Poetry by William Carlos Williams (scary books to read .txt) 📕

there!

It is not that⁠—it is you,
you I want!

—God, if I could fathom
the guts of shadows!

You to come with me
poking into negro houses
with their gloom and smell!
In among children
leaping around a dead dog!
Mimicking
onto the lawns of the rich!
You!
to go with me a-tip-toe,
head down under heaven,
nostrils lipping the wind!

Pastoral

When I was younger
it was plain to me
I must make something of myself.
Older now
I walk back streets
admiring the houses
of the very poor:
roof out of line with sides
the yards cluttered
with old chicken wire, ashes,
furniture gone wrong;
the fences and outhouses
built of barrel-staves
and parts of boxes, all,
if I am fortunate,
smeared a bluish green
that properly weathered
pleases me best
of all colors.

No one
will believe this
of vast import to the nation.

Chickory and Daisies I

Lift your flowers
on bitter stems
chickory!
Lift them up
out of the scorched ground!
Bear no foliage
but give yourself
wholly to that!

Strain under them
you bitter stems
that no beast eats⁠—
and scorn greyness!
Into the heat with them:
cool!
luxuriant! sky-blue!
The earth cracks and
is shriveled up;
the wind moans piteously;
the sky goes out
if you should fail.

II

I saw a child with daisies
for weaving into the hair
tear the stems
with her teeth!

Metric Figure

There is a bird in the poplars!
It is the sun!
The leaves are little yellow fish
swimming in the river.
The bird skims above them,
day is on his wings.
Phoebus!
It is he that is making
the great gleam among the poplars!
It is his singing
outshines the noise
of leaves clashing in the wind.

Woman Walking

An oblique cloud of purple smoke
across a milky silhouette
of house sides and tiny trees⁠—
a little village⁠—
that ends in a saw edge
of mist-covered trees
on a sheet of grey sky.

To the right, jutting in,
a dark crimson corner of roof.
To the left, half a tree:

—what a blessing it is
to see you in the street again,
powerful woman,
coming with swinging haunches,
breasts straight forward,
supple shoulders, full arms
and strong, soft hands (I’ve felt them)
carrying the heavy basket.
I might well see you oftener!
And for a different reason
than the fresh eggs
you bring us so regularly.

Yes, you, young as I,
with boney brows,
kind grey eyes and a kind mouth;
you walking out toward me
from that dead hillside!
I might well see you oftener.

Gulls

My townspeople, beyond in the great world,
are many with whom it were far more
profitable for me to live than here with you.
These whirr about me calling, calling!
and for my own part I answer them, loud as I can,
but they, being free, pass!
I remain! Therefore, listen!
For you will not soon have another singer.

First I say this: you have seen
the strange birds, have you not, that sometimes
rest upon our river in winter?

Let them cause you to think well then of the storms
that drive many to shelter. These things
do not happen without reason.

And the next thing I say is this:
I saw an eagle once circling against the clouds
over one of our principal churches⁠—
Easter, it was⁠—a beautiful day!⁠—:
three gulls came from above the river
and crossed slowly seaward!
Oh, I know you have your own hymns, I have heard them⁠—
and because I knew they invoked some great protector
I could not be angry with you, no matter
how much they outraged true music⁠—

You see, it is not necessary for us to leap at each other,
and, as I told you, in the end
the gulls moved seaward very quietly.

Appeal

You who are so mighty,
crimson salamander,
hear me once more.

I lay among the half burned sticks
at the edge of the fire.
The fiend was creeping in.
I felt the cold tips of fingers⁠—

O crimson salamander!

Give me one little flame,
one!
that I may bind it
protectingly about the wrist
of him that flung me here,
here upon the very center!

This is my song.

In Harbor

Surely there, among the great docks, is peace, my mind;
there with the ships moored in the river.
Go out, timid child,
and snuggle in among the great ships talking so quietly.
Maybe you will even fall asleep near them and be
lifted into one of their laps, and in the morning⁠—
There is always the morning in which to remember it all!

Of what are they gossiping? God knows.
And God knows it matters little for we cannot understand them.
Yet it is certainly of the sea, of that there can be no question.
It is a quiet sound. Rest! That’s all I care for now.
The smell of them will put us to sleep presently.
Smell! It is the sea water mingling here into the river⁠—
at least so it seems⁠—perhaps it is something else⁠—but what matter?

The sea water! It is quiet and smooth here!
How slowly they move, little by little trying
the hawsers that drop and groan with their agony.
Yes, it is certainly of the high sea they are talking.

Winter Sunset

Then I raised my head
and stared out over
the blue February waste
to the blue bank of hill
with stars on it
in strings and festoons⁠—
but above that:
one opaque
stone of a cloud
just on the hill
left and right
as far as I could see;
and above that
a red streak, then
icy blue sky!

It was a fearful thing
to come into a man’s heart
at that time: that stone
over the little blinking stars
they’d set there.

Apology

Why do I write today?

The beauty of
the terrible faces
of our nonentities
stirs me to it:

colored women
day workers⁠—
old and experienced⁠—
returning home at dusk
in cast off clothing
faces like
old Florentine oak.

Also

the set pieces
of your faces stir me⁠—
leading citizens⁠—
but not
in the same way.

Pastoral

The little sparrows
hop ingenuously
about the pavement
quarreling
with sharp voices
over those things
that interest them.
But we who are wiser
shut ourselves in
on either hand
and no one knows
whether we think good
or evil.
Meanwhile,
the old man who goes about
gathering dog-lime
walks in the gutter
without looking up
and his tread
is more majestic than
that of the Episcopal minister
approaching the pulpit
of a Sunday.
These things
astonish me beyond words.

Love Song

Daisies are broken
petals are news of the day
stems lift to the grass tops
they catch on shoes
part in the middle
leave root and leaves secure.

Black branches
carry square leaves
to the wood’s top.
They hold firm
break with a roar
show the white!

Your moods are slow
the shedding of leaves
and sure
the return in May!

We walked
in your father’s grove
and saw the great oaks
lying with roots
ripped from the ground.