Madame Bovary by Gustave Flaubert (great reads txt) 📕
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Madame Bovary, often ranked among the greatest novels of all time, is Flaubert’s first novel, and considered to be both his masterpiece and one of the most influential works in literary history, with authors from Henry James to Proust to Nabokov heaping it with praise.
The novel tells the story of Emma Bovary, a commoner wife of a country doctor, and her attempts to escape the drudgery of day-to-day mediocrity by engaging in adulterous affairs and overspending on luxuries. She remains unsatisfied even though her husband adores her and they want for little, and her shallowness eventually leads to their ruin.
The story was first serialized in Revue de Paris, where prosecutors tried to have it censored for obscenity, arguing that not only is the story immoral, but that realism as a literary style is an offence against art and decency. The trial only served to increase the story’s fame, and when it was published as a single novel it quickly became a bestseller.
The novel is groundbreaking in its emphasis on the psychological and emotional lives of its characters. Literature up to then had mostly focusing on the external events that make characters react, instead of focusing on the internal thought processes of those characters. Madame Bovary changed that forever. It was also revolutionary in its criticism of the middle class, which at the time was a still-new social class vying for elbow room between the working poor and hereditary aristocracy. Flaubert critiqued the middle class as being ambitious, shallow, greedy, materialistic, and totally without culture; Emma’s burning desire to reach even higher social strata, contrasted against that satisfaction being fundamentally denied to her by her middle-class nature, is an early echo of Marx’s theory of alienation in industrial societies.
Today Madame Bovary, with its careful but charming description of the banality of everyday life, is considered the first great example of literary realism in fiction novels. Eleanor Marx-Aveling’s translation, though over a hundred years old, is remarkably fresh and smooth, and is a pleasure even for modern readers.
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- Author: Gustave Flaubert
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“What! you didn’t know it? There is to be an execution in next week. It’s Lheureux who is selling him out; he has killed him with bills.”
“What a terrible catastrophe!” cried the druggist, who always found expressions in harmony with all imaginable circumstances.
Then the landlady began telling him the story that she had heard from Theodore, Monsieur Guillaumin’s servant, and although she detested Tellier, she blamed Lheureux. He was “a wheedler, a sneak.”
“There!” she said. “Look at him! he is in the market; he is bowing to Madame Bovary, who’s got on a green bonnet. Why, she’s taking Monsieur Boulanger’s arm.”
“Madame Bovary!” exclaimed Homais. “I must go at once and pay her my respects. Perhaps she’ll be very glad to have a seat in the enclosure under the peristyle.” And, without heeding Madame Lefrançois, who was calling him back to tell him more about it, the druggist walked off rapidly with a smile on his lips, with straight knees, bowing copiously to right and left, and taking up much room with the large tails of his frock-coat that fluttered behind him in the wind.
Rodolphe, having caught sight of him from afar, hurried on, but Madame Bovary lost her breath; so he walked more slowly, and, smiling at her, said in a rough tone—
“It’s only to get away from that fat fellow, you know, the druggist.” She pressed his elbow.
“What’s the meaning of that?” he asked himself. And he looked at her out of the corner of his eyes.
Her profile was so calm that one could guess nothing from it. It stood out in the light from the oval of her bonnet, with pale ribbons on it like the leaves of weeds. Her eyes with their long curved lashes looked straight before her, and though wide open, they seemed slightly puckered by the cheekbones, because of the blood pulsing gently under the delicate skin. A pink line ran along the partition between her nostrils. Her head was bent upon her shoulder, and the pearl tips of her white teeth were seen between her lips.
“Is she making fun of me?” thought Rodolphe.
Emma’s gesture, however, had only been meant for a warning; for Monsieur Lheureux was accompanying them, and spoke now and again as if to enter into the conversation.
“What a superb day! Everybody is out! The wind is east!”
And neither Madame Bovary nor Rodolphe answered him, whilst at the slightest movement made by them he drew near, saying, “I beg your pardon!” and raised his hat.
When they reached the farrier’s house, instead of following the road up to the fence, Rodolphe suddenly turned down a path, drawing with him Madame Bovary. He called out—
“Good evening, Monsieur Lheureux! See you again presently.”
“How you got rid of him!” she said, laughing.
“Why,” he went on, “allow oneself to be intruded upon by others? And as today I have the happiness of being with you—”
Emma blushed. He did not finish his sentence. Then he talked of the fine weather and of the pleasure of walking on the grass. A few daisies had sprung up again.
“Here are some pretty Easter daisies,” he said, “and enough of them to furnish oracles to all the amorous maids in the place.”
He added, “Shall I pick some? What do you think?”
“Are you in love?” she asked, coughing a little.
“H’m, h’m! who knows?” answered Rodolphe.
The meadow began to fill, and the housewives hustled you with their great umbrellas, their baskets, and their babies. One had often to get out of the way of a long file of country folk, servant-maids with blue stockings, flat shoes, silver rings, and who smelt of milk, when one passed close to them. They walked along holding one another by the hand, and thus they spread over the whole field from the row of open trees to the banquet tent.
But this was the examination time, and the farmers one after the other entered a kind of enclosure formed by a long cord supported on sticks.
The beasts were there, their noses towards the cord, and making a confused line with their unequal rumps. Drowsy pigs were burrowing in the earth with their snouts, calves were bleating, lambs baaing; the cows, on knees folded in, were stretching their bellies on the grass, slowly chewing the cud, and blinking their heavy eyelids at the gnats that buzzed round them. Ploughmen with bare arms were holding by the halter prancing stallions that neighed with dilated nostrils looking towards the mares. These stood quietly, stretching out their heads and flowing manes, while their foals rested in their shadow, or now and then came and sucked them. And above the long undulation of these crowded animals one saw some white mane rising in the wind like a wave, or some sharp horns sticking out, and the heads of men running about. Apart, outside the enclosure, a hundred paces off, was a large black bull, muzzled, with an iron ring in its nostrils, and who moved no more than if he had been in bronze. A child in rags was holding him by a rope.
Between the two lines the committeemen were walking with heavy steps, examining each animal, then consulting one another in a low voice. One who seemed of more importance now and then took notes in a book as he walked along. This was the president of the jury, Monsieur Derozerays de la Panville. As soon as he recognised Rodolphe he came forward quickly, and smiling amiably, said—
“What! Monsieur Boulanger, you are deserting us?”
Rodolphe protested that he was just coming. But when the president had disappeared—
“Ma foi!”11 said he, “I shall not go. Your company is better than his.”
And while poking fun at the show, Rodolphe, to move about more easily, showed the gendarme his blue card, and even stopped now and then in front of some fine beast, which Madame Bovary did not at all admire. He noticed this, and began jeering at the Yonville ladies and their dresses; then he apologised
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