The Moon and Sixpence by W. Somerset Maugham (most popular novels .txt) π
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The Moon and Sixpence tells the story of English stockbroker Charles Strickland, who abandons his wife and child to travel to Paris to become a painter. First published in 1919 in the United Kingdom by Heinemann, the story is inspired by the life of the French artist Paul Gauguin. Itβs told in episodic form from a first-person perspective. The narrator, who came to know Strickland through his wifeβs literary parties, begins the story as Strickland leaves for Paris. Stricklandβs new life becomes a stark contrast to his life in London. While he was once a well-off banker living a comfortable life, he must now sleep in cheap hotels while suffering both illness and hunger.
Maugham spent a year in Paris in 1904, which is when he first heard the story of Gauguin, the banker who left his family and profession to pursue his passion for art. He heard the story from others who had known and worked with Gauguin. Ten years later Maugham travelled to Tahiti where he met others who had known Gauguin during the artistβs time there. Inspired by the stories he heard, Maugham wrote The Moon and Sixpence. Although based on the life of Paul Gauguin, the story is a work of fiction.
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- Author: W. Somerset Maugham
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If I am rhetorical it is because Stroeve was rhetorical. (Do we not know that man in moments of emotion expresses himself naturally in the terms of a novelette?) Stroeve was trying to express a feeling which he had never known before, and he did not know how to put it into common terms. He was like the mystic seeking to describe the ineffable. But one fact he made clear to me; people talk of beauty lightly, and having no feeling for words, they use that one carelessly, so that it loses its force; and the thing it stands for, sharing its name with a hundred trivial objects, is deprived of dignity. They call beautiful a dress, a dog, a sermon; and when they are face to face with Beauty cannot recognise it. The false emphasis with which they try to deck their worthless thoughts blunts their susceptibilities. Like the charlatan who counterfeits a spiritual force he has sometimes felt, they lose the power they have abused. But Stroeve, the unconquerable buffoon, had a love and an understanding of beauty which were as honest and sincere as was his own sincere and honest soul. It meant to him what God means to the believer, and when he saw it he was afraid.
βWhat did you say to Strickland when you saw him?β
βI asked him to come with me to Holland.β
I was dumbfounded. I could only look at Stroeve in stupid amazement.
βWe both loved Blanche. There would have been room for him in my motherβs house. I think the company of poor, simple people would have done his soul a great good. I think he might have learnt from them something that would be very useful to him.β
βWhat did he say?β
βHe smiled a little. I suppose he thought me very silly. He said he had other fish to fry.β
I could have wished that Strickland had used some other phrase to indicate his refusal.
βHe gave me the picture of Blanche.β
I wondered why Strickland had done that. But I made no remark, and for some time we kept silence.
βWhat have you done with all your things?β I said at last.
βI got a Jew in, and he gave me a round sum for the lot. Iβm taking my pictures home with me. Beside them I own nothing in the world now but a box of clothes and a few books.β
βIβm glad youβre going home,β I said.
I felt that his chance was to put all the past behind him. I hoped that the grief which now seemed intolerable would be softened by the lapse of time, and a merciful forgetfulness would help him to take up once more the burden of life. He was young still, and in a few years he would look back on all his misery with a sadness in which there would be something not unpleasurable. Sooner or later he would marry some honest soul in Holland, and I felt sure he would be happy. I smiled at the thought of the vast number of bad pictures he would paint before he died.
Next day I saw him off for Amsterdam.
XLFor the next month, occupied with my own affairs, I saw no one connected with this lamentable business, and my mind ceased to be occupied with it. But one day, when I was walking along, bent on some errand, I passed Charles Strickland. The sight of him brought back to me all the horror which I was not unwilling to forget, and I felt in me a sudden repulsion for the cause of it. Nodding, for it would have been childish to cut him, I walked on quickly; but in a minute I felt a hand on my shoulder.
βYouβre in a great hurry,β he said cordially.
It was characteristic of him to display geniality with anyone who showed a disinclination to meet him, and the coolness of my greeting can have left him in little doubt of that.
βI am,β I answered briefly.
βIβll walk along with you,β he said.
βWhy?β I asked.
βFor the pleasure of your society.β
I did not answer, and he walked by my side silently. We continued thus for perhaps a quarter of a mile. I began to feel a little ridiculous. At last we passed a stationerβs, and it occurred to me that I might as well buy some paper. It would be an excuse to be rid of him.
βIβm going in here,β I said. βGoodbye.β
βIβll wait for you.β
I shrugged my shoulders, and went into the shop. I reflected that French paper was bad, and that, foiled of my purpose, I need not burden myself with a purchase that I did not need. I asked for something I knew could not be provided, and in a minute came out into the street.
βDid you get what you wanted?β he asked.
βNo.β
We walked on in silence, and then came to a place where several streets met. I stopped at the curb.
βWhich way do you go?β I enquired.
βYour way,β he smiled.
βIβm going home.β
βIβll come along with you and smoke a pipe.β
βYou might wait for an invitation,β I retorted frigidly.
βI would if I thought there was any chance of getting one.β
βDo you see that wall in front of you?β I said, pointing.
βYes.β
βIn that case I should have thought you could see also that I donβt want your company.β
βI vaguely suspected it, I confess.β
I could not help a chuckle. It is one of the defects of my character that I cannot altogether dislike anyone who makes me laugh. But I pulled myself together.
βI think youβre detestable. Youβre the most loathsome beast that itβs ever
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