Poetry by John Keats (ebook reader color screen .txt) đ
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John Keatsâ poems are a major part of the second wave of English Romantic poetry. They portray settings loaded with symbolism and sensuality, and draw heavily on Greek and Roman myth along with romanticised tales of chivalry. Keats died in 1821 at the young age of 25, having written the majority of his work in less than four years. While not appreciated during his lifetime, he has gone on to become one of the most loved of the Romantic poets, and has provided inspiration to authors as diverse as Oscar Wilde, Wilfred Owen and Neil Gaiman.
This collection includes among others early work such as âOn Death,â the six odes written in 1819, his two epics Hyperion and Endymion, and âTo Autumn,â now widely considered to be one of the best English short poems. Keatsâ works are presented here in chronological order, and include the poems published in his lifetime and other unfinished fragments and posthumous verse.
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- Author: John Keats
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This dusk religion, pomp of solitude,
And the Promethean clay by thief endued,
By old Saturnusâ forelock, by his head
Shook with eternal palsy, I did wed
Myself to things of light from infancy;
And thus to be cast out, thus lorn to die,
Is sure enough to make a mortal man
Grow impious.â So he inwardly began
On things for which no wording can be found;
Deeper and deeper sinking, until drownâd
Beyond the reach of music: for the choir
Of Cynthia he heard not, though rough brier
Nor muffling thicket interposed to dull
The vesper hymn, far swollen, soft and full,
Through the dark pillars of those sylvan aisles.
He saw not the two maidens, nor their smiles,
Wan as primroses gatherâd at midnight
By chilly-fingerâd spring. âUnhappy wight!
Endymion!â said Peona, âwe are here!
What wouldst thou ere we all are laid on bier?
Then he embraced her, and his ladyâs hand
Pressâd, saying: âSister, I would have command,
If it were heavenâs will, on our sad fate.â
At which that dark-eyed stranger stood elate
And said, in a new voice, but sweet as love,
To Endymionâs amaze: âBy Cupidâs dove,
And so thou shalt! and by the lily truth
Of my own breast thou shalt, beloved youth!â
And as she spake, into her face there came
Light, as reflected from a silver flame:
Her long black hair swellâd ampler, in display
Full golden; in her eyes a brighter day
Dawnâd blue, and full of love. Aye, he beheld
PhĆbe, his passion! joyous she upheld
Her lucid bow, continuing thus: âDrear, drear
Has our delaying been; but foolish fear
Withheld me first; and then decrees of fate;
And then âtwas fit that from this mortal state
Thou shouldst, my love, by some unlookâd-for change
Be spiritualized. Peona, we shall range
These forests, and to thee they safe shall be
As was thy cradle; hither shalt thou flee
To meet us many a time.â Next Cynthia bright
Peona kissâd, and blessâd with fair good night:
Her brother kissâd her too, and knelt adown
Before his goddess, in a blissful swoon.
She gave her fair hands to him, and behold,
Before three swiftest kisses he had told,
They vanishâd far away!â âPeona went
Home through the gloomy wood in wonderment. On Oxford
The Gothic looks solemn,
The plain Doric column
Supports an old Bishop and Crozier;
The mouldering arch,
Shaded oâer by a larch,
Stands next door to Wilson the Hosier.
Vice,â âthat is, by turns,â â
Oâer pale faces mourns
The black tassellâd trencher and common hat;
The charity boy sings,
The Steeple-bell rings
And as for the Chancellorâ âdominat.
There are plenty of trees,
And plenty of ease,
And plenty of fat deer for Parsons;
And when it is venison,
Short is the benison,â â
Then each on a leg or thigh fastens.
Think not of it, sweet one, so;â â
Give it not a tear;
Sigh thou mayst, and bid it go
Anyâ âany where.
Do not look so sad, sweet one,â â
Sad and fadingly;
Shed one drop, then it is gone,
Oh! âtwas born to die!
Still so pale? then dearest weep;
Weep, Iâll count the tears,
For each will I invent a bliss
For thee in after years.
Brighter has it left thine eyes
Than a sunny rill;
And thy whispering melodies
Are more tender still.
Yetâ âas all things mourn awhile
At fleeting blisses;
Eâen let us too; but be our dirge
A dirge of kisses.
Unfelt, unheard, unseen,
Iâve left my little queen,
Her languid arms in silver slumber lying:
Ah! through their nestling touch,
Whoâ âwho could tell how much
There is for madnessâ âcruel, or complying?
Those faery lids how sleek!
Those lips how moist!â âthey speak,
In ripest quiet, shadows of sweet sounds:
Into my fancyâs ear
Melting a burden dear,
How âLove doth know no fulness, and no bounds.â
True!â âtender monitors!
I bend unto your laws:
This sweetest day for dalliance was born!
So, without more ado,
Iâll feel my heaven anew,
For all the blushing of the hasty morn.
In a drear-nighted December
Too happy, happy tree,
Thy branches neâer remember
Their green felicity:
The north cannot undo them,
With a sleety whistle through them
Nor frozen thawings glue them
From budding at the prime.
In a drear-nighted December,
Too happy, happy brook,
Thy bubblings neâer remember
Apolloâs summer look;
But with a sweet forgetting,
They stay their crystal fretting,
Never, never petting
About the frozen time.
Ah! would âtwere so with many
A gentle girl and boy!
But were there ever any
Writhâd not at passĂšd joy?
To know the change and feel it,
When there is none to heal it,
Nor numbĂšd sense to steal it,
Was never said in rhyme.
Cat! who hast passâd thy grand climacteric,
How many mice and rats hast in thy days
Destroyâd?â âHow many tit-bits stolen? Gaze
With those bright languid segments green, and prick
Those velvet earsâ âbut prâythee do not stick
Thy latent talons in meâ âand upraise
Thy gentle mewâ âand tell me all thy frays
Of fish and mice, and rats and tender chick:
Nay, look not down, nor lick thy dainty wrists
For all the wheezy asthma,â âand for all
Thy tailâs tip is nickâd offâ âand though the fists
Of many a maid has given thee many a maul,
Still is that fur as soft as when the lists
In youth thou enterâdst on glass-bottled wall.
O blush not so! O blush not so!
Or I shall think you knowing;
And if you smile the blushing while,
Then maidenheads are going.
Thereâs a blush for wonât, and a blush for shanât,
And a blush for having done it:
Thereâs a blush for thought and a blush for nought,
And a blush for just begun it.
O sigh not so! O sigh not so!
For it sounds of Eveâs sweet Pippin;
By these loosenâd lips you have tasted the pips
And fought in an amorous nipping.
Will you play once more at nice-cut-core,
For it only will last our youth out,
And we have the prime of the kissing time,
We have not one sweet tooth out.
Thereâs a sigh for yes, and a sigh for no,
And a sigh for I canât bear it!
O what can be done, shall we stay or run?
O cut the sweet apple and share it!
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