The Way of All Flesh by Samuel Butler (beautiful books to read .TXT) 📕
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The Way of All Flesh is often considered to be Samuel Butler’s masterpiece, and is frequently included in many lists of best English-language novels of the 20th century. Despite this acclaim, Butler never published it in his lifetime—perhaps because the novel, a scathing, funny, and poignant satire of Victorian life, would have hit his contemporaries too close to home.
The novel traces four generations of the Pontifex family, though the central character is Ernest Pontifex, the third-generation wayward son. The reader follows Ernest through the eyes of his watchful godfather, Mr. Overton, as he strikes out from home to find his way in life. His struggles along the way illustrate the complex relationships between a son and his family, and especially his father; all while satirizing Victorian ideas about family, church, marriage, and schooling.
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- Author: Samuel Butler
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I once had the honour of playing a game of chess with this great man. It was during the Christmas holidays, and I had come down to Roughborough for a few days to see Alethea Pontifex (who was then living there) on business. It was very gracious of him to take notice of me, for if I was a light of literature at all it was of the very lightest kind.
It is true that in the intervals of business I had written a good deal, but my works had been almost exclusively for the stage, and for those theatres that devoted themselves to extravaganza and burlesque. I had written many pieces of this description, full of puns and comic songs, and they had had a fair success, but my best piece had been a treatment of English history during the Reformation period, in the course of which I had introduced Cranmer, Sir Thomas More, Henry the Eighth, Catherine of Arragon, and Thomas Cromwell (in his youth better known as the Malleus Monachorum), and had made them dance a breakdown. I had also dramatised The Pilgrim’s Progress for a Christmas Pantomime, and made an important scene of Vanity Fair, with Mr. Greatheart, Apollyon, Christiana, Mercy, and Hopeful as the principal characters. The orchestra played music taken from Handel’s best known works, but the time was a good deal altered, and altogether the tunes were not exactly as Handel left them. Mr. Greatheart was very stout and he had a red nose; he wore a capacious waistcoat, and a shirt with a huge frill down the middle of the front. Hopeful was up to as much mischief as I could give him; he wore the costume of a young swell of the period, and had a cigar in his mouth which was continually going out.
Christiana did not wear much of anything: indeed it was said that the dress which the Stage Manager had originally proposed for her had been considered inadequate even by the Lord Chamberlain, but this is not the case. With all these delinquencies upon my mind it was natural that I should feel convinced of sin while playing chess (which I hate) with the great Dr. Skinner of Roughborough—the historian of Athens and editor of Demosthenes. Dr. Skinner, moreover, was one of those who pride themselves on being able to set people at their ease at once, and I had been sitting on the edge of my chair all the evening. But I have always been very easily overawed by a schoolmaster.
The game had been a long one, and at half-past nine, when supper came in, we had each of us a few pieces remaining. “What will you take for supper, Dr. Skinner?” said Mrs. Skinner in a silvery voice.
He made no answer for some time, but at last in a tone of almost superhuman solemnity, he said, first, “Nothing,” and then “Nothing whatever.”
By and by, however, I had a sense come over me as though I were nearer the consummation of all things than I had ever yet been. The room seemed to grow dark, as an expression came over Dr. Skinner’s face, which showed that he was about to speak. The expression gathered force, the room grew darker and darker. “Stay,” he at length added, and I felt that here at any rate was an end to a suspense which was rapidly becoming unbearable. “Stay—I may presently take a glass of cold water—and a small piece of bread and butter.”
As he said the word “butter” his voice sank to a hardly audible whisper; then there was a sigh as though of relief when the sentence was concluded, and the universe this time was safe.
Another ten minutes of solemn silence finished the game. The Doctor rose briskly from his seat and placed himself at the supper table. “Mrs. Skinner,” he exclaimed jauntily, “what are those mysterious-looking objects surrounded by potatoes?”
“Those are oysters, Dr. Skinner.”
“Give me some, and give Overton some.”
And so on till he had eaten a good plate of oysters, a scallop shell of minced veal nicely browned, some apple tart, and a hunk of bread and cheese. This was the small piece of bread and butter.
The cloth was now removed and tumblers with teaspoons in them, a lemon or two and a jug of boiling water were placed upon the table. Then the great man unbent. His face beamed.
“And what shall it be to drink?” he exclaimed persuasively. “Shall it be brandy and water? No. It shall be gin and water. Gin is the more wholesome liquor.”
So gin it was, hot and stiff too.
Who can wonder at him or do anything but pity him? Was he not headmaster of Roughborough School? To whom had he owed money at any time? Whose ox had he taken, whose ass had he taken, or whom had he defrauded? What whisper had ever been breathed against his moral character? If he had become rich it was by the most honourable of all means—his literary attainments; over and above his great works of scholarship, his Meditations Upon the
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