Hard Times by Charles Dickens (ebooks that read to you txt) 📕
Description
Hard Times (originally Hard Times—For These Times) was published in 1854, and is the shortest novel Charles Dickens ever published. It’s set in Coketown, a fictional mill-town set in the north of England. One of the major themes of the book is the miserable treatment of workers in the mills, and the resistance to their unionization by the mill owners, typified by the character Josiah Bounderby, who absurdly asserts that the workers live a near-idyllic life but they all “expect to be set up in a coach and six, and to be fed on turtle soup and venison, with a gold spoon.” The truth, of course, is far different.
The other major topic which Dickens tackles in this novel is the rationalist movement in schooling and the denigration of imagination and fantasy. It begins with the words “Now, what I want is, Facts,” spoken by the wealthy magnate Thomas Gradgrind, who is supervising a class at a model school he has opened. This indeed is Gradgrind’s entire philosophy. “Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else.” He is supported and encouraged in this approach by his friend Bounderby. Grandgrind raises his own children on these principles, and, as we discover, in doing so blights their lives.
The novel also follows the story of a particular mill-worker, Stephen Blackpool, who leads a tragic life. He is burdened with an alcoholic, slatternly wife, who is mostly absent from his life, but who returns at irregular intervals to trouble him. This existing marriage, and the near-impossibility of divorce for someone of his class, prevents him marrying Rachael, who is the light of his life. Dickens depicts Stephen as representing the nobility of honest work, and contrasts his character with that of the self-satisfied humbug Josiah Bounderby who represents the worst aspects of capitalism.
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- Author: Charles Dickens
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A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master’s heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fireproof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire.
Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, if the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness’ sake, that the greedy little Gradgrinds grasped it!
Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as “an eminently practical” father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable.
He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was “Sleary’s Horse-Riding” which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to “elucidate the diverting accomplishments of his highly trained performing dog Merrylegs.” He was also to exhibit “his astounding feat of throwing seventy-five hundredweight in rapid succession backhanded over his head, thus forming a fountain of solid iron in midair, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn.” The same Signor Jupe was to “enliven the varied performances at frequent intervals with his chaste Shakespearean quips and retorts.” Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in “the highly novel and laughable hippo-comedietta of The Tailor’s Journey to Brentford.”
Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place.
This brought him to a stop. “Now, to think of these vagabonds,” said he, “attracting the young rabble from a model school.”
A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act!
Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:
“Louisa!! Thomas!!”
Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.
“In the name of wonder, idleness, and folly!” said Mr. Gradgrind, leading each away by a hand; “what do you do here?”
“Wanted to see what it was like,” returned Louisa, shortly.
“What it was like?”
“Yes, father.”
There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way.
She was
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