The House of Mirth by Edith Wharton (if you liked this book .TXT) 📕
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The House of Mirth is Edith Wharton’s biting critique of New York’s upper classes around the end of the 19th century. The novel follows socialite Lily Bart as she struggles to maintain a precarious position among her wealthy friends in the face of her own diminished finances and fading youth. Lily has resolved to gain social and financial security by marrying into wealth, but callous rivals and her own second thoughts undermine Lily’s plans.
Wharton’s insights into high society were largely built on her own experiences growing up among the upper crust, and her confident portrayal of a morally lax aristocracy found an eager audience. The novel sold over a hundred thousand copies within a few months of its release and became her first great success as a published author.
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- Author: Edith Wharton
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When the opening night of the opera came, her apprehensions had so completely vanished that the sight of Trenor’s ruddy countenance in the back of Mr. Rosedale’s box filled her with a sense of pleasant reassurance. Lily had not quite reconciled herself to the necessity of appearing as Rosedale’s guest on so conspicuous an occasion, and it was a relief to find herself supported by anyone of her own set—for Mrs. Fisher’s social habits were too promiscuous for her presence to justify Miss Bart’s.
To Lily, always inspirited by the prospect of showing her beauty in public, and conscious tonight of all the added enhancements of dress, the insistency of Trenor’s gaze merged itself in the general stream of admiring looks of which she felt herself the centre. Ah, it was good to be young, to be radiant, to glow with the sense of slenderness, strength and elasticity, of well-poised lines and happy tints, to feel one’s self lifted to a height apart by that incommunicable grace which is the bodily counterpart of genius!
All means seemed justifiable to attain such an end, or rather, by a happy shifting of lights with which practice had familiarized Miss Bart, the cause shrank to a pinpoint in the general brightness of the effect. But brilliant young ladies, a little blinded by their own effulgence, are apt to forget that the modest satellite drowned in their light is still performing its own revolutions and generating heat at its own rate. If Lily’s poetic enjoyment of the moment was undisturbed by the base thought that her gown and opera cloak had been indirectly paid for by Gus Trenor, the latter had not sufficient poetry in his composition to lose sight of these prosaic facts. He knew only that he had never seen Lily look smarter in her life, that there wasn’t a woman in the house who showed off good clothes as she did, and that hitherto he, to whom she owed the opportunity of making this display, had reaped no return beyond that of gazing at her in company with several hundred other pairs of eyes.
It came to Lily therefore as a disagreeable surprise when, in the back of the box, where they found themselves alone between two acts, Trenor said, without preamble, and in a tone of sulky authority: “Look here, Lily, how is a fellow ever to see anything of you? I’m in town three or four days in the week, and you know a line to the club will always find me, but you don’t seem to remember my existence nowadays unless you want to get a tip out of me.”
The fact that the remark was in distinctly bad taste did not make it any easier to answer, for Lily was vividly aware that it was not the moment for that drawing up of her slim figure and surprised lifting of the brows by which she usually quelled incipient signs of familiarity.
“I’m very much flattered by your wanting to see me,” she returned, essaying lightness instead, “but, unless you have mislaid my address, it would have been easy to find me any afternoon at my aunt’s—in fact, I rather expected you to look me up there.”
If she hoped to mollify him by this last concession the attempt was a failure, for he only replied, with the familiar lowering of the brows that made him look his dullest when he was angry: “Hang going to your aunt’s, and wasting the afternoon listening to a lot of other chaps talking to you! You know I’m not the kind to sit in a crowd and jaw—I’d always rather clear out when that sort of circus is going on. But why can’t we go off somewhere on a little lark together—a nice quiet little expedition like that drive at Bellomont, the day you met me at the station?”
He leaned unpleasantly close in order to convey this suggestion, and she fancied she caught a significant aroma which explained the dark flush on his face and the glistening dampness of his forehead.
The idea that any rash answer might provoke an unpleasant outburst tempered her disgust with caution, and she answered with a laugh: “I don’t see how one can very well take country drives in town, but I am not always surrounded by an admiring throng, and if you will let me know what afternoon you are coming I will arrange things so that we can have a nice quiet talk.”
“Hang talking! That’s what you always say,” returned Trenor, whose expletives lacked variety. “You put me off with that at the Van Osburgh wedding—but the plain English of it is that, now you’ve got what you wanted out of me, you’d rather have any other fellow about.”
His voice had risen sharply with the last words, and Lily flushed with annoyance, but she kept command of the situation and laid a persuasive hand on his arm.
“Don’t be foolish, Gus; I can’t let you talk to me in that ridiculous way. If you really want to see me, why shouldn’t we take a walk in the Park some afternoon? I agree with you that it’s amusing to be rustic in town, and if you like I’ll meet you there, and we’ll go and feed the squirrels, and you shall take me out on the lake in the steam-gondola.”
She smiled as she spoke, letting her eyes rest on his in a way that took the edge from her banter and made him suddenly malleable to her will.
“All right, then: that’s a go. Will you come tomorrow? Tomorrow at three o’clock, at the end of
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