His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕

once picked up a cur on such a stormy night as this? Yet he felt angry with himself for softening. He never had anything to do with women; he treated them all as if ignorant of their existence, with a painful timidity which he disguised under a mask of bravado. And that girl must really think him a downright fool, to bamboozle him with that story of adventure⁠—only fit for a farce. Nevertheless, he ended by saying, “That’s enough. You had better come in out of the wet. You can sleep in my rooms.”

But at this the girl became even more frightened, and threw up her arms.

“In your rooms? Oh! good heavens. No, no; it’s impossible. I beseech you, monsieur, take me to Passy. Let me beg of you.”

But Claude became angry. Why did she make all this fuss, when he was willing to give her shelter? He had already rung the bell twice. At last the door opened and he pushed the girl before him.

“No, no, monsieur; I tell you, no⁠—”

But another flash dazzled her, and when the thunder growled she bounded inside, scarce knowing what she was about. The heavy door had closed upon them, she was standing under a large archway in complete darkness.

“It’s I, Madame Joseph,” cried Claude to the doorkeeper. Then he added, in a whisper, “Give me your hand, we have to cross the courtyard.”

The girl did as she was told; she no longer resisted; she was overwhelmed, worn out. Once more they encountered the diluvian rain, as they ran side by side as hard as they could across the yard. It was a baronial courtyard, huge, and surrounded with stone arcades, indistinct amidst the gloom. However, they came to a narrow passage without a door, and he let go her hand. She could hear him trying to strike some matches, and swearing. They were all damp. It was necessary for them to grope their way upstairs.

“Take hold of the banisters, and be careful,” said Claude; “the steps are very high.”

The staircase, a very narrow one, a former servants’ staircase, was divided into three lofty flights, which she climbed, stumbling, with unskilful, weary limbs. Then he warned her that they had to turn down a long passage. She kept behind him, touching the walls on both sides with her outstretched hands, as she advanced along that endless passage which bent and came back to the front of the building on the quay. Then there were still other stairs right under the roof⁠—creaking, shaky wooden stairs, which had no banister, and suggested the unplaned rungs of a miller’s ladder. The landing at the top was so small that the girl knocked against the young man, as he fumbled in his pocket for his key. At last, however, he opened the door.

“Don’t come in, but wait, else you’ll hurt yourself again.”

She did not stir. She was panting for breath, her heart was beating fast, there was a buzzing in her ears, and she felt indeed exhausted by that ascent in the dense gloom. It seemed to her as if she had been climbing for hours, in such a maze, amidst such a turning and twisting of stairs that she would never be able to find her way down again. Inside the studio there was a shuffling of heavy feet, a rustling of hands groping in the dark, a clatter of things being tumbled about, accompanied by stifled objurgations. At last the doorway was lighted up.

“Come in, it’s all right now.”

She went in and looked around her, without distinguishing anything. The solitary candle burned dim in that garret, more than fifteen feet high, and filled with a confused jumble of things whose big shadows showed fantastically on the walls, which were painted in grey distemper. No, she did not distinguish anything. She mechanically raised her eyes to the large studio-window, against which the rain was beating with a deafening roll like that of a drum, but at that moment another flash of lightning illumined the sky, followed almost immediately by a thunderclap that seemed to split the roof. Dumb-stricken, pale as death, she dropped upon a chair.

“The devil!” muttered Claude, who also was rather pale. “That clap wasn’t far off. We were just in time. It’s better here than in the streets, isn’t it?”

Then he went towards the door, closed it with a bang and turned the key, while she watched him with a dazed look.

“There, now, we are at home.”

But it was all over. There were only a few more thunderclaps in the distance, and the rain soon ceased altogether. Claude, who was now growing embarrassed, had examined the girl, askance. She seemed by no means bad looking, and assuredly she was young: twenty at the most. This scrutiny had the effect of making him more suspicious of her still, in spite of an unconscious feeling, a vague idea, that she was not altogether deceiving him. In any case, no matter how clever she might be, she was mistaken if she imagined she had caught him. To prove this he wilfully exaggerated his gruffness and curtness of manner.

Her very anguish at his words and demeanour made her rise, and in her turn she examined him, though without daring to look him straight in the face. And the aspect of that bony young man, with his angular joints and wild bearded face, increased her fears. With his black felt hat and his old brown coat, discoloured by long usage, he looked like a kind of brigand.

Directly he told her to make herself at home and go to bed, for he placed his bed at her disposal, she shrinkingly replied: “Thank you; I’ll do very well as I am; I’ll not undress.”

“But your clothes are dripping,” he retorted. “Come now, don’t make an idiot of yourself.”

And thereupon he began to knock about the chairs, and flung aside an old screen, behind which she noticed a washstand and a tiny iron bedstead, from which he began to remove the