they thrashed it out in the dormitory afterwards—“Damn!” followed by the whole school being kept in, with extraordinary severities, for an hour. …
But interspersed with the memories of this grey routine were certain patches of brilliant colour—the holidays, his holidays, which in spite of the feud between their seniors, he spent as much as possible with Sid Pornick, the son of the irascible black-bearded haberdasher next door. They seemed to be memories of a different world. There were glorious days of “mucking about” along the beach, the siege of unresisting Martello towers, the incessant interest of the mystery and motion of windmills, the windy excursions with boarded feet over the yielding shingle to Dungeness lighthouse—Sid Pornick and he far adrift from reality, smugglers and armed men from the moment they left Great Stone behind them—wanderings in the hedgeless reedy marsh, long excursions reaching even to Hythe, where the machine guns of the Empire are forever whirling and tapping, and to Rye and Winchelsea, perched like dream-cities on their little hills. The sky in these memories was the blazing hemisphere of the marsh heavens in summer, or its wintry tumult of sky and sea; and there were wrecks, real wrecks, in it (near Dymchurch pitched high and blackened and rotting were the ribs of a fishing smack flung aside like an empty basket when the sea had devoured its crew); and there was bathing all naked in the sea, bathing to one’s armpits and even trying to swim in the warm seawater (spite of his aunt’s prohibition), and (with her indulgence) the rare eating of dinner from a paper parcel miles away from home. Toke and cold ground rice pudding with plums it used to be—there is no better food at all. And for the background, in the place of Woodrow’s mean, fretting rule, were his aunt’s spare but frequently quite amiable figure—for though she insisted on his repeating the English Church Catechism every Sunday, she had an easy way over dinners that one wanted to take abroad—and his uncle, corpulent and irascible, but sedentary and easily escaped. And freedom!
The holidays were indeed very different from school. They were free, they were spacious, and though he never knew it in these words—they had an element of beauty. In his memory of his boyhood they shone like strips of stained glass window in a dreary waste of scholastic wall, they grew brighter and brighter as they grew remoter. There came a time at last and moods when he could look back to them with a feeling akin to tears.
The last of these windows was the brightest, and instead of the kaleidoscopic effects of its predecessors its glory was a single figure. For in the last of his holidays, before the Moloch of Retail Trade got hold of him, Kipps made his first tentative essays at the mysterious shrine of Love. Very tentative they were, for he had become a boy of subdued passions, and potential rather than actual affectionateness.
And the objects of these first
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