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with her knows. And once she knows she is sure to have told others. But what’s to be done? I am acting badly,” thought Eugène, “but what’s one to do? Anyhow it is not for long.”

What chiefly disturbed Eugène was the thought of the husband. At first for some reason it seemed to him that the husband must be a poor sort, and this as it were partly justified his conduct. But he saw the husband and was struck by his appearance: he was a fine fellow and smartly dressed, in no way a worse man than himself, but surely better. At their next meeting he told her he had seen her husband and had been surprised to see that he was such a fine fellow.

“There’s not another man like him in the village,” said she proudly.

This surprised Eugène, and the thought of the husband tormented him still more after that. He happened to be at Daniel’s one day and Daniel, having begun chatting said to him quite openly:

“And Michael asked me the other day: ‘Is it true that the master is living with my wife?’ I said I did not know. ‘Anyway,’ I said, ‘better with the master than with a peasant.’ ”

“Well, and what did he say?”

“He said: ‘Wait a bit. I’ll get to know and I’ll give it her all the same.’ ”

“Yes, if the husband returned to live here I would give her up,” thought Eugène.

But the husband lived in town and for the present their intercourse continued.

“When necessary I will break it off, and there will be nothing left of it,” thought he.

And this seemed to him certain, especially as during the whole summer many different things occupied him very fully: the erection of the new farmhouse, and the harvest and building, and above all meeting the debts and selling the wasteland. All these were affairs that completely absorbed him and on which he spent his thoughts when he lay down and when he got up. All that was real life. His intercourse⁠—he did not even call it connection⁠—with Stepanída he paid no attention to. It is true that when the wish to see her arose it came with such strength that he could think of nothing else. But this did not last long. A meeting was arranged, and he again forgot her for a week or even for a month.

In autumn Eugène often rode to town, and there became friendly with the Ánnenskis. They had a daughter who had just finished the Institute.287 And then, to Mary Pávlovna’s great grief, it happened that Eugène “cheapened himself,” as she expressed it, by falling in love with Liza Ánnenskaya and proposing to her.

From that time his relations with Stepanída ceased.

V

It is impossible to explain why Eugène chose Liza Ánnenskaya, as it is always impossible to explain why a man chooses this and not that woman. There were many reasons⁠—positive and negative. One reason was that she was not a very rich heiress such as his mother sought for him, another that she was naive and to be pitied in her relations with her mother, another that she was not a beauty who attracted general attention to herself, and yet she was not bad-looking. But the chief reason was that his acquaintance with her began at the time when he was ripe for marriage. He fell in love because he knew that he would marry.

Liza Ánnenskaya was at first merely pleasing to Eugène, but when he decided to make her his wife his feelings for her became much stronger. He felt that he was in love.

Liza was tall, slender, and long. Everything about her was long; her face, and her nose (not prominently but downwards), and her fingers, and her feet. The colour of her face was very delicate, creamy white and delicately pink; she had long, soft, and curly, light-brown hair, and beautiful eyes, clear, mild, and confiding. Those eyes especially struck Eugène, and when he thought of Liza he always saw those clear, mild, confiding eyes.

Such was she physically; he knew nothing of her spiritually, but only saw those eyes. And those eyes seemed to tell him all he needed to know. The meaning of their expression was this:

While still in the Institute, when she was fifteen, Liza used continually to fall in love with all the attractive men she met and was animated and happy only when she was in love. After leaving the Institute she continued to fall in love in just the same way with all the young men she met, and of course fell in love with Eugène as soon as she made his acquaintance. It was this being in love which gave her eyes that particular expression which so captivated Eugène. Already that winter she had been in love with two young men at one and the same time, and blushed and became excited not only when they entered the room but whenever their names were mentioned. But afterwards, when her mother hinted to her that Irténev seemed to have serious intentions, her love for him increased so that she became almost indifferent to the two previous attractions, and when Irténev began to come to their balls and parties and danced with her more than with others and evidently only wished to know whether she loved him, her love for him became painful. She dreamed of him in her sleep and seemed to see him when she was awake in a dark room, and everyone else vanished from her mind. But when he proposed and they were formally engaged, and when they had kissed one another and were a betrothed couple, then she had no thoughts but of him, no desire but to be with him, to love him, and to be loved by him. She was also proud of him and felt emotional about him and herself and her love, and quite melted and felt faint from love of him.

The more he got to

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