Lyrical Ballads by William Wordsworth (best books to read for students .txt) 📕
Description
Lyrical Ballads is a collection of poems by William Wordsworth and his friend and contemporary Samuel Taylor Coleridge. A hugely influential work, Lyrical Ballads is generally acknowledged to have started the Romantic movement in English literature—a period marked by a departure from the stiff and unapproachable poetry of earlier times, and by a focus on readable, relatable verse written in everyday language. Many of Wordsworth’s poems focus on the natural world and the down-to-earth people of the country, another far departure from the rational and dry literature of old. Romanticism was one of the largest sea changes in modern English literature, and Lyrical Ballads was its catalyst.
This ebook edition is based on the 1805 edition of Lyrical Ballads, and features the famous poems The Rime of the Ancient Mariner, “Tintern Abbey,” “Expostulation and Reply,” “Lucy Gray,” and many others.
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- Author: William Wordsworth
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Themselves the fathers and the dealers out
Of some small blessings, have been kind to such
As needed kindness, for this single cause,
That we have all of us one human heart.
—Such pleasure is to one kind Being known;
My Neighbour, when with punctual care, each week
Duly as Friday comes, though prest herself
By her own wants, she from her chest of meal
Takes one unsparing handful for the scrip
Of this old Mendicant, and, from her door
Returning with exhilarated heart,
Sits by her fire and builds her hope in heaven.
Then let him pass, a blessing on his head!
And while in that vast solitude to which
The tide of things has led him, he appears
To breathe and live but for himself alone,
Unblamed, uninjured, let him bear about
The good which the benignant law of Heaven
Has hung around him; and, while life is his,
Still let him prompt the unlettered Villagers
To tender offices and pensive thoughts.
Then let him pass, a blessing on his head!
And, long as he can wander, let him breathe
The freshness of the valleys; let his blood
Struggle with frosty air and winter snows;
And let the chartered wind that sweeps the heath
Beat his gray locks against his withered face.
Reverence the hope whose vital anxiousness
Gives the last human interest to his heart.
May never House, misnamed of Industry!
Make him a captive! for that pent-up din,
Those life-consuming sounds that clog the air,
Be his the natural silence of old age!
Let him be free of mountain solitudes;
And have around him, whether heard or not,
The pleasant melody of woodland birds.
Few are his pleasures; if his eyes, which now
Have been so long familiar with the earth,
No more behold the horizontal sun
Rising or setting, let the light at least
Find a free entrance to their languid orbs.
And let him, where and when he will, sit down
Beneath the trees, or by the grassy bank
Of high-way side, and with the little birds
Share his chance-gathered meal; and, finally,
As in the eye of Nature he has lived,
So in the eye of Nature let him die.
There’s George Fisher, Charles Fleming, and Reginald Shore,
Three rosy-cheeked School-boys, the highest not more
Than the height of a Counsellor’s bag;
To the top of Great How21 did it please them to climb;
And there they built up, without mortar or lime,
A Man on the peak of the crag.
They built him of stones gathered up as they lay;
They built him and christened him all in one day,
An Urchin both vigorous and hale;
And so without scruple they called him Ralph Jones.
Now Ralph is renowned for the length of his bones;
The Magog of Legberthwaite dale.
Just half a week after, the wind sallied forth,
And, in anger or merriment, out of the North
Coming on with a terrible pother,
From the peak of the crag blew the Giant away.
And what did these School-boys?—The very next day
They went and they built up another.
Art thou a Statesman, in the van
Of public business trained and bred?
—First learn to love one living man;
Then mayst thou think upon the dead.
A Lawyer art thou?—draw not nigh;
Go, carry to some other place
The hardness of thy coward eye,
The falsehood of thy sallow face.
Art thou a Man of purple cheer?
A rosy Man, right plump to see?
Approach; yet, Doctor, not too near:
This grave no cushion is for thee.
Art thou a man of gallant pride,
A Soldier, and no man of chaff?
Welcome!—but lay thy sword aside,
And lean upon a Peasant’s staff.
Physician art thou? One, all eyes,
Philosopher! a fingering slave,
One that would peep and botanize
Upon his mother’s grave?
Wrappt closely in thy sensual fleece
O turn aside, and take, I pray,
That he below may rest in peace,
Thy pin-point of a soul away!
—A Moralist perchance appears;
Led, Heaven knows how! to this poor sod:
And He has neither eyes nor ears;
Himself his world, and his own God;
One to whose smooth-rubbed soul can cling
Nor form, nor feeling, great nor small;
A reasoning, self-sufficient thing,
An intellectual All in All!
Shut close the door; press down the latch;
Sleep in thy intellectual crust;
Nor lose ten tickings of thy watch
Near this unprofitable dust.
But who is He, with modest looks,
And clad in homely russet brown?
He murmurs near the running brooks
A music sweeter than their own.
He is retired as noontide dew,
Or fountain in a noonday grove;
And you must love him, ere to you
He will seem worthy of your love.
The outward shows of sky and earth,
Of hill and valley, he has viewed;
And impulses of deeper birth
Have come to him in solitude.
In common things that round us lie
Some random truths he can impart,
—The harvest of a quiet eye
That broods and sleeps on his own heart.
But he is weak, both Man and Boy,
Hath been an idler in the land;
Contented if he might enjoy
The things which others understand.
—Come hither in thy hour of strength;
Come, weak as is a breaking wave!
Here stretch thy body at full length;
Or build thy house upon this grave.
Between two sister moorland rills
There is a spot that seems to lie
Sacred to flowrets of the hills,
And sacred to the sky.
And in this smooth and open dell
There is a tempest-stricken tree;
A corner-stone by lightning cut,
The last stone of a cottage hut;
And in this dell you see
A thing no storm can e’er destroy,
The shadow of a Danish Boy.
In clouds above, the Lark is heard,
He sings his blithest and his best;
But in this lonesome nook the Bird
Did never build his nest.
No Beast, no Bird hath here his home;
The Bees borne on the breezy air
Pass high above those fragrant bells
To other flowers, to other dells,
Nor ever linger there.
The Danish Boy walks here alone:
The lovely dell is all his own.
A spirit of noon day is he,
He seems a Form of flesh and blood;
Nor piping Shepherd shall he be,
Nor Herd-boy of the wood.
A regal vest of fur he wears,
In colour like a raven’s wing;
It fears not rain, nor wind, nor dew;
But in the storm ’tis fresh and blue
As budding pines in Spring;
His helmet has a vernal grace,
Fresh as the bloom upon his face.
A harp is from his shoulder slung:
He rests the harp upon his knee;
And there in a forgotten tongue
He warbles melody.
Of flocks upon the neighbouring hills
He is the darling and the joy;
And
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