The Moon and Sixpence by W. Somerset Maugham (most popular novels .txt) ๐
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The Moon and Sixpence tells the story of English stockbroker Charles Strickland, who abandons his wife and child to travel to Paris to become a painter. First published in 1919 in the United Kingdom by Heinemann, the story is inspired by the life of the French artist Paul Gauguin. Itโs told in episodic form from a first-person perspective. The narrator, who came to know Strickland through his wifeโs literary parties, begins the story as Strickland leaves for Paris. Stricklandโs new life becomes a stark contrast to his life in London. While he was once a well-off banker living a comfortable life, he must now sleep in cheap hotels while suffering both illness and hunger.
Maugham spent a year in Paris in 1904, which is when he first heard the story of Gauguin, the banker who left his family and profession to pursue his passion for art. He heard the story from others who had known and worked with Gauguin. Ten years later Maugham travelled to Tahiti where he met others who had known Gauguin during the artistโs time there. Inspired by the stories he heard, Maugham wrote The Moon and Sixpence. Although based on the life of Paul Gauguin, the story is a work of fiction.
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- Author: W. Somerset Maugham
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โDonโt you think youโd better go away for a bit?โ I said. โThere can be no object in your staying in Paris now.โ
He did not answer, but I went on ruthlessly:
โHave you made any plans for the immediate future?โ
โNo.โ
โYou must try and gather together the threads again. Why donโt you go down to Italy and start working?โ
Again he made no reply, but the driver of our carriage came to my rescue. Slackening his pace for a moment, he leaned over and spoke. I could not hear what he said, so I put my head out of the window. He wanted to know where we wished to be set down. I told him to wait a minute.
โYouโd better come and have lunch with me,โ I said to Dirk. โIโll tell him to drop us in the Place Pigalle.โ
โIโd rather not. I want to go to the studio.โ
I hesitated a moment.
โWould you like me to come with you?โ I asked then.
โNo; I should prefer to be alone.โ
โAll right.โ
I gave the driver the necessary direction, and in renewed silence we drove on. Dirk had not been to the studio since the wretched morning on which they had taken Blanche to the hospital. I was glad he did not want me to accompany him, and when I left him at the door I walked away with relief. I took a new pleasure in the streets of Paris, and I looked with smiling eyes at the people who hurried to and fro. The day was fine and sunny, and I felt in myself a more acute delight in life. I could not help it; I put Stroeve and his sorrows out of my mind. I wanted to enjoy.
XXXVIIII did not see him again for nearly a week. Then he fetched me soon after seven one evening and took me out to dinner. He was dressed in the deepest mourning, and on his bowler was a broad black band. He had even a black border to his handkerchief. His garb of woe suggested that he had lost in one catastrophe every relation he had in the world, even to cousins by marriage twice removed. His plumpness and his red, fat cheeks made his mourning not a little incongruous. It was cruel that his extreme unhappiness should have in it something of buffoonery.
He told me he had made up his mind to go away, though not to Italy, as I had suggested, but to Holland.
โIโm starting tomorrow. This is perhaps the last time we shall ever meet.โ
I made an appropriate rejoinder, and he smiled wanly.
โI havenโt been home for five years. I think Iโd forgotten it all; I seemed to have come so far away from my fatherโs house that I was shy at the idea of revisiting it; but now I feel itโs my only refuge.โ
He was sore and bruised, and his thoughts went back to the tenderness of his motherโs love. The ridicule he had endured for years seemed now to weigh him down, and the final blow of Blancheโs treachery had robbed him of the resiliency which had made him take it so gaily. He could no longer laugh with those who laughed at him. He was an outcast. He told me of his childhood in the tidy brick house, and of his motherโs passionate orderliness. Her kitchen was a miracle of clean brightness. Everything was always in its place, and nowhere could you see a speck of dust. Cleanliness, indeed, was a mania with her. I saw a neat little old woman, with cheeks like apples, toiling away from morning to night, through the long years, to keep her house trim and spruce. His father was a spare old man, his hands gnarled after the work of a lifetime, silent and upright; in the evening he read the paper aloud, while his wife and daughter (now married to the captain of a fishing smack), unwilling to lose a moment, bent over their sewing. Nothing ever happened in that little town, left behind by the advance of civilisation, and one year followed the next till death came, like a friend, to give rest to those who had laboured so diligently.
โMy father wished me to become a carpenter like himself. For five generations weโve carried on the same trade, from father to son. Perhaps that is the wisdom of life, to tread in your fatherโs steps, and look neither to the right nor to the left. When I was a little boy I said I would marry the daughter of the harness-maker who lived next door. She was a little girl with blue eyes and a flaxen pigtail. She would have kept my house like a new pin, and I should have had a son to carry on the business after me.โ
Stroeve sighed a little and was silent. His thoughts dwelt among pictures of what might have been, and the safety of the life he had refused filled him with longing.
โThe world is hard and cruel. We are here none knows why, and we go none knows whither. We must
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