Zuleika Dobson by Max Beerbohm (i am reading a book TXT) ๐
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Max Beerbohm earned his fame as a caricaturist and essayist, and Zuleika Dobson is his only novel. Despite that, Zuleika has earned no small measure of fame, with the Modern Library ranking it 59th in its โ100 Best English-Language Novels of the 20th Century.โ Beerbohmโs essays were famous for their sharp wit and humor, and Zuleika follows in that traditionโBeerbohm himself called the novel โthe work of a leisurely essayist amusing himself with a narrative idea.โ
The novel follows Zuleika Dobson, a rather talentless woman of middling looks who nonetheless holds an almost mystical power of attraction over the men she comes in contact with. When she begins attending Oxford, she catches the eye of not just the Duke of Dorset, but of the entire male class.
Zuleika is both an easy comedy and a biting satire of Edwardian social mores and of the male-dominated Oxford student culture. Beerbohm also seems to forecast with eerie accuracy the cultural obsession with talentless celebrity that came to dominate the turn of the 21st century.
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- Author: Max Beerbohm
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And then, as though Oxford herself were speaking up to me, the air vibrated with a sweet noise of music. It was the hour of one; the end of the Dukeโs hour of grace. Through the silvery tangle of sounds from other clocks I floated quickly down to the Broad.
XIIII had on the way a horrible apprehension. What if the Duke, in his agony, had taken the one means to forgetfulness? His room, I could see, was lit up; but a man does not necessarily choose to die in the dark. I hovered, afraid, over the dome of the Sheldonian. I saw that the window of the room above the Dukeโs was also lit up. And there was no reason at all to doubt the survival of Noaks. Perhaps the sight of him would hearten me.
I was wrong. The sight of Noaks in his room was as dismal a thing as could be. With his chin sunk on his breast, he sat there, on a rickety chair, staring up at the mantelpiece. This he had decked out as a sort of shrine. In the centre, aloft on an inverted tin that had contained Abernethy biscuits, stood a blue plush frame, with an inner rim of brass, several sizes too big for the picture-postcard installed in it. Zuleikaโs image gazed forth with a smile that was obviously not intended for the humble worshipper at this execrable shrine. On either side of her stood a small vase, one holding some geraniums, the other some mignonette. And just beneath her was placed that iron ring which, rightly or wrongly, Noaks supposed to alleviate rheumatismโ โthat same iron ring which, by her touch tonight, had been charged for him with a yet deeper magic, insomuch that he dared no longer wear it, and had set it before her as an oblation.
Yet, for all his humility, he was possessed by a spirit of egoism that repelled me. While he sat peering over his spectacles at the beauteous image, he said again and again to himself, in a hollow voice, โI am so young to die.โ Every time he said this, two large, pear-shaped tears emerged from behind his spectacles, and found their way to his waistcoat. It did not seem to strike him that quite half of the undergraduates who contemplated deathโ โand contemplated it in a fearless, wholesome, manly fashionโ โwere his juniors. It seemed to seem to him that his own death, even though all those other far brighter and more promising lives than his were to be sacrificed, was a thing to bother about. Well, if he did not want to die, why could he not have, at least, the courage of his cowardice? The world would not cease to revolve because Noaks still clung to its surface. For me the whole tragedy was cheapened by his participation in it. I was fain to leave him. His squint, his short legs dangling towards the floor, his tear-sodden waistcoat, and his refrain โI am so young to die,โ were beyond measure exasperating. Yet I hesitated to pass into the room beneath, for fear of what I might see there.
How long I might have paltered, had no sound come from that room, I know not. But a sound came, sharp and sudden in the night, instantly reassuring. I swept down into the presence of the Duke.
He stood with his head flung back and his arms folded, gorgeous in a dressing-gown of crimson brocade. In animation of pride and pomp, he looked less like a mortal man than like a figure from some great biblical group by Paul Veronese.
And this was he whom I had presumed to pity! And this was he whom I had half expected to find dead.
His face, usually pale, was now red; and his hair, which no eye had ever yet seen disordered, stood up in a glistening shock. These two changes in him intensified the effect of vitality. One of them, however, vanished as I watched it. The Dukeโs face resumed its pallor. I realised then that he had but blushed; and I realised, simultaneously, that what had called that blush to his cheek was what had also been the signal to me that he was alive. His blush had been a pendant to his sneeze. And his sneeze had been a pendant to that outrage which he had been striving to forget. He had caught cold.
He had caught cold. In the hour of his soulโs bitter need, his body had been suborned against him. Base! Had he not stripped his body of its wet vesture? Had he not vigorously dried his hair, and robed himself in crimson, and struck in solitude such attitudes as were most congruous with his high spirit and high rank? He had set himself to crush remembrance of that by which through his body his soul had been assailed. And well had he known that in this conflict a giant demon was his antagonist. But that his own body would play traitorโ โno, this he had not foreseen. This was too base a thing to be foreseen.
He stood quite still, a figure orgulous and splendent. And it seemed as though the hot night, too, stood still, to watch him, in awe, through the open
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