Tess of the d’Urbervilles by Thomas Hardy (readict TXT) 📕
Description
Tess of the d’Urbervilles is said to be Thomas Hardy’s fictional masterpiece and is considered to be an important nineteenth century novel. It explores themes of love, sex, class and morality in an aching love story.
It initially appeared in a censored, serialised version in The Graphic in 1891 and was published in a single volume the following year. Early reviews were mixed, partly because of its challenge to Victorian sexual morals—it is now looked upon much more favorably.
Tess Durbeyfield is the oldest child of uneducated peasants who are given the impression that they may have noble blood, as their surname is a corruption of that of an extinct Norman family. When Tess participates in the village May Dance, she meets Angel, who stops to join the dance but notices Tess too late to dance with her. That night, Tess’s father gets too drunk to drive to the market, so she undertakes the journey herself. However, she falls asleep at the reins, and the family’s only horse encounters a speeding wagon and is fatally wounded. Tess feels so guilty over the consequences for the family that she agrees to try to claim kin with a rich widow who lives in a neighbouring town. The story traces Tess’s life through the following years.
The novel has been adapted for the stage, theatre, opera, cinema and television numerous times since its publication.
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- Author: Thomas Hardy
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The young girls formed, indeed, the majority of the band, and their heads of luxuriant hair reflected in the sunshine every tone of gold, and black, and brown. Some had beautiful eyes, others a beautiful nose, others a beautiful mouth and figure: few, if any, had all. A difficulty of arranging their lips in this crude exposure to public scrutiny, an inability to balance their heads, and to dissociate self-consciousness from their features, was apparent in them, and showed that they were genuine country girls, unaccustomed to many eyes.
And as each and all of them were warmed without by the sun, so each had a private little sun for her soul to bask in; some dream, some affection, some hobby, at least some remote and distant hope which, though perhaps starving to nothing, still lived on, as hopes will. They were all cheerful, and many of them merry.
They came round by The Pure Drop Inn, and were turning out of the high road to pass through a wicket-gate into the meadows, when one of the women said—
“The Lord-a-Lord! Why, Tess Durbeyfield, if there isn’t thy father riding hwome in a carriage!”
A young member of the band turned her head at the exclamation. She was a fine and handsome girl—not handsomer than some others, possibly—but her mobile peony mouth and large innocent eyes added eloquence to colour and shape. She wore a red ribbon in her hair, and was the only one of the white company who could boast of such a pronounced adornment. As she looked round Durbeyfield was seen moving along the road in a chaise belonging to The Pure Drop, driven by a frizzle-headed brawny damsel with her gown-sleeves rolled above her elbows. This was the cheerful servant of that establishment, who, in her part of factotum, turned groom and ostler at times. Durbeyfield, leaning back, and with his eyes closed luxuriously, was waving his hand above his head, and singing in a slow recitative—
“I’ve-got-a-gr’t-family-vault-at-Kingsbere—and knighted-forefathers-in-lead-coffins-there!”
The clubbists tittered, except the girl called Tess—in whom a slow heat seemed to rise at the sense that her father was making himself foolish in their eyes.
“He’s tired, that’s all,” she said hastily, “and he has got a lift home, because our own horse has to rest today.”
“Bless thy simplicity, Tess,” said her companions. “He’s got his market-nitch. Haw-haw!”
“Look here; I won’t walk another inch with you, if you say any jokes about him!” Tess cried, and the colour upon her cheeks spread over her face and neck. In a moment her eyes grew moist, and her glance drooped to the ground. Perceiving that they had really pained her they said no more, and order again prevailed. Tess’s pride would not allow her to turn her head again, to learn what her father’s meaning was, if he had any; and thus she moved on with the whole body to the enclosure where there was to be dancing on the green. By the time the spot was reached she has recovered her equanimity, and tapped her neighbour with her wand and talked as usual.
Tess Durbeyfield at this time of her life was a mere vessel of emotion untinctured by experience. The dialect was on her tongue to some extent, despite the village school: the characteristic intonation of that dialect for this district being the voicing approximately rendered by the syllable ur, probably as rich an utterance as any to be found in human speech. The pouted-up deep red mouth to which this syllable was native had hardly as yet settled into its definite shape, and her lower lip had a way of thrusting the middle of her top one upward, when they closed together after a word.
Phases of her childhood lurked in her aspect still. As she walked along today, for all her bouncing handsome womanliness, you could sometimes see her twelfth year in her cheeks, or her ninth sparkling from her eyes; and even her fifth would flit over the curves of her mouth now and then.
Yet few knew, and still fewer considered this. A small minority, mainly strangers, would look long at her in casually passing by, and grow momentarily fascinated by her freshness, and wonder if they would ever see her again: but to almost everybody she was a fine and picturesque country girl, and no more.
Nothing was seen or heard further of Durbeyfield in his triumphal chariot under the conduct of the ostleress, and the club having entered the allotted space, dancing began. As there were no men in the company, the girls danced at first with each other, but when the hour for the close of labour drew on, the masculine inhabitants of the village, together with other idlers and pedestrians, gathered round the spot, and appeared inclined to negotiate for a partner.
Among these onlookers were three young men of a superior class, carrying small knapsacks strapped to their shoulders, and stout sticks in their hands. Their general likeness to each other, and their consecutive ages, would almost have suggested that they might be, what in fact they were, brothers. The eldest wore the white tie, high waistcoat, and thin-brimmed hat of the regulation curate; the second was the normal undergraduate; the appearance of the third and youngest would hardly have been sufficient to characterize him; there was an uncribbed, uncabined aspect in his eyes and attire, implying that he had hardly as yet found the entrance to his professional groove. That he was a desultory tentative
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