Some Do Not … by Ford Madox Ford (story read aloud txt) 📕
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Some Do Not … opens at the cusp of World War I. Christopher Tietjens, a government statistician, and his friend Vincent Macmaster, an aspiring literary critic, are visiting the English countryside. Tietjens, preoccupied with his disastrous marriage, meets Valentine Wannop, a suffragette, during a round of golf. As their love story develops, the novel explores the horrors of the war without the narrative ever entering the battlefield.
The characters are complex and nuanced. Tietjens is an old-fashioned man even by the standards of his day; he’s concerned with honor and doing the right thing, but he lives in a society that only pays those values lip service. Yet he himself isn’t free of a thread of hypocrisy: he won’t leave his deeply unhappy marriage because that would be the wrong way to act, but the reader is left wondering if he tolerates his situation simply because he married up in class. He wants to do to the noble and right thing, but does that mean going to war?
The men and women around him each have their individual motivations, and they are often conniving and unlikable in their aspirations even as the propaganda of England at war paints the country as a moral and heroic one. The delicate interplay of each character’s subtleties paints a rich portrait of 1920s English society, as the romantic ideals of right and wrong clash with notions of ambition and practicality.
The prose is unapologetically modernist: unannounced time shifts combine with a stream-of-consciousness style that can often be dense. Yet Ford’s portrayal of shell shock, the politics of women in the 1920s, and the moral greyness of wartime is groundbreaking. The book, and its complete tetralogy—called Parade’s End—has garnered praise from critics and authors alike, with Anthony Burgess calling it “the finest novel about the First World War” and William Carlos Williams stating that the novels “constitute the English prose masterpiece of their time.”
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- Author: Ford Madox Ford
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This kept Tietjens sitting there. He was quite aware that he had tears in his eyes; this was almost too much tenderness to bear, and, at bottom his was a perfectly direct, simple and sentimental soul. He always had bedewed eyes at the theatre, after tender love scenes and so avoided the theatre. He asked himself twice whether he should or shouldn’t make another effort, though it was almost beyond him. He wanted to sit still.
The stroking stopped; he scrambled on to his feet:
“Mrs. Wannop,” he said, facing her, “it’s perfectly true. I oughtn’t to care what these swine say about me, but I do. I’ll reflect about what you say till I get it into my system …”
She said:
“Yes, yes! My dear,” and continued to gaze at the photograph:
“But,” Tietjens said; he took her mittened hand and led her back to her chair: “What I’m concerned for at the moment is not my reputation, but your daughter Valentine’s.”
She sank down into the high chair, balloon-like and came to rest.
“Val’s reputation!” she said, “Oh! you mean they’ll be striking her off their visiting lists. It hadn’t struck me. So they will!” She remained lost in reflection for a long time.
Valentine was in the room, laughing a little. She had been giving the handy man his dinner, and was still amused at his commendations of Tietjens.
“You’ve got one admirer,” she said to Tietjens. “ ‘Punched that rotten strap,’ he goes on saying, ‘like a gret ol’ yaffle punchin’ a ’ollow log!’ He’s had a pint of beer and said it between each gasp.” She continued to narrate the quaintnesses of Joel which appealed to her; informed Tietjens that “yaffle” was Kentish for great green woodpecker; and then said:
“You haven’t got any friends in Germany, have you?” She was beginning to clear the table.
Tietjens said:
“Yes; my wife’s in Germany; at a place called Lobscheid.”
She placed a pile of plates on a black japanned tray.
“I’m so sorry,” she said, without an expression of any deep regret. “It’s the ingenious clever stupidities of the telephone. I’ve got a telegraph message for you, then. I thought it was the subject for mother’s leader. It always comes through with the initials of the paper which are not unlike Tietjens, and the girl who always sends it is called Hopside. It seemed rather inscrutable, but I took it to have to do with German politics and I thought mother would understand it. … You’re not both asleep, are you?”
Tietjens opened his eyes; the girl was standing over him, having approached from the table. She was holding out a slip of paper on which she had transcribed the message. She appeared all out of drawing and the letters of the message ran together. The message was:
“Righto. But arrange for certain Hullo Central travels with you. Sylvia Hopside Germany.”
Tietjens leaned back for a long time looking at the words; they seemed meaningless. The girl placed the paper on his knee, and went back to the table. He imagined the girl wrestling with these incomprehensibilities on the telephone.
“Of course if I’d had any sense,” the girl said, “I should have known it couldn’t have been mother’s leader note; she never gets one on a Saturday.”
Tietjens heard himself announce clearly, loudly and with between each word a pause:
“It means I go to my wife on Tuesday and take her maid with me.”
“Lucky you!” the girl said, “I wish I was you. I’ve never been in the Fatherland of Goethe and Rosa Luxemburg.” She went off with her great tray load, the table cloth over her forearm. He was dimly aware that she had before then removed the crumbs with a crumb-brush. It was extraordinary with what swiftness she worked, talking all the time. That was what domestic service had done for her; an ordinary young lady would have taken twice the time, and would certainly have dropped half her words if she had tried to talk. Efficiency! He had only just realised that he was going back to Sylvia, and of course to Hell! Certainly it was Hell. If a malignant and skilful devil … though the devil of course is stupid and uses toys like fireworks and sulphur; it is probably only God who can, very properly, devise the long ailings of mental oppressions … if God then desired (and one couldn’t object but one hoped He would not!) to devise for him, Christopher Tietjens, a cavernous eternity of weary hopelessness. … But He had done it; no doubt as retribution. What for? Who knows what sins of his own are heavily punishable in the eyes of God, for God is just? … Perhaps God, then, after all, visits thus heavily sexual offences.
There came back into his mind, burnt in, the image of their breakfast-room, with all the brass, electrical fixings, poachers, toasters, grillers, kettle-heaters, that he detested for their imbecile inefficiency; with gross piles of hothouse flowers—that he detested for their exotic waxennesses!—with white enamelled panels that he disliked and framed, weak prints—quite genuine of course, my dear, guaranteed so by Sotheby—pinkish women in sham Gainsborough hats, selling mackerel or brooms. A wedding present that he despised. And Mrs. Satterthwaite, in negligee, but with an immense
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