Hard Times by Charles Dickens (ebooks that read to you txt) 📕
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Hard Times (originally Hard Times—For These Times) was published in 1854, and is the shortest novel Charles Dickens ever published. It’s set in Coketown, a fictional mill-town set in the north of England. One of the major themes of the book is the miserable treatment of workers in the mills, and the resistance to their unionization by the mill owners, typified by the character Josiah Bounderby, who absurdly asserts that the workers live a near-idyllic life but they all “expect to be set up in a coach and six, and to be fed on turtle soup and venison, with a gold spoon.” The truth, of course, is far different.
The other major topic which Dickens tackles in this novel is the rationalist movement in schooling and the denigration of imagination and fantasy. It begins with the words “Now, what I want is, Facts,” spoken by the wealthy magnate Thomas Gradgrind, who is supervising a class at a model school he has opened. This indeed is Gradgrind’s entire philosophy. “Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else.” He is supported and encouraged in this approach by his friend Bounderby. Grandgrind raises his own children on these principles, and, as we discover, in doing so blights their lives.
The novel also follows the story of a particular mill-worker, Stephen Blackpool, who leads a tragic life. He is burdened with an alcoholic, slatternly wife, who is mostly absent from his life, but who returns at irregular intervals to trouble him. This existing marriage, and the near-impossibility of divorce for someone of his class, prevents him marrying Rachael, who is the light of his life. Dickens depicts Stephen as representing the nobility of honest work, and contrasts his character with that of the self-satisfied humbug Josiah Bounderby who represents the worst aspects of capitalism.
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- Author: Charles Dickens
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“Whether,” said Gradgrind, pondering with his hands in his pockets, and his cavernous eyes on the fire, “whether any instructor or servant can have suggested anything? Whether Louisa or Thomas can have been reading anything? Whether, in spite of all precautions, any idle storybook can have got into the house? Because, in minds that have been practically formed by rule and line, from the cradle upwards, this is so curious, so incomprehensible.”
“Stop a bit!” cried Bounderby, who all this time had been standing, as before, on the hearth, bursting at the very furniture of the room with explosive humility. “You have one of those strollers’ children in the school.”
“Cecilia Jupe, by name,” said Mr. Gradgrind, with something of a stricken look at his friend.
“Now, stop a bit!” cried Bounderby again. “How did she come there?”
“Why, the fact is, I saw the girl myself, for the first time, only just now. She specially applied here at the house to be admitted, as not regularly belonging to our town, and—yes, you are right, Bounderby, you are right.”
“Now, stop a bit!” cried Bounderby, once more. “Louisa saw her when she came?”
“Louisa certainly did see her, for she mentioned the application to me. But Louisa saw her, I have no doubt, in Mrs. Gradgrind’s presence.”
“Pray, Mrs. Gradgrind,” said Bounderby, “what passed?”
“Oh, my poor health!” returned Mrs. Gradgrind. “The girl wanted to come to the school, and Mr. Gradgrind wanted girls to come to the school, and Louisa and Thomas both said that the girl wanted to come, and that Mr. Gradgrind wanted girls to come, and how was it possible to contradict them when such was the fact!”
“Now I tell you what, Gradgrind!” said Mr. Bounderby. “Turn this girl to the right about, and there’s an end of it.”
“I am much of your opinion.”
“Do it at once,” said Bounderby, “has always been my motto from a child. When I thought I would run away from my egg-box and my grandmother, I did it at once. Do you the same. Do this at once!”
“Are you walking?” asked his friend. “I have the father’s address. Perhaps you would not mind walking to town with me?”
“Not the least in the world,” said Mr. Bounderby, “as long as you do it at once!”
So, Mr. Bounderby threw on his hat—he always threw it on, as expressing a man who had been far too busily employed in making himself, to acquire any fashion of wearing his hat—and with his hands in his pockets, sauntered out into the hall. “I never wear gloves,” it was his custom to say. “I didn’t climb up the ladder in them.—Shouldn’t be so high up, if I had.”
Being left to saunter in the hall a minute or two while Mr. Gradgrind went upstairs for the address, he opened the door of the children’s study and looked into that serene floor-clothed apartment, which, notwithstanding its bookcases and its cabinets and its variety of learned and philosophical appliances, had much of the genial aspect of a room devoted to hair-cutting. Louisa languidly leaned upon the window looking out, without looking at anything, while young Thomas stood sniffing revengefully at the fire. Adam Smith and Malthus, two younger Gradgrinds, were out at lecture in custody; and little Jane, after manufacturing a good deal of moist pipe-clay on her face with slate-pencil and tears, had fallen asleep over vulgar fractions.
“It’s all right now, Louisa: it’s all right, young Thomas,” said Mr. Bounderby; “you won’t do so any more. I’ll answer for it’s being all over with father. Well, Louisa, that’s worth a kiss, isn’t it?”
“You can take one, Mr. Bounderby,” returned Louisa, when she had coldly paused, and slowly walked across the room, and ungraciously raised her cheek towards him, with her face turned away.
“Always my pet; ain’t you, Louisa?” said Mr. Bounderby. “Goodbye, Louisa!”
He went his way, but she stood on the same spot, rubbing the cheek he had kissed, with her handkerchief, until it was burning red. She was still doing this, five minutes afterwards.
“What are you about, Loo?” her brother sulkily remonstrated. “You’ll rub a hole in your face.”
“You may cut the piece out with your penknife if you like, Tom. I wouldn’t cry!”
V The KeynoteCoketown, to which Messrs. Bounderby and Gradgrind now walked, was a triumph of fact; it had no greater taint of fancy in it than Mrs. Gradgrind herself. Let us strike the keynote, Coketown, before pursuing our tune.
It was a town of red brick, or of brick that would have been red if the smoke and ashes had allowed it; but as matters stood, it was a town of unnatural red and black like the painted face of a savage. It was a town of machinery and tall chimneys, out of which interminable serpents of smoke trailed themselves forever and ever, and never got uncoiled. It had a black canal in it, and a river that ran purple with ill-smelling dye, and vast piles of building full of windows where there was a rattling and a trembling all day long, and where the piston of the steam-engine worked monotonously up and down, like the head of an elephant in a state of melancholy madness. It contained several large streets all very like one another, and many small streets still more like one another, inhabited by people equally like one another, who all went in and out at the same hours, with the same sound upon the same pavements, to do the same work, and to whom every day was the same as yesterday and tomorrow, and every year the counterpart of the last and the next.
These attributes of Coketown were in the main inseparable from the work by which it was sustained; against them were to be set off, comforts of life which found their way all over the world, and elegancies of life which made, we will not ask how much of the fine lady, who could
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