Of Human Bondage by W. Somerset Maugham (classic english novels .TXT) 📕
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Considered by many to be Maugham’s masterpiece, Of Human Bondage is a semi-autobiographical coming-of-age tale. The novel follows Philip, a sensitive young man interested in literature and art, as he searches for happiness in London and Paris. Philip, the ostensible stand-in for Maugham, suffers from a club foot, a physical representation of the stutter that Maugham himself suffered. Philip’s love life, a central aspect to the book, also mirrors Maugham’s own stormy affairs.
Maugham originally titled the book “Beauty from Ashes” before settling on the final title, taken from a section of Spinoza’s Ethics in which he discusses how one’s inability to control one’s emotions results in a form of bondage.
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- Author: W. Somerset Maugham
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Hayward had one gift which was very precious. He had a real feeling for literature, and he could impart his own passion with an admirable fluency. He could throw himself into sympathy with a writer and see all that was best in him, and then he could talk about him with understanding. Philip had read a great deal, but he had read without discrimination everything that he happened to come across, and it was very good for him now to meet someone who could guide his taste. He borrowed books from the small lending library which the town possessed and began reading all the wonderful things that Hayward spoke of. He did not read always with enjoyment but invariably with perseverance. He was eager for self-improvement. He felt himself very ignorant and very humble. By the end of August, when Weeks returned from South Germany, Philip was completely under Hayward’s influence. Hayward did not like Weeks. He deplored the American’s black coat and pepper-and-salt trousers, and spoke with a scornful shrug of his New England conscience. Philip listened complacently to the abuse of a man who had gone out of his way to be kind to him, but when Weeks in his turn made disagreeable remarks about Hayward he lost his temper.
“Your new friend looks like a poet,” said Weeks, with a thin smile on his careworn, bitter mouth.
“He is a poet.”
“Did he tell you so? In America we should call him a pretty fair specimen of a waster.”
“Well, we’re not in America,” said Philip frigidly.
“How old is he? Twenty-five? And he does nothing but stay in pensions and write poetry.”
“You don’t know him,” said Philip hotly.
“Oh yes, I do: I’ve met a hundred and forty-seven of him.”
Weeks’ eyes twinkled, but Philip, who did not understand American humour, pursed his lips and looked severe. Weeks to Philip seemed a man of middle age, but he was in point of fact little more than thirty. He had a long, thin body and the scholar’s stoop; his head was large and ugly; he had pale scanty hair and an earthy skin; his thin mouth and thin, long nose, and the great protuberance of his frontal bones, gave him an uncouth look. He was cold and precise in his manner, a bloodless man, without passion; but he had a curious vein of frivolity which disconcerted the serious-minded among whom his instincts naturally threw him. He was studying theology in Heidelberg, but the other theological students of his own nationality looked upon him with suspicion. He was very unorthodox, which frightened them; and his freakish humour excited their disapproval.
“How can you have known a hundred and forty-seven of him?” asked Philip seriously.
“I’ve met him in the Latin Quarter in Paris, and I’ve met him in pensions in Berlin and Munich. He lives in small hotels in Perugia and Assisi. He stands by the dozen before the Botticellis in Florence, and he sits on all the benches of the Sistine Chapel in Rome. In Italy he drinks a little too much wine, and in Germany he drinks a great deal too much beer. He always admires the right thing whatever the right thing is, and one of these days he’s going to write a great work. Think of it, there are a hundred and forty-seven great works reposing in the bosoms of a hundred and forty-seven great men, and the tragic thing is that not one of those hundred and forty-seven great works will ever be written. And yet the world goes on.”
Weeks spoke seriously, but his gray eyes twinkled a little at the end of his long speech, and Philip flushed when he saw that the American was making fun of him.
“You do talk rot,” he said crossly.
XXVIIWeeks had two little rooms at the back of Frau Erlin’s house, and one of them, arranged as a parlour, was comfortable enough for him to invite people to sit in. After supper, urged perhaps by the impish humour which was the despair of his friends in Cambridge, Mass., he often asked Philip and Hayward to come in for a chat. He received them with elaborate courtesy and insisted on their sitting in the only two comfortable chairs in the room. Though he did not drink himself, with a politeness of which Philip recognised the irony, he put a couple of bottles of beer at Hayward’s elbow, and he insisted on lighting matches whenever in the heat of argument Hayward’s pipe went out. At the beginning of their acquaintance Hayward, as a member of so celebrated a university, had adopted a patronising attitude towards Weeks, who was a graduate of Harvard; and
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